Christmas cantata facts for kids
A Christmas cantata is a special kind of music for Christmas. It's like a mini-concert for voices, usually with instruments. Many composers have written these pieces because Christmas is such an important holiday.
Some Christmas cantatas are made for church services. Others are for concerts or other celebrations. The Christmas story itself, with angels singing and shepherds playing music, has always inspired composers. In German, it's called Weihnachtskantate. In French, it's Cantate de Noël. People also write Christmas cantatas in many other languages, like Czech, Italian, and Spanish.
A Christmas cantata can also mean the actual performance of this music. Many choirs have a tradition of performing a Christmas cantata every year.
Contents
What Are Christmas Cantatas About?
Christmas cantatas focus on different parts of the Christmas story. This is a bit different from a Christmas oratorio, which usually tells the whole story.
For example, Johann Sebastian Bach wrote a famous piece called the Christmas Oratorio. He wrote it for performances in churches during Christmas 1734 and 1735. It has six parts, and each part was for a specific day of the Christmas season. Bach used parts of the Gospels (from the Bible) to connect the sections.
Here are some of the themes in Bach's Christmas Oratorio:
- Part I (for Christmas Day): The birth of Jesus.
- Part II (for the Second Day of Christmas): The angels telling the shepherds about Jesus' birth, and the song "Glory to God, peace on earth".
- Part III (for the Third Day of Christmas): The shepherds visiting Jesus.
- Part IV (for New Year's Day): The naming of Jesus.
- Part V (for the first Sunday after New Year's Day): The Wise Men.
- Part VI (for Epiphany on January 6): The Wise Men worshiping Jesus.
Other composers have used these same themes in their Christmas cantatas.
A Look at History
Many Christmas cantatas were written during the Baroque era (about 1600-1750). These were often for church services. Their words often came from the Bible or church hymns called chorales. Some cantatas, called Chorale cantatas, used only the words from one hymn. Later, composers also used poems or Christmas carols for their cantatas.
Early Italian Cantatas
The idea of a cantata first started in Italy. Composers like Alessandro Stradella and Alessandro Scarlatti wrote Italian Christmas cantatas.
German Baroque Music
Bach's Christmas Cantatas
The most famous Christmas cantatas today are by Johann Sebastian Bach. He wrote many cantatas for the three days of Christmas. Here are a few examples:
- For Christmas Day:
* Christen, ätzet diesen Tag, BWV 63 (from around 1713) * Gelobet seist du, Jesu Christ, BWV 91 (1724), based on a hymn. * Unser Mund sei voll Lachens, BWV 110 (1725) * Gloria in excelsis Deo, BWV 191 (1745)
- For the Second Day of Christmas:
* Darzu ist erschienen der Sohn Gottes, BWV 40 (1723) * Christum wir sollen loben schon, BWV 121 (1724), based on a hymn.
- For the Third Day of Christmas:
* Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 (1723) * Ich freue mich in dir, BWV 133 (1724), based on a hymn.
Bach's later cantata, Gloria in excelsis Deo, uses Latin words. These words are from the traditional church song "Gloria", which starts with the angels' song from the Christmas story.
Other German Composers
Other German Baroque composers also wrote Christmas cantatas. These include Gottfried Heinrich Stölzel, Christoph Graupner, and Andreas Hammerschmidt.
Classical Period
During the Age of Enlightenment (late 1700s), church music was less common. But in 1796, Jakub Jan Ryba wrote the Česká mše vánoční. This piece tells a Christmas story in Czech, set in the countryside of Bohemia.
Romantic Period
In the Romantic era (1800s), composers like Felix Mendelssohn wrote Christmas cantatas. Mendelssohn's Vom Himmel hoch was based on a famous song by Martin Luther. Josef Rheinberger wrote Der Stern von Bethlehem (The Star of Bethlehem).
20th Century
Many composers continued to write Christmas cantatas in the 1900s.
- Benjamin Britten wrote A Ceremony of Carols in 1942, which uses a series of carols.
- Ralph Vaughan Williams wrote Hodie.
- Arthur Honegger composed Une cantate de Noël as his last work. It starts with a psalm and includes carols.
- Even outside of classical music, The Animals' Christmas by Jimmy Webb and Art Garfunkel in 1986 was a Christmas cantata project.
21st Century
New Christmas cantatas are still being written today. Composers like Toshio Hosokawa and Graham Waterhouse have created new works in the 2000s.
What Instruments and Voices Are Used?
All Christmas cantatas have several parts, called movements. Most movements include both solo singers and a choir.
- Some cantatas are like chamber music, meaning they are for a few singers and instruments.
- Others are for a choir singing without instruments (called a cappella).
- Many are for solo singers, a choir, and a full orchestra.
- Some composers specifically ask for a children's choir.
- In many Baroque cantatas, trumpets are very important because they were seen as royal instruments.
Examples of Christmas Cantatas
This table shows some Christmas cantatas and details about them.
- S = soprano (high female voice)
- A = alto (low female voice)
- T = tenor (high male voice)
- B = bass (low male voice)
- SATB means a choir with Soprano, Alto, Tenor, and Bass parts.
- Str = strings (like violins, violas, cellos)
- Bc = basso continuo (a group of instruments providing the bass line and harmonies)
- Other abbreviations are for specific instruments like Fl (flute), Ob (oboe), Tr (trumpet), Ti (timpani).
Composer | born | Cantata title | No. | Text | composed | Scoring | Premiere | Notes |
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Francesco Provenzale | 1624 | Sui palchi delle stelle | 1689 | S 2Vl Bc |
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Cristoforo Caresana | 1640? | L'Adoratione de' Maggi | 1676 | 6 voices | ||||
(unknown) | Uns ist ein Kind geboren | BWV 142 | Erdmann Neumeister | 1711–56 | A T B SATB 2Fl 2Ob 2Vl Va Bc |
first attributed to Bach | ||
Friedrich Wilhelm Zachow | 1663 | Uns ist ein Kind geboren | S A T B SATB Ob Fg 2Vl 2Va Bc |
and others | ||||
Arnold Matthias Brunckhorst | 1670? | Nun zeiget der Himmel die schönsten Gebärden / In festo nativitate Christi | S A T B SATB 6 Instr Bc |
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Georg Philipp Telemann | 1681 | Ehre sei Gott in der Höhe In festo nativitatis |
TWV 1:412 | S A T B SATB 3Tr Ti Str Bc |
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Georg Philipp Telemann | 1681 | Uns ist ein Kind geboren | TWV 1:1451 | Erdmann Neumeister | S A T B SATB 3Tr Ti 2Ft 2Ob Str Bc |
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Johann Sebastian Bach | 1685 | Christen, ätzet diesen Tag | BWV 63 | Johann Michael Heineccius? | 1713? | S A T B SATB 4Tr Ti 3Ob Fg 2Vl Va Bc |
First Day | |
Johann Sebastian Bach | 1685 | Sehet, welch eine Liebe hat uns der Vater erzeiget | BWV 64 | 1723 | S A B SATB Cn 3Tb Oa 2Vl Va Bc |
Leipzig |
27 Dec 1723Third Day | |
Johann Sebastian Bach | 1685 | Gelobet seist du, Jesu Christ | BWV 91 | "Gelobet seist du, Jesu Christ" | 1724 | S A T B SATB 2Co Ti 3Ob 2Vl Va Bc |
Leipzig |
25 Dec 1724chorale |
Johann Sebastian Bach | 1685 | Christum wir sollen loben schon | BWV 121 | "Christum wir sollen loben schon" | 1724 | S A T B SATB Cn 3Tr Oa 2Vl Va Bc |
Leipzig |
26 Dec 1724Second Day, chorale |
Johann Sebastian Bach | 1685 | Ich freue mich in dir | BWV 133 | hymn by Caspar Ziegler | 1724 | S A T B SATB Cn 2Oa 2Vl Va Bc |
Leipzig |
27 Dec 1724Third Day, chorale |
Johann Sebastian Bach | 1685 | Unser Mund sei voll Lachens | BWV 110 | Georg Christian Lehms | 1725 | S B SATB 3Tr Ti 2Ft 3Ob Oa Oc Fg 2Vl Va Bc |
Leipzig |
25 Dec 1725First Day |
Johann Sebastian Bach | 1685 | Selig ist der Mann | BWV 57 | Georg Christian Lehms | 1725 | S B SATB 2Ob 2Vl Va Bc |
Leipzig |
26 Dec 1725Second Day |
Johann Sebastian Bach | 1685 | Gloria in excelsis Deo | BWV 191 | Gloria, Doxology | 1745 | S T SSATB 3Tr Ti 2Ft 2Ob 2Vl Va Bc |
25 Dec 1745 | First Day |
Gottfried Heinrich Stölzel | 1690 | Kündlich groß ist das gottselige Geheimnis | 1736 | S A SATB Ob 2Vl Va Bc |
27 Dec 1736 | Third Day | ||
Christian Heinrich Rinck | 1777 | Weihnachtskantate | op. 73 | |||||
Felix Mendelssohn | 1809 | Vom Himmel hoch | MWV A 10 | "Vom Himmel hoch, da komm ich her" | 1831 | S Bar SSATB orchestra |
chorale | |
Josef Rheinberger | 1839 | Der Stern von Bethlehem | Franziska von Hoffnaaß | 1891 | soli choir orchestra |
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John Henry Maunder | 1858 | Bethlehem | Catharine Morgan | 1939? | in the manner of the medieval miracle play | |||
William Reed | 1859 | The Message of the Angels | 1910 | |||||
Felix Woyrsch | 1860 | Die Geburt Jesu | op. 18 | Bible | 1910 | soli choir orchestra |
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Ralph Vaughan Williams | 1872 | Hodie | Ursula Vaughan Williams | 1953–54 | S T Bar choir orchestra |
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Ottorino Respighi | 1879 | Lauda per la Natività del Signore | Jacopone da Todi? | 1930 | S MS T SSAATTBB woodwinds, piano 4 hands |
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Walter Braunfels | 1882 | Der gläserne Berg, Weihnachtsmärchen | op. 39 | 1928 | ||||
Walter Braunfels | 1882 | Weihnachtskantate | op. 52 | 1934–37 | S Bar choir orchestra |
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Rudolf Mauersberger | 1889 | Weihnachtszyklus der Kruzianer | 1944–46 | soli choir SATB SATB a cappella (piano) | ||||
Rudolf Mauersberger | 1889 | Eine kleine Weihnachtskantate | 1948 | |||||
Frank Martin | 1890 | Cantate pour le temps de Noel | 1929–30 | |||||
Gerald Finzi | 1893 | Dies natalis | Thomas Traherne | 1939 | S (T) Str |
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Arthur Honegger | 1893 | Une cantate de Noël | Ps. 130, Lieder | 1952–53 | Bar choir childr Org orchestra |
Basel |
18 Dec 1953||
Kurt Hessenberg | 1908 | Weihnachtskantate | op. 27 | Matthias Claudius | 1950–51 | S A SSATBB orchestra |
published by Schott | |
Benjamin Britten | 1913 | A Ceremony of Carols | op. 28 | 1942 | boys' choir harp |
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William Lloyd Webber | 1913 | Born a King | soli choir Org |
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Lee Hoiby | 1926 | A Hymn of the Nativity | Richard Crashaw | |||||
Gilbert Bécaud | 1927 | L'enfant à L'étoile | 1960 | |||||
Ariel Ramírez | 1927 | Navidad Nuestra | Félix Luna | 1963 | S T choir South American instr |
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Malcolm Williamson | 1931 | Adoremus | 1959 | A T SATB Org |
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Nils Lindberg | 1933 | A Christmas Cantata | 2002 | S Bar chamber choir big band |
St Matthew and carols, recorded | |||
Gerhard Track | 1934 | Festkantate zur Weihnacht | Herbert Vogg | 1995 | SATB choir Wind Instr, Org |
29 April 1996, Vienna | Adaptation Bruckner's Fest-Kantate | |
Thomas Oboe Lee | 1945 | Christmas Cantata | 2001 | MS SATB 2Tr 2Tb Ti Org |
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Peter Skellern | 1947 | The Nativity Cantata | 2004 | 2004 | ||||
Otomar Kvěch | 1950 | Vánoční chvalozpěv | 1973 | soli choir orchestra |
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Mark Carlson | 1952 | A Wreath of Anthems | various American poets | 1990 | SATB orchestra |
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Toshio Hosokawa | 1955 | Weihnachtskantate | anon. | 2002 | S A choir orchestra |
München |
20 Dec 2002published by Schott | |
Maria Newman | 1962 | A Little Book of Southern Carols | 2008 | SSA (treble or boy's choir) treble vocal soli piano, handbells (or chimes), percussion, and violin (or flute/recorder), and viola |
2008 | published by Montgomery Arts House Press | ||
Graham Waterhouse | 1962 | Der Anfang einer neuen Zeit | Hans Krieger | 2011 | S Bar choir childr Str (Org) |
Essen |
3/4 Dec 2011||
Frederik Magle | 1977 | A newborn child, before eternity, God! | 1996 | soli choir brass band, Org, percussion |