John of the Cross facts for kids
Quick facts for kids SaintJohn of the Cross OCD |
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Saint John of the Cross,
17th century anonymous |
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| Priest, Mystic, Doctor of the Church | |
| Born | Juan de Yepes y Álvarez 24 June 1542 Fontiveros, Ávila, Crown of Castile, Spanish monarchy |
| Died | 14 December 1591 (age 49) Úbeda, Kingdom of Jaén, Crown of Castile, Spanish monarchy |
| Venerated in | |
| Beatified | 25 January 1675, Rome by Pope Clement X |
| Canonized | 27 December 1726, Rome by Pope Benedict XIII |
| Major shrine | Tomb of Saint John of the Cross, Segovia, Spain |
| Feast | 14 December |
| Attributes | Carmelite habit, cross, crucifix, book, quill |
| Patronage | Spanish poets |
| Influences | Likely Thomas Aquinas, Duns Scotus, Guillaume Durand, Teresa of Ávila Possibly Pseudo-Dionysius, Meister Eckhart, John of Ruysbroeck, Henry Suso, Johannes Tauler |
| Influenced | |
| Major works |
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John of the Cross, OCD (Spanish: Juan de la Cruz; Latin: Ioannes a Cruce; born Juan de Yepes y Álvarez; 24 June 1542 – 14 December 1591) was a Spanish Catholic priest, mystic, and a Carmelite friar of converso origin. He is a major figure of the Counter-Reformation in Spain, and he is one of the thirty-seven Doctors of the Church.
John of the Cross is known for his writings. He was mentored by and corresponded with the older Carmelite, Teresa of Ávila. Both his poetry and his studies on the development of the soul are considered the summit of mystical Spanish literature and among the greatest works of all Spanish literature. He was canonized by Pope Benedict XIII in 1726. In 1926, he was declared a Doctor of the Church by Pope Pius XI, and is also known as the "mystical doctor".
Contents
Life
Early life and education
He was born Juan de Yepes y Álvarez at Fontiveros, Old Castile into a converso family (descendants of Jewish converts to Catholicism) in Fontiveros, near Ávila, a town of around 2,000 people. His father, Gonzalo, was an accountant to richer relatives who were silk merchants. In 1529 Gonzalo married John's mother, Catalina, who was an orphan of a lower class; he was rejected by his family and forced to work with his wife as a weaver. John's father died in 1545, while John was still only around three years old. Two years later, John's older brother, Luis, died, probably as a result of malnourishment due to the poverty to which the family had been reduced. As a result, John's mother Catalina took John and his surviving brother Francisco, first to Arévalo, in 1548 and then in 1551 to Medina del Campo, where she was able to find work.
In Medina, John entered a school for 160 poor children, mostly orphans, to receive a basic education, mainly in Christian doctrine. They were given some food, clothing and lodging. While studying there, he was chosen to serve as an altar boy at a nearby monastery of Augustinian nuns. Growing up, John worked at a hospital and studied the humanities at a Jesuit school from 1559 to 1563. The Society of Jesus was at that time a new organisation, having been founded only a few years earlier by the Spaniard St. Ignatius of Loyola. In 1563 he entered the Carmelite Order, adopting the name John of St. Matthias.
The following year, in 1564 he made his First Profession as a Carmelite and travelled to Salamanca University, where he studied theology and philosophy. There he met Fray Luis de León, who taught biblical studies (Exegesis, Hebrew and Aramaic) at the university.
Joining the Reform of Teresa of Ávila
John was ordained as a priest in 1567. He subsequently thought about joining the strict Carthusian Order, which appealed to him because of its practice of solitary and silent contemplation. His journey from Salamanca to Medina del Campo, probably in September 1567 became pivotal. In Medina he met the influential Carmelite nun, Teresa of Ávila. She was staying in Medina to found the second of her new convents. She immediately talked to him about her reformation projects for the Order: she was seeking to restore the purity of the Carmelite Order by reverting to the observance of its "Primitive Rule" of 1209, which had been relaxed by Pope Eugene IV in 1432.
Under the Rule, much of the day and night were to be divided between the recitation of the Liturgy of the Hours, study and devotional reading, the celebration of Mass and periods of solitude. In the case of friars, time was to be spent evangelizing the population around the monastery. There was to be total abstinence from meat and a lengthy period of fasting from the Feast of the Exaltation of the Cross (14 September) until Easter. There were to be long periods of silence, especially between Compline and Prime. More simple, that is coarser, shorter habits were to be adopted. There was also an injunction against wearing covered shoes (also previously mitigated in 1432). That particular observance distinguished the "discalced", i.e., barefoot followers of Teresa from traditional Carmelites, and they would be formally recognized as the separate Order of Discalced Carmelites in 1580.
Teresa asked John to delay his entry into the Carthusian order and to follow her. Having spent a final year studying in Salamanca, in August 1568 John travelled with Teresa from Medina to Valladolid, where Teresa intended to found another convent. After a spell at Teresa's side in Valladolid, learning more about the new form of Carmelite life, in October 1568, John left Valladolid, accompanied by Friar Antonio de Jesús de Heredia, to found a new monastery for Carmelite friars, the first to follow Teresa's principles. They were given the use of a derelict house at Duruelo, which had been donated to Teresa. On 28 November 1568, the monastery was established, and on that same day, John changed his name to "John of the Cross".
Soon after, in June 1570, the friars found the house at Duruelo was too small, and so moved to the nearby town of Mancera de Abajo, midway between Ávila and Salamanca. John moved from the first community to set up a new community at Pastrana in October 1570, and then a further community at Alcalá de Henares, as a house for the academic training of the friars. In 1572 he arrived in Ávila, at Teresa's invitation. She had been appointed prioress of the Convent of the Incarnation there in 1571. John became the spiritual director and confessor of Teresa and the other 130 nuns there, as well as for a wide range of laypeople in the city. In 1574, John accompanied Teresa for the foundation of a new religious community in Segovia, returning to Ávila after staying there a week. Aside from the one trip, John seems to have remained in Ávila between 1572 and 1577.
At some time between 1574 and 1577, while praying in a loft overlooking the sanctuary in the Monastery of the Incarnation in Ávila, John had a vision of the crucified Christ, which led him to create his drawing of Christ "from above". In 1641, this drawing was placed in a small monstrance and kept in Ávila. This same drawing inspired the artist Salvador Dalí's 1951 work Christ of Saint John of the Cross.
Height of Carmelite tensions
The years 1575–77 saw a great increase in tensions among Spanish Carmelite friars over the reforms of Teresa and John. Since 1566 the reforms had been overseen by Canonical Visitors from the Dominican Order, with one appointed to Castile and a second to Andalusia. The Visitors had substantial powers: they could move members of religious communities from one house to another or from one province to the next. They could assist religious superiors in the discharge of their office, and could delegate superiors between the Dominican or Carmelite orders. In Castile, the Visitor was Pedro Fernández, who prudently balanced the interests of the Discalced Carmelites with those of the nuns and friars who did not desire reform.
In Andalusia to the south, the Visitor was Francisco Vargas, and tensions rose due to his clear preference for the Discalced friars. Vargas asked them to make foundations in various cities, in contradiction to the express orders from the Carmelite Prior General to curb expansion in Andalusia. As a result, a General Chapter of the Carmelite Order was convened at Piacenza in Italy in May 1576, out of concern that events in Spain were getting out of hand. It concluded by ordering the total suppression of the Discalced houses.
That measure was not immediately enforced. King Philip II of Spain was supportive of Teresa's reforms, and so was not immediately willing to grant the necessary permission to enforce the ordinance. The Discalced friars also found support from the papal nuncio to Spain, Nicolò Ormaneto, Bishop of Padua, who still had ultimate power to visit and reform religious orders. When asked by the Discalced friars to intervene, Nuncio Ormaneto replaced Vargas as Visitor of the Carmelites in Andalusia with Jerónimo Gracián, a priest from the University of Alcalá, who was in fact a Discalced Carmelite friar himself. The nuncio's protection helped John avoid problems for a time. In January 1576, John was detained in Medina del Campo by traditional Carmelite friars, but through the nuncio's intervention, he was soon released. When Ormaneto died on 18 June 1577, John was left without protection, and the friars opposing his reforms regained the upper hand.
Veneration
The morning after John's death huge numbers of townspeople in Úbeda entered the monastery to view his body; in the crush, many were able to take home bits of his habit. He was initially buried at Úbeda, but, at the request of the monastery in Segovia, his body was secretly moved there in 1593. The people of Úbeda, however, unhappy at this change, sent a representative to petition the pope to move the body back to its original resting place. Pope Clement VIII, impressed by the petition, issued a Brief on 15 October 1596 ordering the return of the body to Úbeda. Eventually, in a compromise, the superiors of the Discalced Carmelites decided that the monastery at Úbeda would receive one leg and one arm of the corpse from Segovia (the monastery at Úbeda had already kept one leg in 1593, and the other arm had been removed as the corpse passed through Madrid in 1593, to form a relic there). A hand and a leg remain visible in a reliquary at the Oratory of San Juan de la Cruz in Úbeda, a monastery built in 1627 though connected to the original Discalced monastery in the town founded in 1587.
The head and torso were retained by the monastery at Segovia. They were venerated until 1647, when on orders from Rome designed to prevent the veneration of remains without official approval, the remains were buried in the ground. In the 1930s they were disinterred, and are now sited in a side chapel in a marble case above a special altar.
Proceedings to beatify John began between 1614 and 1616. He was eventually beatified in 1675 by Pope Clement X, and was canonized by Benedict XIII in 1726. When his feast day was added to the General Roman Calendar in 1738, it was assigned to 24 November, since his date of death was impeded by the then-existing octave of the Feast of the Immaculate Conception. This obstacle was removed in 1955 and in 1969 Pope Paul VI moved it to the dies natalis (birthday to heaven) of John, 14 December. The Church of England and the Episcopal Church honor him on the same date. In 1926, he was declared a Doctor of the Church by Pope Pius XI after the definitive consultation of Reginald Garrigou-Lagrange O.P., professor of philosophy and theology at the Pontifical University of Saint Thomas Aquinas, Angelicum in Rome.
Literary works
John of the Cross is considered one of the foremost poets in Spanish. Although his complete poems add up to fewer than 2500 verses, two of them, the Spiritual Canticle and the Dark Night of the Soul, are widely considered masterpieces of Spanish poetry, both for their formal style and their rich symbolism and imagery. His theological works often consist of commentaries on the poems. All the works were written between 1578 and his death in 1591.
The Spiritual Canticle is an eclogue in which the bride, representing the soul, searches for the bridegroom, representing Jesus Christ, and is anxious at having lost him. Both are filled with joy upon reuniting. It can be seen as a free-form Spanish version of the Song of Songs at a time when vernacular translations of the Bible were forbidden. The first 31 stanzas of the poem were composed in 1578 while John was imprisoned in Toledo. After his escape it was read by the nuns at Beas, who made copies of the stanzas. Over the following years, John added further lines. Today, two versions exist: one with 39 stanzas and one with 40 with some of the stanzas ordered differently. The first redaction of the commentary on the poem was written in 1584, at the request of Madre Ana de Jesús, when she was prioress of the Discalced Carmelite nuns in Granada. A second edition, which contains more detail, was written in 1585–6.
The Dark Night, from which the phrase Dark Night of the Soul takes its name, narrates the journey of the soul from its bodily home to union with God. It happens during the "dark", which represents the hardships and difficulties met in detachment from the world and reaching the light of the union with the Creator. There are several steps during the state of darkness, which are described in successive stanzas. The main idea behind the poem is the painful experience required to attain spiritual maturity and union with God. The poem was likely written in 1578 or 1579. In 1584–5, John wrote a commentary on the first two stanzas and on the first line of the third stanza.
The Ascent of Mount Carmel is a more systematic study of the ascetical endeavour of a soul seeking perfect union with God and the mystical events encountered along the way. Although it begins as a commentary on The Dark Night, after the first two stanzas of the poem, it rapidly diverts into a full treatise. It was composed some time between 1581 and 1585.
A four-stanza work, Living Flame of Love, describes a greater intimacy, as the soul responds to God's love. It was written in a first version at Granada between 1585 and 1586, apparently in two weeks, and in a mostly identical second version at La Peñuela in 1591.
These, together with his Dichos de Luz y Amor or "Sayings of Light and Love" along with Teresa's own writings, are the most important mystical works in Spanish, and have deeply influenced later spiritual writers across the world. They include: T. S. Eliot, Thérèse de Lisieux, Edith Stein (Teresa Benedicta of the Cross) and Thomas Merton. John is said to have also influenced philosophers (Jacques Maritain), theologians (Hans Urs von Balthasar), pacifists (Dorothy Day, Daniel Berrigan and Philip Berrigan) and artists (Salvador Dalí). Pope John Paul II wrote his theological dissertation on the mystical theology of John of the Cross.
Editions of his works
His writings were first published in 1618 by Diego de Salablanca. The numerical divisions in the work, still used by modern editions of the text, were introduced by Salablanca (they were not in John's original writings) to help make the work more manageable for the reader. This edition does not contain the Spiritual Canticle however, and also omits or adapts certain passages, perhaps for fear of falling foul of the Inquisition.
The Spiritual Canticle was first included in the 1630 edition, produced by Fray Jeronimo de San José, at Madrid. This edition was largely followed by later editors, although editions in the seventeenth and eighteenth centuries gradually included a few more poems and letters.
The first French edition was published in Paris in 1622, and the first Castilian edition in 1627 in Brussels.
A critical edition of St John of the Cross's work in English was published by E. Allison Peers in 1935.
Intellectual influences
The influences on John's writing are subject to an ongoing debate. It is widely acknowledged that at Salamanca university there would have existed a range of intellectual positions. In John's time they included the influences of Thomas Aquinas, of Scotus and of Durandus. It is often assumed that John would have absorbed the thought of Aquinas, to explain the scholastic framework of his writings.
However, the belief that John was taught at both the Carmelite College of San Andrès and at the University of Salamanca has been challenged. Bezares calls into question whether John even studied theology at the University of Salamanca. The philosophy courses John probably took in logic, natural and moral philosophy, can be reconstructed, but Bezares argues that John in fact abandoned his studies at Salamanca in 1568 to join Teresa, rather than graduating. In the first biography of John, published in 1628, it is claimed, on the basis of information from John's fellow students, that he in 1567 made a special study of mystical writers, in particular of Pseudo-Dionysius and Pope Gregory I. There is little consensus from John's early years or potential influences.
Scripture
John was influenced heavily by the Bible. Scriptural images are common in both his poems and prose. In total, there are 1,583 explicit and 115 implicit quotations from the Bible in his works. The influence of the Song of Songs on John's Spiritual Canticle has often been noted, both in terms of the structure of the poem, with its dialogue between two lovers, the account of their difficulties in meeting each other and the "offstage chorus" that comments on the action, and also in terms of the imagery for example, of pomegranates, wine cellar, turtle dove and lilies, which echoes that of the Song of Songs.
In addition, John shows at occasional points the influence of the Divine Office. This demonstrates how John, steeped in the language and rituals of the Church, drew at times on the phrases and language here.
Pseudo-Dionysius
It has rarely been disputed that the overall structure of John's mystical theology, and his language of the union of the soul with God, is influenced by the pseudo-Dionysian tradition. However, it has not been clear whether John might have had direct access to the writings of Pseudo-Dionysius, or whether this influence may have been mediated through various later authors.
Medieval mystics
It is widely acknowledged that John may have been influenced by the writings of other medieval mystics, though there is debate about the exact thought which may have influenced him, and about how he might have been exposed to their ideas.
The possibility of influence by the so-called "Rhineland mystics" such as Meister Eckhart, Johannes Tauler, Henry Suso and John of Ruysbroeck has also been mooted by many authors.
Secular Spanish poetry
A strong argument can also be made for contemporary Spanish literary influences on John. This case was first made in detail by Dámaso Alonso, who believed that as well as drawing from scripture, John was transforming non-religious themes derived from popular songs (romanceros) into religious poetry.
Islamic influence
A controversial theory on the origins of John's mystical imagery is that he may have been influenced by Islamic sources. This was first proposed in detail by Miguel Asín Palacios and has been most recently put forward by the Puerto Rican scholar Luce López-Baralt. Arguing that John was influenced by Islamic sources on the peninsula, she traces Islamic antecedents of the images of the "dark night", the "solitary bird" of the Spiritual Canticle, lamps of fire (the Living Flame). However, Peter Tyler concludes, there "are sufficient Christian medieval antecedents for many of the metaphors John employs to suggest we should look for Christian sources rather than Muslim sources". As José Nieto indicates, in trying to locate a link between Spanish Christian mysticism and Islamic mysticism, it might make more sense to refer to the common Neo-Platonic tradition and mystical experiences of both, rather than seek direct influence.
See also
In Spanish: Juan de la Cruz para niños
