Levittown, New York facts for kids
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Levittown, New York
|County||Nassau County, New York|
|• Total||6.9 sq mi (17.8 km2)|
|• Land||6.9 sq mi (17.9 km2)|
|• Water||0.0 sq mi (0.0 km2)|
|Elevation||82 ft (25 m)|
|• Density||7,520/sq mi (2,915/km2)|
|Time zone||UTC-5 (Eastern (EST))|
|• Summer (DST)||UTC-4 (EDT)|
|GNIS feature ID||0955234|
Levittown, formerly Island Trees, is a hamlet and census-designated place (CDP) in the Town of Hempstead in Long Island, in Nassau County, New York. Levittown is halfway between the villages of Hempstead and Farmingdale. As of the 2010 census, the CDP had a total population of 51,881, making it the most populated CDP in Nassau County and the second most populated CDP on Long Island, behind only Brentwood.
Levittown gets its name from its builder, the firm of Levitt & Sons, Inc. founded by Abraham Levitt on August 2, 1929, which built the district as a planned community between 1947 and 1951. Sons William and Alfred served as the company's president and chief architect and planner, respectively. Levittown was the first truly mass-produced suburb and is widely regarded as the archetype for postwar suburbs throughout the country. William Levitt, who assumed control of Levitt & Sons in 1954, is considered the father of modern suburbia in the United States.
Feb.12, 1664. Jerusalem Purchase between John Seaman and Takapausha of the Massapequan Indians whereupon the English were granted rights to settle in on lands that now comprise southern and easternmost Levittown (south of Hempstead Tpke.), northern and eastern Wantagh, and most of Seaford. As Seaman established his farm, Cherrywood, two years later near Salk Middle School and MacArthur High School, he is the first European to live in what's now Levittown. This is the start of the use of the word "Jerusalem" to describe the aforementioned areas.
March 22, 1747. Land deed between the Seaman and Weeks families first to mention the Island of Trees endowing the general area of northern Levittown with the name "Island Trees".
March 1, 1837. Rail service arrives at Hicksville under the supervision of Valentine Hicks. The ensuing influx of German immigrant farmers and artisans opens the future Levittown area up to potato farming and other forms of development.
Feb. 11, 1907. William Levitt born to Abraham Levitt and Pauline Biederman Levitt in Brooklyn.
October 1, 1947. Levittown's official beginning as a suburban entity with the first three hundred families - beginning with the Bladykas family- moving into their brand-new Levitt & Sons homes.
January 1, 1948. The Jerusalem/Island Trees area officially named "Levittown".
The building firm, Levitt & Sons, headed by Abraham Levitt and his two sons, William and Alfred, built four planned communities called "Levittown", in New York, Pennsylvania, New Jersey, and Puerto Rico; the Levittown in New York was the first. Additionally, Levitt & Sons' designs are featured prominently in the older portion of Buffalo Grove, Illinois; Vernon Hills, Illinois; Willingboro Township, New Jersey; the Belair section of Bowie, Maryland; and the Greenbriar section of Fairfax, Virginia.
The Levitt firm began before World War II, as a builder of custom homes in upper middle-class communities on Long Island. During the war, however, the home building industry languished under a general embargo on private use of scarce raw materials. William "Bill" Levitt served in the Navy in the Seabees – the service's construction battalions – and developed expertise in the mass-produced building of military housing using uniform and interchangeable parts. He was insistent that a postwar building boom would require similar mass-produced housing, and was able to purchase options on large swaths of onion and potato fields in undeveloped sections of Long Island.
Returning to the firm after war's end, Bill Levitt persuaded his father and brother to embrace the utilitarian system of construction he had learned in the Navy. With his architect-brother, Alfred, he designed a small one-floor house with an unfinished "expansion attic" that could be rapidly constructed and as rapidly rented to returning GIs and their young families. Levitt & Sons built the community with an eye towards speed, efficiency, and cost-effective construction; these methods led to a production rate of 30 houses a day by July 1948. They used pre-cut lumber and nails shipped from their own factories in Blue Lake, California, and built on concrete slabs, as they had done in a previous planned community in Norfolk, Virginia. This necessitated negotiating a change in the building code, which prior to the building of this community, did not permit concrete slabs. Given the urgent need for housing in the region, the town agreed. Levitt & Sons also controversially utilized non-union contractors in the project, a move which provoked picket lines. On the other hand, they paid their workers very well and offered all kinds of incentives that allowed them to earn extra money, so that they often earn twice as much a week as elsewhere. The company also cut out middlemen and purchased many items, including lumber and televisions, directly from manufacturers. The building of every house was reduced to 26 steps, with sub-contractors responsible for each step. His mass production of thousands of houses at virtually the same time allowed Levitt to sell them, with kitchens fully stocked with modern appliances, and a television in the living room, for as little as $8,000 each ($65,000 in 2009 dollars), which, with the G.I. Bill and Federal housing subsidies, reduced the up-front cost of a house to many buyers to around $400.
The planned 2,000 home rental community was quickly successful, with the New York Herald Tribune reporting that half of the properties had been rented within two days of the community being announced on May 7, 1947. As demand continued, exceeding availability, the Levitts expanded their project with 4,000 more homes, as well as community services, including schools and postal delivery. With the full implementation of federal government supports for housing, administered under the Federal Housing Administration (FHA), the Levitt firm switched from rental to sale of their houses, offering ownership on a 30-year mortgage with no down payment and monthly costs the same as rental. The resulting surge in demand pressed the firm to further expand its development, which changed its name from Island Trees to Levittown shortly thereafter.
Levittown was designed to provide a large amount of housing at a time when there was a high demand for affordable family homes. This suburban development would become a symbol of the "American Dream" as it allowed thousands of families to become home owners. But Levittown would also become a symbol of racial segregation. The discriminatory housing standards of Levittown were consistent with government policies of the time. The Federal Housing Administration allowed developers to justify segregation within public housing. The FHA only offered mortgages to non-mixed developments which discouraged developers from creating racially integrated housing. In accordance with this policy, the buying agreement signed by all those who purchased homes in Levittown stated that the property could not be used or rented by any individuals other than those of the Caucasian race. Before the sale of Levittown homes began, the sales agents were aware that no applications from black families would be accepted. As a result, American veterans who wished to purchase a home in Levittown were unable to do so if they were black.
William Levitt attempted to justify their decision to only sell homes to white families by saying that it was in the best interest for business. He claimed their actions were not discriminatory but intended to maintain the value of their properties. The company explained that it was not possible to reduce racial segregation while they were attempting to reduce the housing shortage. Though the Levitts were Jewish, they did not wish to sell homes to Jewish families: "As a Jew, I have no room in my heart for racial prejudice. But the plain fact is that most whites prefer not to live in mixed communities. This attitude may be wrong morally, and someday it may change. I hope it will." The Levitts explained that they would open up applications to blacks after they had sold as many homes to white people as possible. They believed that potential white buyers would not want to buy a house in Levittown if they were aware that they would have black neighbors.
In response to the discrimination of Levittown an opposition group was formed named the Committee to End Discrimination in Levittown. This group protested the sale of Levittown homes and pushed for an integrated community. In 1948 a legal proceeding by the United States Supreme Court declared that property deeds stipulating racial segregation were unenforceable by law. The "restrictive covenant" in the original rental agreement, which migrated to the sales agreement, stipulated that houses could not be rented or sold to any but members of the "Caucasian" race. The Levitts did not undertake efforts to counteract the racial homogeneity of the suburb and thus the racial composition of Levittown did not change. By 1960 Levittown was still a completely white suburb. Only well after the 1954 racial integration decisions, including Brown v. Board of Education, was Levittown racially integrated, and even as late as the 1990 census only a tiny fraction of the community was non-white, a stigma that still exists until this day.
While the Levitts are generally credited with designing a postwar "planned community", with common public amenities such as swimming pools and community centers, they were quick to release these high-maintenance, low-profit elements to the surrounding towns; the development sprawled across municipal boundaries, causing legal and administrative difficulties and requiring major initiatives within those existing municipalities to provide for and fund schools, sewage and water systems, and other infrastructure elements.
In 1949, Levitt and Sons changed focus, unveiling a new plan which it termed a "ranch" house. Larger, 32 by 25 feet (9.8 by 7.6 m), and more modern, these homes were only offered for sale, with a planned price of $7,990. The ranch homes were similar to the rental properties in that they were built on concrete slabs, included an expandable attic but no garage, and were heated with hot-water radiant heating pipes. Five models were offered that were effectively identical with differences in details such as exterior color and window placement. Again, demand was high, requiring that the purchasing process be streamlined as the assembly process had been, reaching the point that a buyer could walk through the process of selecting a house through contracting for its purchase in three minutes. This ranch model was altered in 1950 to include a carport and a built-in television. In 1951, a partially finished attic was added to the design.
Levittown proved successful. By 1951, it and surrounding regions included 17,447 homes constructed by Levitt & Sons.
Place in American culture
As the first and one of the largest mass-produced suburbs, Levittown quickly became a symbol of postwar suburbia. Although Levittown provided affordable houses in what many residents felt to be a congenial community, critics decried its homogeneity, blandness, and racial exclusivity (the initial lease prohibited rental to non-whites). Today, "Levittown" is used as a term to describe overly sanitized suburbs consisting largely of identical housing. Similarly, places have earned names like "Levittown-of-X" or "Levittown-on-the-X" as seen in Long Island's Bayville "Levittown on the Sound" and Fire Island's Dunewood "Levittown on the Bay." Oddly enough, although Levittown is remembered largely for its homogeneity, the majority of houses in Levittown have by now been so thoroughly expanded and modified by their owners that their original architectural form can be somewhat difficult to see; however, with diligent observation, several original examples can still be seen today.
Levittown has become so ingrained in American culture that the Smithsonian Institution in Washington would like to put on display an entire Levittown house. Bill Yeingst, a historian with Smithsonian's National Museum of American History Domestic Life Division said "An original ranch model would be ideal. We would like someone to donate their Levittown house, or we would like to find a donor to provide the funds so that we could secure a Levittown house." He noted that "The stories played out in suburban Levittown are the stories of America. They are stories important to everyone." Although "None of this is set in concrete," according to Mr. Yeingst, "the Levittown house would be dismantled at the site, transported to Washington and reconstructed. Then it would be exhibited along with other innovations in American home life."
Levittown, New York is an unincorporated area in Nassau County, New York. It can be defined in three overlapping but non-conforming ways. The most common use is Levittown as defined by the United States Postal Service Zip Code 11756. Another definition is the extent of the Levitt & Sons development built from 1947 to 1951. A third is the Census Designated Place (CDP) called Levittown as defined by the US Census Bureau.
The United States Postal Service ZIp (postal) code called Levittown, New York is 11756 and what is most commonly used to mean Levittown, New York. It does not include all the houses built in this area by Levitt & Sons and it does include houses built by other developers. The actual Levitt built development sprawls over three other postal zones, Wantagh NY (11793) and Westbury, NY (11590) in Hempstead Township and Hicksville, NY (11801) in Oyster Bay Township.
The Census Bureau Designated Place (CDP) called Levittown is a statistical entity for the United States Census Bureau centered at 40° 43' 26" north, 73° 30' 46" west (40.724468, −73.511191) with a total area of 17.8 km² (6.9 mi²) . It does not conform to the US Postal Service boundaries nor to the extent of the development built by Levitt & Sons and it also includes areas built by other developers.
The U.S. Census of 2010 counted 51,881 people, 17,207 households, and 14,031 families residing in the community. The population density is 7,717.5 per square mile (2,978.1/km²). There are 17,447 housing units at an average density of 2,531.9/sq mi (977.0/km²). The racial makeup of the CDP was 88.9% White; 11.5% Hispanic or Latin of any race; 5.7% Asian; 0.9% Black; 0.1% Native American; and 0.02% Pacific Islander.
In the community, the population is spread out with 25.7% under the age of 18, 7.0% from 18 to 24, 31.4% from 25 to 44, 23.0% from 45 to 64, and 12.9% who are 65 years of age or older. The median age is 37 years. For every 100 females there are 94.6 males. For every 100 females age 18 and over, there are 91.4 males.
The median income for a household in the community is $150,900, and the median income for a family is $83,851 (these figures had risen from $95,979 and $99,845 respectively as of a 2007 estimate). Males have a median income of $94,803 versus $79,962 for females. The per capita income for the CDP is $45,917. 1.0% of the population and 0.1% of families are below the poverty line. Out of the total population, 0.2% of those under the age of 18 and 0.3% of those 65 and older are living below the poverty line.
In popular culture
- The 1954 Levittown documentary A City Is Born featured an interview with creator William J. Levitt, aerial views of the development, and a 45-second time-lapse sequence showing one of the houses being constructed.
- In 1962, singing comedian Allan Sherman poked fun in his album My Son, the Folk Singer with a parody of Harry Belafonte's Jamaica Farewell: "I'm upside down. My head is turning around. Cause I've got to sell the house, in Levittown."
- In 1968, cartoonist Bill Hoest created The Lockhorns of Levittown – which was later shortened to The Lockhorns – a single-panel cartoon now syndicated to 500 newspapers in 23 countries.
- Mad magazine's June, 1970, parody of Easy Rider, named "Sleazy Riders", has a character who muses about a commune, "Ain't America people livin' together, an' sharin' homes together, an' sharin' kids together, and sharin' backyards and wives together?", to which another replies, "That ain't America, Man! That's Levittown!"
- In 1978, Bill Griffith wrote Is There Life After Levittown?, a comic story about growing up in Levittown featured in "Lemme Outa Here Comics"
- Local high school teacher Gene Horowitz wrote the 1980 novel, The Ladies of Levittown, which "featured a titillating account of America's most famous suburb, scandalizing many residents, who recognized their own lives depicted in the pages."
- In the 1982 musical, Little Shop of Horrors, Audrey, the slum dwelling heroine, dreams of a home "Somewhere that's Green", in which she sings "not fancy like Levittown"
- Billy Joel's 1982 album The Nylon Curtain features an aerial view of Levittown on the inner sleeve.
- The 1985 W. D. Wetherell published short story, The Man Who Loved Levittown, was published in a collection of the same name. The Library Journal reviewed the story (an O'Henry prizewinner) as "a World War II vet buys a house in Levittown where he spends the best years of his life. His wife has died, his grown children have left, and one by one his neighbors are selling out and moving to Florida. Beneath the talky, narrative voice of this story you discover the internal logic of a man pushed beyond reason to a desperate act".
- Billy Joel's 1989 song "Leningrad" references Levittown.
- Oliver Stone's 1989 movie Born on the Fourth of July the story of Ron Kovic, who was raised in nearby Massapequa, has two marines from the U.S. Marine "recruiting station in Levittown" do a recruitment presentation in Kovic's high school class.
- Stewart Bird's 1994 documentary Building The American Dream: Levittown, NY explores Levitt's vision of rapidly constructing inexpensive tract homes, featuring rare archival footage and photos, an interview with Levitt, and the reminiscences of numerous Levittown residents (including singer Billy Joel).
- October 24, 1997, Wonderland, a satirical documentary film about Levittown, produced and directed by John O'Hagan, premiered at the TriBeCa Film Festival. A review in The New York Times said of it: "The collective picture that emerges suggests a smug city slicker's condescending view of what could be almost any American small town."
- Michael Chabon's 2000 novel, The Amazing Adventures of Kavalier and Clay, has Levittown paralleled by the fictional suburban community of "Bloomtown"
- The 2003 PBS series Race: The Power of an Illusion by California Newsreel, features the towns of Levittown and nearby Roosevelt in documenting systemic racism in the development of the early suburbs
- In 2003, Helen Harvey published a remembrance Eating Corn through a Picket Fence of which she writes "My mom and dad were Veterans of WWII. I consider myself a veteran of having lived with them.
- Anna Shapiro published a 2006 teen oriented book Living on Air. It's described by the publisher as about a girl "raised in Levittown, Long Island. By the time she attended high school she concluded her parents were colossal failures who hid in a community in which all exterior houses were identical to one another."
- In 2006, Marc Palmieri's play Levittown was performed at the Axis Theater in New York. A review in the Village Voice wrote: "We don't typically quibble with Leo Tolstoy, but are unhappy families really so different? Or are they rather like the endless rows of postwar homes that William Levitt built on Long Island?" In July 2009 a to-scale reproduction of an original Levitt house was constructed at the Theatre at Saint Clement's in New York City for a revival of the play. The set was designed by Michele Spadaro. Steven McElroy of The New York Times wrote a feature article in the Sunday Arts and Leisure section, "That Family Room? It Has a Certain Star Quality" on July 8, 2009.
- Levittown was featured on the February 2, 2010, episode entitled "Home Wrecked Home" of Life After People: The Series on the History Channel.
- The song "The L-Town Shakedown (Levittown is for Lovers)" was released by the Long Island band Patent Pending on their 2006 album "Save Each Other, the Whales Are Doing Fine"
- On Friday, November 9, 2007, Levitt & Sons of Fort Lauderdale became the nation's largest builder to file for bankruptcy as the housing market boom of the early 21st century continued to crumble.
- In 2008, Levittown was featured in the Planet P Project album Levittown (Go Out Dancing, Vol. II), an album based upon life in post-war America and the early space age and atomic age. The title song paints Levittown as an "American Dream" of conformity.
- In 2014, Levittown was featured in the short documentary, Cash Mob for Avi about a struggling stationery store owner and the community that banded together to help him.
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