Cara Romero facts for kids
Cara Romero (born 1977) is an American photographer. She is famous for her digital photography. Her photos show Native American life in a modern way. Cara lives in Santa Fe, New Mexico and the Mojave Desert. She is a member of the Chemehuevi Indian Tribe.
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About Cara Romero
Cara Romero was born in Inglewood, California. She grew up on the Chemehuevi Indian Tribe of the Chemehuevi Reservation. Her father is Chemehuevi. Her mother is German-Irish. Cara studied Cultural Anthropology at the University of Houston. She later learned photography at the Institute of American Indian Arts. She also studied commercial photography at Oklahoma State University. Cara is married to Cochiti Pueblo artist, Diego Romero. They have two sons.
Cara was the first leader of the Chemehuevi Cultural Centre. From 2007 to 2010, she was on the Chemehuevi Tribal Council. She also led the Chemehuevi Education Board. And she was the Chairman of the Chemehuevi Early Education Policy Council.
Her Journey to Photography
Growing up, Cara lived a "bicultural" life. She moved between the Chemehuevi Reservation and Houston, Texas. In Houston, she realized many people did not understand what it meant to be Native American.
She studied Cultural Anthropology at the University of Houston. But two classes changed her path. One was a Native American history class. She felt it showed Native people only in the past. Cara realized people needed to see modern Native life. The other class was black and white photography. This class focused on the story in the picture. This sparked her love for photography. She knew it was what she wanted to do.
This led her to the Institute of American Indian Arts in 1999. Then she studied digital photography at Oklahoma State University. She used what she learned to create her unique art.
Her Photography Work
Early in her career, Cara Romero was inspired by photographer Edward Curtis. But she soon felt his style did not show her own experience. She started trying new ways to take photos. She began using digital tools like Photoshop. This allowed her to combine photos and use more color.
Cara's modern work often involves setting up scenes. This creates a theatrical feel. Her photos show many different Native American identities. The Santa Fe New Mexican newspaper says her work is "sometimes playful." It also calls it a "complex look at modern culture." Her photos show a clear modern Native view.
The Water Memory Series
Water Memory is a famous photo from her series Water Memories. Cara took Water Memory in 2015. She says the photo is strong because it can mean many things. It connects to the idea of a great flood. But it also tells a personal story. Cara's tribe was forced from their land by a flood. This happened to create Lake Havasu. She feels the lake is "haunted" by those memories. When she goes into the water, she feels that "water memory."
Water Memory was a big moment for her art. It led to the Smithsonian collecting her work. After this, her art focused on important topics to her. She started photographing female figures. She wanted to change how Native American women were seen. She aimed to break away from old, harmful ways of showing them.
The Bristol Post newspaper called her Water Memories series "breathtaking." It said the photos show the link between people, water, and life. Water Memories was shown in 2016 at the "STILL" exhibition. This was at the Rainmaker Gallery in Bristol.
Cara's work was also in the "CAPTURED" show in 2015. This show had both close-up portraits and fun recreations of famous artworks. Her strong female portraits were featured in a 2017 show. This show was called 'We Are Native Women'. It celebrated the strength of Native American women. Her work was also shown at the British Library in London in 2017.
Other Projects
In 2017, Cara's photo TV Indians was shown. This was at the "Broken Boxes" show in Santa Fe. The Albuquerque Journal called it her "highest production project yet." The photo compares Puebloans with how Native Americans are shown in media.
Cara received a fellowship from the Native Arts and Cultures Foundation in 2017. In 2018, her photos were shown in London. This was part of the 'Life Blood' exhibition. In 2020, Cara received a grant from NDN Collective. She used it to put her photos on billboards in Los Angeles. Cara has also won many awards at art markets.
Her work has also been shown at the Four Winds Gallery in Pittsburgh. And at the Robert Nichols Gallery in Santa Fe. Her art was also part of the Desert X outdoor exhibit in Coachella Valley.
Awards
- 2024 Heard Museum Guild Indian Fair and Market Best of Class (2-Dimensional Art), First Place (Photography)
- 2023 Santa Fe Indian Market Best of Division (Photography), First Place (Photography: Miscellaneous), Second Place (Photography: Miscellaneous)
- 2022 Museum of Photographic Arts Lou Stoumen Prize in Photography
- 2022 Santa Fe Indian Market Best of Classification (Paintings, Drawings, Graphics and Photography), Institute of American Indian Arts Alumni Award
- 2022 Heard Museum Guild Indian Fair and Market Second Place (Photography), Innovation (Photography), Idyllwild Arts Imagination Award, Judge's Award (Amber-Dawn Bear Robe)
- 2021 Heard Museum Guild Indian Fair and Market Second Place (Photography), Honorable Mention (Photography)
- 2020 Las Fotos Project Editorial Reward
- 2020 Heard Museum Guild Indian Fair and Market First Place (Photography), Judge's Award (Fausto Fernandez)
- 2019 Santa Fe Indian Market First Place (Digital Photography), Honorable Mention (Digital Photography), First Place (Digitally altered primary sources and printed)
- 2019 Heard Museum Guild Indian Fair and Market First Place (Photography)
- 2018 Santa Fe Indian Market Best of Class (Paintings, Drawings, Graphics and Photography), Best of Division (Photography), First Place (Color Photography), First Place (Digital Photography)
- 2018 Heard Museum Guild Indian Fair and Market Second Place (Photography)
- 2017 Santa Fe Indian Market Best of Class (Paintings, Drawings, Graphics and Photography), Best of Division (Photography), First Place (Digital Photography), Best of Division (Computer-generated Graphics), First Place (Digitally altered primary sources and printed)
- 2017 Institute of American Indian Arts Distinguished Alumni Award
- 2017 Heard Museum Guild Indian Fair and Market Judge's Award (Karen Kramer)
- 2016 Santa Fe Indian Market First Place (Digital Photography)
- 2016 Heard Museum Guild Indian Fair and Market First Place (Photography)
- 2015 Santa Fe Indian Market First Place (Digital Photography)
- 2015 Heard Museum Guild Indian Fair and Market First Place (Photography)
- 2014 Santa Fe Indian Market Best of Division (Photography), First Place (Black and white or continuous tone)
- 2014 Heard Museum Guild Indian Fair and Market Second Place (Photography)
- 2014 Heard Museum Guild Indian Fair and Market Judge's Award (Lenae Eller)
- 2013 Santa Fe Indian Market Best of Division (Photography), First Place (Digital Photography)
- 2012 Santa Fe Indian Market First Place (Digital Photography)
- 2007 Heard Museum Guild Indian Fair and Market Honorable Mention (Photography)
- 2006 Native American Rights Fund Visions for the Future Best in Show, Second Place
Public Collections
- Amon Carter Museum of American Art
- Anchorage Museum
- Arizona State Museum
- Asheville Art Museum
- Autry Museum of the American West
- Birmingham Museum of Art
- Bristol City Museum and Art Gallery
- British Museum
- Center for Creative Photography
- Coe Center (Ralph T. Coe Foundation)
- Colby College Museum of Art
- Crocker Art Museum
- Crystal Bridges Museum of American Art
- Danforth Art
- Davis Museum at Wellesley College
- Denver Art Museum
- Des Moines Art Center
- Detroit Institute of Arts
- Flaten Art Museum
- Forge Project (Taghkanic NY)
- Fralin Museum of Art
- Haffenreffer Museum of Anthropology
- Harwood Museum of Art
- Heard Museum
- Hood Museum of Art
- Huntington Library
- § IAIA Museum of Contemporary Native Arts
- Idyllwild Arts Academy
- John W. Bardo Fine and Performing Arts Center
- Library of Congress
- Lilley Museum of Art
- Los Angeles County Museum of Art
- Lucas Museum of Narrative Art
- Marjorie Barrick Museum of Art
- Mary and Leigh Block Museum of Art
- Maryhill Museum of Art
- Mead Art Museum
- Metropolitan Museum of Art
- Milwaukee Art Museum
- Minneapolis Institute of Art
- Minnesota Museum of American Art
- Montclair Art Museum
- Mulvane Art Museum
- Muscarelle Museum of Art
- Museum of Ethnology, Vienna
- Museum of Indian Arts and Culture
- Museum of Modern Art
- Museum of Photographic Arts
- National Gallery of Art
- National Museum of Ethnology (Netherlands)
- National Museum of the American Indian
- Nelson-Atkins Museum of Art
- Nerman Museum of Contemporary Art
- Nevada Museum of Art
- The Newark Museum of Art
- Newberry Library
- New Mexico Museum of Art
- North American Native Museum
- North Dakota Museum of Art
- Palm Springs Art Museum
- Peabody Essex Museum
- Philbrook Museum of Art
- Poeh Museum
- Prescott College
- Princeton University Art Museum
- Rhode Island School of Design Museum
- Ruth and Elmer Wellin Museum of Art
- Saint Louis Art Museum
- § Ruth Chandler Williamson Gallery
- San Bernardino County Museum
- Spencer Museum of Art
- Solomon R. Guggenheim Museum
- Thoma Foundation
- Tia Collection
- Tweed Museum of Art
- UCR/California Museum of Photography
- Utah Museum of Fine Arts
- Virginia Museum of Fine Arts
- Weisman Art Museum
- Wereldmuseum
- Wheelwright Museum of the American Indian
- Whitney Museum
- Williams College Museum of Art
- Yale University Art Gallery