Sleeping Beauty (1959 film) facts for kids
Quick facts for kidsSleeping Beauty
Original theatrical poster
|Produced by||Walt Disney|
|Written by||Erdman Penner|
|Narrated by||Marvin Miller|
|Music by||George Bruns (adapted from Tchaikovsky's Sleeping Beauty Ballet)|
|Editing by||Roy M. Brewer Jr.
|Studio||Walt Disney Productions|
|Distributed by||Buena Vista Distribution|
|Release date(s)||January 29, 1959|
|Running time||75 minutes|
|Money made||$51.6 million (United States/Canada)|
Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney based on Sleeping Beauty by Charles Perrault. The 16th Disney animated feature film, it was released to theaters on January 29, 1959, by Buena Vista Distribution. This was the last Disney adaptation of a fairy tale for some years; the studio did not return to the genre until 30 years later, after Walt Disney died in 1966, with the release of The Little Mermaid (1989).
It features the voices of Mary Costa, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Bill Shirley, Taylor Holmes, and Bill Thompson.
The film was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi, with additional story work by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the work of the Graunke Symphony Orchestra under the direction of George Bruns, are arrangements or adaptations of numbers from the 1890 Sleeping Beauty ballet by Pyotr Ilyich Tchaikovsky.
Sleeping Beauty was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen, following Disney's Lady and the Tramp four years earlier. The film was presented in Super Technirama 70 and 6-channel stereophonic sound in the first-run engagements. Initially, the film received mixed reviews and underperformed at the box office, though reception improved over time. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
After many childless years, King Stefan and Queen Leah welcome a daughter, the Princess Aurora. A holiday is proclaimed to pay homage to the princess. At her christening, Aurora is betrothed to Prince Phillip, the son of King Stefan's closest friend King Hubert, to unite their kingdoms.
Soon, the royal herald announces the arrival of three more guests: the three good fairies called Flora, Fauna, and Merryweather. Flora and Fauna bless Aurora with beauty and song, respectively, but Merryweather's gift is interrupted by Maleficent, an evil witch who is furious about not being invited by the kingdom. As retaliation, Maleficent curses the princess, proclaiming Aurora will prick her finger on the spindle of a spinning wheel and die before the sun sets on her sixteenth birthday. Although Maleficent's power is too strong to undo, Merryweather uses her gift to weaken the curse; instead of dying, Aurora will fall into a deep sleep until true love's kiss breaks the spell. Still concerned, King Stefan orders all the spinning wheels in the kingdom to be burned. The fairies know that Maleficent will not rest until she gets her way, so they convince the King and Queen to let Aurora live with them in a cottage hidden in the forest until she turns sixteen.
Aurora is renamed Briar Rose and grows into a beautiful young woman. She does not know her guardians are fairies since they have disguised themselves as peasants. On her sixteenth birthday, they ask her to gather berries so they can prepare a surprise party. Aurora befriends the animals of the forest and sings them a song, "Once Upon a Dream." Phillip, now a handsome young man, follows Aurora's voice and is instantly struck by her beauty and grace. She is initially startled, as she is not allowed to talk to strangers, but she and Phillip fall in love. She invites him to meet her godmothers at the cottage that evening.
Meanwhile, Merryweather and Flora argue over Aurora's gown's color, their magic attracting the attention of Maleficent's raven Diablo. Returning home, Aurora is thrilled to tell her guardians that she has fallen in love. Not knowing that Prince Phillip is the one, the fairies tell Aurora her true identity and that she is already betrothed. Diablo overhears the news and flies off to tell Maleficent. Heartbroken, Aurora cries in her room. Meanwhile, Phillip tells his father he wishes to marry a peasant girl, despite his betrothal to a princess, and Hubert is left devastated.
The fairies take Aurora to the castle to await her birthday celebrations and be reunited with her parents. Maleficent appears and lures Aurora into a dark tower with the spindle of a cursed spinning wheel, forcing Flora, Merryweather, and Fauna to stop her. But before they can, Aurora pricks her finger, fulfilling the curse, only moments before the sun sets. When the fairies arrive too late to save Aurora, Maleficent taunts the three fairies in their efforts to defeat her and reveal the sleeping princess before she disappears. Feeling heartbroken about what happened, the three fairies place the sleeping Aurora on a bed in the highest tower and cast a powerful spell on everyone in the kingdom, causing them to sleep until the spell on their princess is broken. After overhearing a brief sleepy conversation between the two kings, they realize that Phillip is the man Aurora fell in love with in the forest. They rush to find him, but they were too late as they discovered that Maleficent and her goons have abducted him. At the Forbidden Mountains, Maleficent shows Phillip the sleeping Princess Aurora and says she will lock him away until he is an old man on the verge of death. Only then will she release him to meet his love, who will not have aged a single day.
The fairies rescue Phillip, arming him with the magical Sword of Truth and Shield of Virtue and escape from the Forbidden Mountains. An enraged Maleficent surrounds the castle with thorns but fails to stop Phillip. She confronts him directly, transforming into an enormous black dragon. They battle, and Phillip throws the sword, blessed by the fairies, directly into Maleficent's heart, killing her.
Phillip awakens Aurora with a kiss, breaking the spell and waking the kingdom. The royal couple descends to the ballroom, where Aurora is reunited with her parents. Flora and Merryweather resume their dispute over Aurora's gown until it finally becomes pink while the couple shares a dance, living happily ever after.
|Role||Voice actor||Performance model|
|Princess Aurora||Mary Costa||Helene Stanley|
|Prince Phillip||Bill Shirley||Ed Kemmer|
|Maleficent||Eleanor Audley||Jane Fowler
|Fairies (Flora, Fauna and Merryweather)||Verna Felton
Barbara Jo Allen
|King Stefan||Taylor Holmes||Hans Conried|
|Queen Leah||Verna Felton||Jane Fowler|
|King Hubert||Bill Thompson||Don Barclay|
|Maleficent’s Goons||Bobby Amsberry, Candy Candido, Pinto Colvig||N/A|
- Marc Davis – (Princess Aurora, Maleficent)
- Milt Kahl – (Prince Phillip)
- Frank Thomas and Ollie Johnston – (The Three Good Fairies: Flora, Fauna, and Merryweather)
- John Lounsbery – (King Hubert, King Stefan)
Eric Larson did not animate any of the characters for the film; instead, he directed the entire "Forest" sequence which stretches from Briar Rose (a.k.a. Aurora) wandering through the forest with her animal friends all the way to Princess Aurora renamed Briar Rose running back home, promising Phillip they will meet again later in the evening. This was the only time Larson directed a sequence or a film during his tenure at Walt Disney Productions.
The animation style moved away from the Rococo of Cinderella and also does not simply draw on fashion and female beauty standards of the time and draws upon distinctive visual combination of Medieval art imagery and Art Deco design.
Kay Nielsen–whose sketches were the basis for Night on Bald Mountain in Fantasia–was the first to produce styling sketches for the film in 1952. The artistic style originated when John Hench observed the famed unicorn tapestries at the Cloisters located at the Metropolitan Museum of Art in New York City. When Hench returned to the Disney studios, he brought reproductions of the tapestries and showed them to Walt Disney, who replied, "Yeah, we could use that style for Sleeping Beauty."
Eyvind Earle joined Walt Disney Productions in 1951 first employed as an assistant background painter for Peter Pan before being promoted as a full-fledged background painter in the Goofy cartoon, "For Whom the Bulls Toil" and the color stylist of the Academy Award-winning short, Toot, Whistle, Plunk and Boom. For Sleeping Beauty, Earle said he "felt totally free to put my own style" into the paintings he based on Hench's drawings stating "Where his trees might have curved, I straightened them out…. I took a Hench and took the same subject, and the composition he had, and just turned in into my style." Furthermore, Earle found inspiration in French Renaissance utilizing works from Albrecht Dürer, Limbourg Brothers, Pieter Bruegel, Nicolaas van Eyck, Sandro Botticelli, as well as Persian art and Japanese prints. When Geronimi became the supervising director, Earle and Geronimi entered furious creative differences. Geronimi commented that he felt Earle's paintings "lacked the mood in a lot of things. All that beautiful detail in the trees, the bark, and all that, that's all well and good, but who the hell's going to look at that? The backgrounds became more important than the animation. He'd made them more like Christmas cards." Earle left the Disney studios in March 1958, before Sleeping Beauty was completed, to take a job at John Sutherland Productions. As a result, Geronimi had Earle's background paintings softened and diluted from their distinctive medieval texture.
Because of the artistic depth of Earle's backgrounds, it was decided for the characters to be stylized so they could appropriately match the backgrounds. While the layout artists and animators were impressed with Earle's paintings, they eventually grew depressed at working with a style that many of them regarded as too cold, too flat, and too modernist for a fairy tale. Nevertheless, Walt insisted on the visual design claiming that the inspirational art he commissioned in the past had homogenized the animators. Frank Thomas would complain to Ken Peterson, head of the animation department, of Earle's "very rigid design" because of the inhibiting effect on the animators that was less problematic than working with Mary Blair's designs, in which Peterson would respond that the design style was Walt's decision, and that, like it or not, they had to use it. Because of this, Thomas developed a red blotch on his face and had to visit the doctor each week to have it attended to. Production designer Ken Anderson also complained: "I had to fight myself to make myself draw that way." Another character animator on Aurora claimed their unit was so cautious about the drawings that the clean-up animators produced one drawing a day, which translated into one second of screen time per month.
Meanwhile, Tom Oreb was tasked as character stylist that would not only inhabit the style of the backgrounds, but also fit with the contemporary UPA style. Likewise with Earle's background styling, the animators complained that the character designs were too rigid to animate. Oreb had originally designed Aurora to resemble actress Audrey Hepburn, but according to animator Ron Dias, "Eyvind redesigned her. She became very angular, moving with more fluidity and elegance, but her design had a harder line. The edges of her dress became squarer, pointed even, and the back of her head came almost to a point rather than round and cuddly like the other Disney girls. It had to be done to complement the background." For Maleficent, animator Marc Davis drew from Czechoslovakian religious paintings and used "the red and black drapery in the back that looked like flames that I thought would be great to use. I took the idea of the collar partly from a bat, and the horns looked like a devil." However, in an act of artistic compromise, Earle, with final approval on the character designs, requested the change to lavender as red would come off too strong, in which Davis agreed to.
Veteran animators Frank Thomas and Ollie Johnston were assigned as directing animators over the three good fairies: Flora, Fauna and Merryweather. Walt Disney urged for the fairies to be more homogeneous, which Thomas and Johnston objected to, with Thomas stating they "thought 'that's not going to be any fun'. So we started figuring the other way and worked on how we could develop them into special personalities." John Lounsbery animated the "Skumps" sequence between Kings Hubert and Stefan. Chuck Jones, known for his work as an animation director with Warner Bros. Cartoons, was employed on the film for four months during its early conceptual stages when Warner Bros. Cartoons was closed when it was anticipated that 3-D film would replace animation as a box office draw. Following the failure of 3-D, and the reversal of Warner's decision, Jones returned to the other studio. His work on Sleeping Beauty, which he spent four months on, remained uncredited. Ironically, during his early years at Warner Bros., Jones was a heavy user of Disney-style animation until Tex Avery got Warner out of the Disney style. Another notable animator who worked on the film for part of its production was Don Bluth, who worked as an assistant animator to Lounsbery. Bluth would leave after two years but eventually came back in the 1970s.
In 1952, Mary Costa was invited to a dinner party where she sang "When I Fall in Love" at the then-named Los Angeles Conservatory of Music. Following the performance, she was approached by Walter Schumann who told her, "I don't want to shock you, but I've been looking (for Aurora) for three years, and I want to set up an audition. Would you do it?" Costa accepted the offer, and at her audition in the recording booth with George Bruns, she was asked to sing and do a bird call, which she did initially in her Southern accent until she was advised to do an English accent. The next day, she was informed by Walt Disney that she landed the role. Eleanor Audley initially turned down the choice role of Maleficent as she was battling tuberculosis at the time, but reconsidered.
|Film score by|
|Released||January 21, 1997|
|Recorded||September 8–November 25, 1958|
|Label||Walt Disney Records|
In April 1952, Billboard reported that Jack Lawrence and Sammy Fain had signed to compose the score. In the following year, Disney decided the score should be based on Peter Tchaikovsky's Sleeping Beauty Ballet, which rendered the songs Lawrence and Fain had written unusable except for "Once Upon a Dream". Walter Schumann was originally slated to be the film composer, but he left the project because of creative differences with Disney. George Bruns was recommended to replace Schumann by animator Ward Kimball. Because of a musicians' strike, the musical score was recorded in Berlin, Germany with the Graunke Symphony Orchestra from September 8 through November 25, 1958.
All lyrics written by Tom Adair, all music composed by George Bruns.
|1.||"Main Title/Once Upon a Dream/Prologue"||Chorus||2:57|
|2.||"Hail to the Princess Aurora"||Chorus||1:57|
|3.||"The Gifts of Beauty and Song/Maleficent Appears/True Love Conquers All"||5:38|
|4.||"The Burning of the Spinning Wheels/The Fairies Plan"||4:32|
|6.||"A Cottage in the Woods"||3:27|
|7.||"Do You Hear That?/I Wonder"||Mary Costa (I Wonder)||3:57|
|8.||"An Unusual Prince/Once Upon a Dream (Reprise)"||Mary Costa & Bill Shirley (Once Upon a Dream)||3:29|
|9.||"Magical House Cleaning/Blue or Pink"||2:47|
|10.||"A Secret Revealed"||1:57|
|11.||"Skumps (Drinking Song)/The Royal Argument"||Taylor Holmes & Bill Thompson (Skumps)||4:09|
|12.||"Prince Phillip Arrives/How to Tell Stefan"||2:26|
|13.||"Aurora's Return/Maleficent's Evil Spell"||5:06|
|14.||"Poor Aurora/Sleeping Beauty"||Chorus (Sleeping Beauty)||2:57|
|16.||"A Fairy Tale Come True"||2:48|
|17.||"Battle with the Forces of Evil"||5:11|
|19.||"Finale (Once Upon a Dream)"||Chorus||1:43|
The Classic Disney: 60 Years of Musical Magic album includes "Once Upon a Dream" on the green disc, and "I Wonder" on the purple disc. Additionally, Disney's Greatest Hits includes "Once Upon a Dream" on the blue disc. The 1973 LP compilation 50 Happy Years of Disney Favorites (Disneyland, STER-3513) includes "Once Upon a Dream" as the seventh track on Side IV, as well as a track titled "Blue Bird – I Wonder" labeled as being from this film with authorship by Hibler, Sears, and Bruns (same set, Side II, track 4).
Although Bruns took much credit for the score, he derived most of his work from the themes and melodies in Tchaikovsky's ballet Sleeping Beauty. Yma Sumac covered "I Wonder" for Stay Awake in 1988. No Secrets performed a cover version of "Once Upon a Dream" on the album Disneymania 2, which appears as a music video on the 2003 DVD. More recently, Emily Osment sang a remake of "Once Upon a Dream", released on the Disney Channel on September 12, 2008, and included on the Platinum Edition DVD and Blu-ray Disc.
In the 2012 album Disney – Koe no Oujisama, which features various Japanese voice actors covering Disney songs, "Once Upon a Dream" was covered by Toshiyuki Morikawa.
In anticipation of the 2014 film Maleficent, a cover version sung by Lana Del Rey was released by Disney on January 26. The song is considerably darker and more dramatic than the 1959 version, given the new film's focus on the villain Maleficent. The song was debuted in a trailer for the film shown as a commercial break during the 2014 Grammy Awards, and was released for free on Google Play for a limited time.
Original theatrical run
Disney's distribution arm, Buena Vista Distribution, originally released Sleeping Beauty to theaters in both standard 35 mm prints and large-format 70 mm prints. The Super Technirama 70 prints were equipped with six-track stereophonic sound; some CinemaScope-compatible 35 mm Technirama prints were released in four-track stereo, and others had monaural soundtracks. The film premiered in Los Angeles on January 29, 1959. On the initial run, Sleeping Beauty was paired with the short musical/documentary film Grand Canyon which won an Academy Award.
During its original release in January 1959, Sleeping Beauty grossed approximately $5.3 million in theater rentals (the distributor's share of the box office gross) from the United States and Canada. Sleeping Beauty's production costs, which totaled $6 million, made it the most expensive Disney film up to that point, and over twice as expensive as each of the preceding three Disney animated features: Alice in Wonderland, Peter Pan, and Lady and the Tramp. The high production costs of Sleeping Beauty, coupled with the underperformance of much of the rest of Disney's 1959–1960 release slate, resulted in the company posting its first annual loss in a decade for fiscal year 1960, and there were massive lay-offs throughout the animation department.
Like Alice in Wonderland (1951), which was not initially successful either, Sleeping Beauty was never re-released theatrically in Walt Disney's lifetime. However, it had many re-releases in theaters over the decades. The film was re-released theatrically in 1970, where it was released on standard 35mm film. The release garnered rentals of $3.8 million. It was re-released in May 1979 at the Crest Theatre in Seattle in 70 mm 6 channel stereo and went into wider release later the same year in both 70 mm and in 35 mm stereo and mono. It had a further reissue in 1986 when it grossed $15 million in the United States and Canada and again in 1995. It was originally going to be re-released in 1993 (as was advertised on the 1992 VHS release of Beauty and the Beast) but it was cancelled and pushed back two years later to 1995. Sleeping Beauty's successful reissues have made it the second most successful film released in 1959, second to Ben-Hur, with a lifetime gross in the United States and Canada of $51.6 million. When adjusted for ticket price inflation, the domestic total gross comes out to nearly $691 million, placing it within the top 40 of films.
From July 9 to August 13, 2012, the Academy of Motion Picture Arts and Sciences organized "The Last 70MM Film Festival" at the Samuel Goldwyn Theater, where the Academy, its members, and the Hollywood industry acknowledged the importance, beauty, and majesty of the 70 mm film format and how its image and quality is superior to that of digital film. The Academy selected the following films, which were shot on 70 mm, to be screened to make a statement about it, as well as to gain a new appreciation for familiar films in a way it hadn't before: It's a Mad, Mad, Mad, Mad World, Sleeping Beauty, Grand Prix, The Sound of Music, 2001: A Space Odyssey, and Spartacus, along with other short subject films on the 70 mm format. A screening of the final remaining 70mm print of this film was included in the 70 mm & Widescreen Film Festival at the Somerville Theatre, September 18, 2016.
Sleeping Beauty was released on VHS, Betamax, and LaserDisc on October 14, 1986, in the Classics collection, becoming the first Disney Classics video to be digitally processed in Hi-Fi stereo. During its 1986 VHS release, it sold over one million copies. The release went into moratorium on March 31, 1988.
The film underwent a digital restoration in 1997, and that version was released on both VHS and LaserDisc in widescreen as part of the Masterpiece Collection. The 1997 VHS edition also came with a special commemorative booklet included, with brief facts on the making of the movie. It was released in the UK in January 1996.
In 2003, the restored Sleeping Beauty was released on DVD in a 2-disc "Special Edition" which included both a widescreen version (formatted at 2.35:1) and a pan and scan version as well. Its DVD supplements included the making-of featurette from the 1997 VHS, Grand Canyon, the Life of Tchaikovsky segment of The Peter Tchaikovsky Story from the Walt Disney anthology television series, a virtual gallery of concept art, layout and background designs, three trailers, and audio commentary from Mary Costa, Eyvind Earle, and Ollie Johnston.
A Platinum Edition release of Sleeping Beauty, as a 2-disc DVD and Blu-ray, was released on October 7, 2008, in the US, making Sleeping Beauty the first entry in the Platinum Edition line to be released in high-definition video. This release is based upon the 2007 restoration of Sleeping Beauty from the original Technicolor negatives (interpositives several generations removed from the original negative were used for other home video releases). The new restoration features the film in its full negative aspect ratio of 2.55:1, wider than both the prints shown at the film's original limited Technirama engagements in 2.20:1 and the CinemaScope-compatible reduction prints for general release at 2.35:1. The Blu-ray set features BD-Live, an online feature, and the extras include a virtual castle and multi-player games. The Blu-ray release also includes disc 1 of the DVD version of the film in addition to the two Blu-rays. The DVD includes a music video with a remake of the Disney Classic "Once Upon A Dream" sung by Emily Osment; and featuring Daniel Romer as Prince Phillip. The DVD was released on October 27, 2008, in the UK. The Blu-ray release is the first ever released on the Blu-ray format of any Disney feature produced by Walt Disney himself.
The film was released on a Diamond Edition Blu-ray, DVD, and Digital HD on October 7, 2014, after six years since its first time on Blu-ray. Sleeping Beauty was re-released on HD digital download and Blu-ray on September 24, 2019, as part of the Walt Disney Signature Collection in honor of the film's 60th anniversary.
Aurora is one of the seven Princesses of Heart in the popular Square Enix game Kingdom Hearts (although her appearances are brief), and Maleficent is a villain in multiple Kingdom Hearts games, and as a brief ally at the end of Kingdom Hearts II. The good fairies also appear in Kingdom Hearts II, giving Sora new clothes. Diablo, Maleficent's raven, appears in Kingdom Hearts II to resurrect his defeated mistress. Kingdom Hearts Birth by Sleep features a world based on the movie, Enchanted Dominion, and characters who appear are Princess Aurora/Briar Rose, Maleficent, Maleficent's goons, the three fairies and Prince Phillip, the latter serving as temporary party member for Aqua during her battle against Maleficent and her henchmen. Maleficent also returned in Kingdom Hearts III.
Aurora is also a playable character in the game Disney Princess.
Walt Disney's Sleeping Beauty Game (1958) is a Parker Brothers children's board game for two to four players based upon Sleeping Beauty. The object of the game is to be the first player holding three different picture cards to reach the castle and the space marked "The End".
Maleficent is featured on the cover of Ravensburger's Disney's Villainous board game of which she is also a playable character. Her goal is to place a curse on each of the four locations in her playable kingdom.
Sleeping Beauty was made while Walt Disney was building Disneyland (hence the six-year production time). To help promote the film, Imagineers named the park's icon "Sleeping Beauty Castle" (it was originally to be Snow White's). An indoor walk-through exhibit was added to the empty castle interior in 1957, where guests could walk through the castle, up and over the castle entrance, viewing "Story Moment" dioramas of scenes from the film, which were improved with animated figurines in 1977. It closed shortly after the September 11, 2001 attacks, supposedly because the dark, unmonitored corridors were a risk. After being closed for seven years, the exhibit space underwent extensive period refurbishment to restore the original 1957 displays, and reopened to guests on November 27, 2008. Accommodations were also made on the ground floor with a "virtual" version for disabled guests unable to navigate stairs. Hong Kong Disneyland opened in 2005, also with a Sleeping Beauty Castle, nearly replicating Disneyland's original design.
Le Château de la Belle au Bois Dormant at Disneyland Paris is a variant of Sleeping Beauty Castle. The version found at Disneyland Paris is much more reminiscent of the film's artistic direction. The Château features an animatronic dragon, imagineered to look like Maleficent's dragon form, is found in the lower level dungeon – La Tanière du Dragon. The building also contains La Galerie de la Belle au Bois Dormant, a gallery of displays which illustrate the story of Sleeping Beauty in tapestries, stained-glass windows and figures.
Princess Aurora (and, to a lesser extent, Prince Phillip, Fauna, Flora and Merryweather, Maleficent and her goons) makes regular appearances in the parks and parades.
- Maleficent's goons appear in the Maroon Cartoon studio lot in the film Who Framed Roger Rabbit. The Bluebirds from the film also appear as "tweeting birds" that fly around Roger Rabbit's or Eddie Valiant's heads in two scenes, after a refrigerator fell on top of Roger's head and while Eddie Valiant is in Toontown, the birds are seen again flying around his head until he shoos them away.
- Princess Aurora, Prince Phillip, Flora, Fauna and Merryweather were featured as guests in Disney's House of Mouse and Maleficent was one of the villains in Mickey's House of Villains.
- Although not a full-feature film sequel to the original, the first all-new story featuring the characters from the movie (sans Maleficent) appeared in Disney Princess Enchanted Tales: Follow Your Dreams, the first volume of collection of the Disney Princesses. It was released on September 4, 2007. Mary Costa, the original voice of Princess Aurora, was not fond of this story and felt that it did not work.
- In the American fantasy drama series Once Upon a Time, a live-action version of Maleficent appeared in the second episode and the Season 1 finale, as she is an adversary of the Evil Queen, and is also sinister. She appears more prominently in the show's fourth season. Her role is played by True Blood actress Kristin Bauer. In Season 2, Season 3, and Season 4 live-action incarnations of Princess Aurora, Prince Phillip, and King Stefan are portrayed by Sarah Bolger, Julian Morris, and Sebastian Roché respectively.
- Flora, Fauna and Merryweather appear in Disney Channel/Disney Junior's series Sofia the First as the teaching faculty of Royal Prep, the school for the various kingdom's princes and princesses. Princess Aurora also makes a guest appearance in the episode, "Holiday in Enchancia".
- Aurora and the other Disney Princesses all made guest appearances in the 2018 film Ralph Breaks the Internet.
A scaled-down one act stage musical version of the film with the title Disney's Sleeping Beauty KIDS is often performed by schools and children's theaters. With book and additional lyrics by Marcy Heisler and Bryan Louiselle, the show is composed of twelve musical numbers, including the movie songs.
Live-action film adaptations
In Walt Disney Pictures' live action adaptation Maleficent, released in May 2014, Angelina Jolie plays the role of Maleficent and Elle Fanning plays Princess Aurora. The movie was directed by Robert Stromberg in his directorial debut, produced by Don Hahn and Joe Roth, and written by Linda Woolverton. A sequel to this film began production in May 2018 and was released in October 2019.
Sleeping Beauty (1959 film) Facts for Kids. Kiddle Encyclopedia.