Lon Chaney Jr. facts for kids
Quick facts for kids
Lon Chaney Jr.
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Chaney Jr. in Indestructible Man (1956)
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| Born |
Creighton Tull Chaney
February 10, 1906 Oklahoma City, Oklahoma Territory, U.S.
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| Died | July 12, 1973 (aged 67) San Clemente, California, U.S.
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| Occupation | Actor |
| Years active | 1931–1971 |
| Spouse(s) |
Dorothy Hinckley
(m. 1928; div. 1936)Patsy Beck
(m. 1937) |
| Children | 2 |
| Parent(s) |
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Creighton Tull Chaney (February 10, 1906 – July 12, 1973), known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard (Dracula spelled backward) in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), and The Defiant Ones (1958).
Originally referred to in films as Creighton Chaney, he was later credited as "Lon Chaney, Jr." in 1935, and after Man Made Monster (1941), beginning as early as The Wolf Man later that same year, he was almost always billed under the name of his immensely more famous father, the deceased cinema giant Lon Chaney, at the studio's insistence. Chaney had English, French, and Irish ancestry, and his career in movies and television spanned four decades, from 1931 to 1971.
Contents
Early life
Creighton Tull Chaney was born on February 10, 1906, in Oklahoma City, the son of then-stage performer Lon Chaney and Frances Cleveland Creighton, a singing stage performer who traveled in road shows across the country with Chaney. His parents' troubled marriage ended in divorce in 1913. Young Creighton lived in various homes and boarding schools until 1916, when his father (now employed in the film industry) married Hazel Hastings and could provide a stable home.
From an early age, he worked hard to avoid his famous father's shadow. In young adulthood, his father discouraged him from show business, and he attended business college and became successful in a Los Angeles appliance corporation. Creighton, who had begun working for a plumbing company, married Dorothy Hinckley, the daughter of his employer Ralph Hinckley. They had two sons: Lon Ralph Chaney and Ronald Creighton Chaney.
Creighton's life changed when his father was diagnosed with throat cancer and died on August 26, 1930, at the age of 47. Many articles and biographies over the years report that Creighton was led to believe his mother had died while he was a boy, and he only learned that she was still alive after his father's death. Creighton always maintained he had a tough childhood.
Career
As Creighton Chaney
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It was only after his father's death that Chaney began to act in films, billed by his own name. He began with an uncredited bit part in the serial The Galloping Ghost (1931) and signed a contract with RKO who gave him small roles in a number of films, including Girl Crazy (1932), The Roadhouse Murder (1932), Bird of Paradise (1932), and The Most Dangerous Game (1932).
RKO gave him the starring role in a serial, The Last Frontier (1932). He got bigger film roles in Lucky Devils (1933), Son of the Border (1933), Scarlet River (1933), The Life of Vergie Winters (1934). Over at Mascot Pictures he supported John Wayne in a serial, The Three Musketeers (1933), which was later re-edited into a film entitled Desert Command (1946).
"I did every possible bit in pictures" said Chaney later. "Had to do stuntwork to live. I bulldogged steers, fell off and got knocked off cliffs, rode horses off precipices into rivers, drove prairie schooners up and down hills."
He had the lead in the independent film Sixteen Fathoms Deep (1934), and a memorable part in which his character sings in Girl o' My Dreams (1934) at Monogram. The last film he made as Creighton Chaney was The Marriage Bargain (1935) for Screencraft Productions. After this point he was billed as Lon Chaney, Jr. until 1942, when he was usually billed, at the insistence of Universal Studios, with his iconic father's name, although the "Jr." was usually added by others to distinguish the two.
As Lon Chaney Jr.
He had the lead in A Scream in the Night (1935) made for Commodore Pictures, a crime thriller. He played small roles at Paramount: Hold 'Em Yale (1935), Accent on Youth (1935) and Rose Bowl (1936). A small outfit, Ray Kirkwood Productions, gave him a lead, The Shadow of Silk Lennox (1935).
At Republic he featured alongside Gene Autry in The Singing Cowboy (1936) and The Old Corral (1937). He was a henchman in a serial for Republic, Undersea Kingdom (1936). Universal got him to play a henchman in their serial, Ace Drummond (1937) and he was uncredited in Columbia's Killer at Large (1936). He lent his name to a cafe which was embroiled in a liquor scandal.
Chaney Jr. was the main villain in a Tom Tyler B Western, Cheyenne Rides Again (1937) and was in a serial, Secret Agent X-9 (1937).
20th Century Fox
Chaney Jr. signed a contract at 20th Century Fox and appeared in Love Is News (1937) with Tyrone Power, Midnight Taxi (1937) with Brian Donlevy, That I May Live (1937), This Is My Affair (1937) with Robert Taylor and Barbara Stanwyck, Angel's Holiday (1937), Born Reckless (1937) with Brian Donlevy, Wild and Woolly (1937) with Walter Brennan, The Lady Escapes (1937) with Gloria Stuart, Thin Ice (1937) with Tyrone Power, One Mile from Heaven (1937) with Claire Trevor, Charlie Chan on Broadway (1938), Life Begins in College (1937) with the Ritz Brothers, Wife, Doctor and Nurse (1937) with Loretta Young, Second Honeymoon (1937) with Tyrone Power and Loretta Young, Checkers (1937), Love and Hisses (1938) with Walter Winchell, City Girl (1938), Happy Landing (1938) with Ethel Merman, Sally, Irene and Mary (1938) with Fred Allen and Jimmy Durante, Mr. Moto's Gamble (1938) with Peter Lorre, Walking Down Broadway (1938) with Claire Trevor, Alexander's Ragtime Band (1938) with Tyrone Power, Josette (1938) with Don Ameche and Robert Young, Speed to Burn (1938) with Lynn Bari, Passport Husband (1938), Straight, Place and Show (1938) with the Ritz Brothers, John Ford's Submarine Patrol (1938) with Nancy Kelly, and Road Demon (1939). He was almost killed by a train while filming a bank robbery scene in Jesse James (1939). Jesse James also coincidentally featured Henry Hull, the star of Werewolf of London (1935), in a supporting role.
Chaney Jr. later made Charlie Chan in City in Darkness (1939) with Lynn Bari and Frontier Marshal (1939) with Randolph Scott and Nancy Kelly.
Of Mice and Men (1939)
Chaney Jr's only stage appearance had been as Lennie Small in a production of Of Mice and Men with Wallace Ford. He was cast in that role in the film Of Mice and Men (1939), which was produced by Hal Roach Studios. The film was Chaney Jr's first major role in a film and was a critical success for him. Chaney had a screen test for the role of Quasimodo for the remake of The Hunchback of Notre Dame (1939), a role which his father played back in 1923, but the role went to Charles Laughton.
One Million B.C.
Hal Roach used him in his third-billed character role in One Million B.C. (1940) as Victor Mature's caveman father, Chaney began to be viewed as a character actor in the mold of his father. He had in fact designed a swarthy, ape-like Neanderthal make-up on himself for the film, but production decisions and union rules prevented his following through on emulating his father in that fashion. Cecil B. DeMille used him in a supporting role in North West Mounted Police (1940) and MGM used him in Billy the Kid (1941) with Robert Taylor as Billy and Brian Donlevy as Pat Garrett. That studio considered putting Chaney Jr in a remake of his father's hit He Who Gets Slapped but decided not to make it.
Universal Pictures
Universal Pictures offered Chaney Jr the lead in Man-Made Monster (1941), a science-fiction horror thriller originally written with Boris Karloff in mind. Chaney's first horror film, it was successful enough for them to offer him a long-term contract.
Universal kept him in supporting roles for a while: a comedy Too Many Blondes (1941), a musical San Antonio Rose (1941) with Shemp Howard, a serial Riders of Death Valley (1941) featuring Noah Beery Jr., the Western Badlands of Dakota (1941) and the "Northern" North to the Klondike (1942) with Broderick Crawford.
Horror film star: The Wolf Man, The Mummy, Inner Sanctum
Chaney Jr. was then given the title role in The Wolf Man (1941) for Universal, a role which, much like Karloff's Frankenstein monster, would largely typecast Chaney as a horror film actor for the rest of his life. Universal dropped the "Jr." and billed him as "Lon Chaney" going forward within that studio, apparently to foster confusion with his father among audiences.
Chaney Jr. was now an official horror star, and Universal gave him the role of Frankenstein's monster in The Ghost of Frankenstein (1942), the first B-movie of the series, when Boris Karloff decided not to play the part again; Bela Lugosi returned in his role as Ygor and the leading lady was Evelyn Ankers. He was in a crime film, Eyes of the Underworld (1942) and the wartime shorts Keeping Fit (1942) and What We Are Fighting For (1943).
Chaney Jr. played Kharis the Mummy in The Mummy's Tomb (1942), another hit. He was in a Western Frontier Badmen (1943), then reprised his role as the Wolf Man in Frankenstein Meets the Wolf Man (1943) with Bela Lugosi as Frankenstein's monster. The film was originally filmed with the Monster being blind but also speaking in Lugosi's distinctive "Ygor" voice but the studio cut out all references to either so that audiences were left wondering why the Monster staggered around with his arms extended in front of him, not to mention why he had lost the ability to speak since Ghost of Frankenstein, grievously damaging Lugosi's reputation.
Chaney Jr. was given the role of Dracula in Son of Dracula (1943); the film was actually about Dracula himself, who had no son in the film. This made him the only actor to portray all four of Universal's major horror characters: the Wolf Man, Frankenstein's monster, the Mummy, and Count Dracula.
After a cameo in Crazy House (1943) he was given the lead in Calling Dr. Death (1943), based on the Inner Sanctum mysteries. It kicked off another series starring Chaney, the first of which was Weird Woman (1944).
He made a second mummy movie, The Mummy's Ghost (1944) and had a support part in Cobra Woman (1944), starring Maria Montez and Ghost Catchers (1944), with the comedy team Olsen and Johnson.
Dead Man's Eyes (1944) was the third Inner Sanctum, after which he was back as the Wolf Man in House of Frankenstein (1944). The Mummy's Curse (1944) was Chaney's third and final appearance as Kharis.
He played an antagonist in the Abbott and Costello comedy Here Come the Co-Eds (1945), then made more Inner Sanctums: The Frozen Ghost (1945) with Evelyn Ankers and Strange Confession (1945) with Brenda Joyce. He returned as the Wolf Man in House of Dracula (1945), one of the last of the Universal horror cycle. Pillow of Death (1945) was the last Inner Sanctum. The Daltons Ride Again (1945) was a Western featuring Noah Beery Jr. in a supporting role.
Leaving Universal
Despite being typecast as the Wolf Man, the 6-foot 2-inch, 220-pound actor managed to carve out a secondary niche as a supporting actor and villain.
He was in a Bob Hope comedy My Favorite Brunette (1947), supported Randolph Scott in Albuquerque (1948) and had a support in The Counterfeiters (1948) and played a villain in 16 Fathoms Deep (1948) for Monogram Pictures, a remake of his 1934 film.
He reprised his Wolf Man role to great effect in Abbott and Costello Meet Frankenstein (1948) but it did not cause a notable boost to his career.
Chaney kept busy in supporting roles: Captain China (1950), Once a Thief (1950), Inside Straight (1951), Bride of the Gorilla (1951), Only the Valiant (1951), Behave Yourself! (1951), Flame of Araby (1952), The Bushwackers (1952), Thief of Damascus (1952), Battles of Chief Pontiac (1952) (in the title role), High Noon (1952), Springfield Rifle (1952), The Black Castle (1952) (a return to horror), Raiders of the Seven Seas (1953), A Lion Is in the Streets (1953) with James Cagney, The Boy from Oklahoma (1954), Casanova's Big Night (1954), Passion (1954), The Black Pirates (1954), Jivaro (1955), Big House, U.S.A. (1955), I Died a Thousand Times (1955), The Indian Fighter (1955), and The Black Sleep (1956)
He had a leading role in Indestructible Man (1956) then was back to support parts: Manfish (1956); a Martin and Lewis comedy, Pardners (1956); Daniel Boone, Trail Blazer (1957); The Cyclops (1957) and The Alligator People (1959).
Chaney established himself as a favorite of producer Stanley Kramer; in addition to playing a key supporting role in High Noon (1952) (starring Gary Cooper), he also appeared in Not as a Stranger (1955)—a hospital melodrama featuring Robert Mitchum and Frank Sinatra—and The Defiant Ones (1958, starring Tony Curtis and Sidney Poitier). Kramer told the press at the time that whenever a script came in with a role too difficult for most actors in Hollywood, he called Chaney.
He became quite popular with baby boomers after Universal released its back catalog of horror films to television in 1957 (Shock Theater) and Famous Monsters of Filmland magazine regularly focused on his films.
In 1957, Chaney went to Ontario, Canada, to costar in the first ever American-Canadian television production, as Chingachgook in Hawkeye and the Last of the Mohicans, suggested by James Fenimore Cooper's stories. The series ended after 39 episodes. Universal released their film biography of his father, Man of a Thousand Faces (1957), featuring a semi-fictionalized version of Creighton's life story from his birth up until his father's death. Roger Smith was cast as Creighton as a young adult.
He appeared in an episode of the western series Tombstone Territory titled "The Black Marshal from Deadwood" (1958), and appeared in numerous western series such as Rawhide. He also hosted the 13-episode television anthology series 13 Demon Street in 1959, which was created by Curt Siodmak.
1960s
In the 1960s, Chaney specialised in horror films, such as House of Terror (1960), The Devil's Messenger (1961) and The Haunted Palace (1963), replacing Boris Karloff in the last of those for Roger Corman.
He was in a Western Law of the Lawless (1963) with Dale Robertson, Face of the Screaming Werewolf (1964), Witchcraft (1964), and Stage to Thunder Rock (1964).
He starred in Jack Hill's Spider Baby, which was made in 1964 but not released until 1968 and would not attain notoriety until after Chaney's death. Then it was back to Westerns – Young Fury (1965), Black Spurs (1965), Town Tamer (1966), Johnny Reno (1967), Apache Uprising (1967), Welcome to Hard Times (1967) and Buckskin (1968). There was also horror, such as Dr. Terror's Gallery of Horrors (1967) and Hillbillys in a Haunted House (1967).
His bread-and-butter work during this decade was television – where he made guest appearances on everything from Wagon Train to The Monkees – and in a string of supporting roles in low-budget Westerns produced by A. C. Lyles for Paramount. In 1962, Chaney gained a chance to briefly play Quasimodo in a simulacrum of his father's make-up, as well as return to his roles of the Mummy and the Wolf Man on the television series Route 66 with friends Boris Karloff and Peter Lorre.
Final films
In later years, he suffered from throat cancer and chronic heart disease among other ailments. In his final horror film, Dracula vs. Frankenstein (1971), directed by Al Adamson, he played Groton, Dr. Frankenstein's mute henchman. He filmed his part in the spring of 1969, and shortly thereafter performed his final film role, also for Adamson in 1969 in The Female Bunch. Chaney had lines in The Female Bunch but his hoarse, raspy voice was virtually unrecognizable. Due to illness he retired from acting to concentrate on a book about the Chaney family legacy, A Century of Chaneys, which remains to date unpublished in any form. As of 2008[update], his grandson, Ron Chaney Jr, was working on completing this project.
Personal life
Chaney was married twice. He had two sons by his first wife, Dorothy, Lon Ralph Chaney (July 3, 1928 – May 5, 1992) and Ronald Creighton Chaney (March 18, 1930 – December 15, 1987). Dorothy divorced him in 1936. He married Patsy Beck in 1937.
Honors
In 1999, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.
Death
Chaney suffered from a series of illnesses in the year prior to his death. In April 1973, he was released from the hospital after undergoing surgery for cataracts and treatment for beriberi. He also suffered from liver problems and gout. Chaney died on July 12, 1973, in San Clemente, California, at the age of 67. His cause of death was not immediately released to the public. Chaney's death certificate listed his cause of death as cardiac failure due to arteriosclerotic heart disease and cardiomyopathy.
He was honored by appearing as the Wolf Man on one of a 1997 series of United States postage stamps depicting movie monsters (his father appeared as the Phantom of the Opera, while Bela Lugosi appeared as Dracula, and Boris Karloff had two stamps as Frankenstein's monster and the original Mummy). His grandson Ron Chaney Jr. has appeared frequently as a guest at horror movie conventions.
Filmography
This is a list of known Lon Chaney Jr. theatrical films. Television appearances are listed separately.
| Year | Film | Role | Director | Notes |
|---|---|---|---|---|
| 1922 | The Trap | Hands of a Boy | Robert Thornby | uncredited |
| 1931 | The Galloping Ghost | Henchman | Benjamin H. Kline | uncredited |
| 1932 | Bird of Paradise | Thornton | King Vidor | |
| 1932 | The Last Frontier | Tom Kirby, aka The Black Ghost | Thomas Storey | |
| 1932 | The Black Ghost | Tom Kirby, alias 'The Black Ghost' | Thomas Storey | archive footage |
| 1933 | Lucky Devils | Frankie Wilde | Ralph Ince | |
| 1933 | Scarlet River | Jeff Todd | Otto Brower | |
| 1933 | The Three Musketeers | Armand Corday [Chs. 1, 10] | ||
| 1933 | Son of the Border | Jack Breen | Lloyd Nosler | |
| 1934 | Sixteen Fathoms Deep | Joe Bethel | Armand Schaefer | |
| 1934 | The Life of Vergie Winters | Hugo McQueen | Alfred Santell | |
| 1934 | Girl o' My Dreams | Don Cooper | Ray McCarey | Chaney sings a song |
| 1935 | The Marriage Bargain | Bob Gordon | Albert Ray | |
| 1935 | Captain Hurricane | Dave | Charles Kerr (assistant) | uncredited |
| 1935 | Hold 'Em Yale | Yale Football Player | Sidney Lanfield | uncredited |
| 1935 | Accent on Youth | Chuck | Wesley Ruggles | |
| 1935 | The Shadow of Silk Lennox | John Arthur 'Silk' Lennox | Jack Nelson | |
| 1935 | A Scream in the Night | Jack Wilson / Butch Curtain | Fred C. Newmeyer | |
| 1936 | The Singing Cowboy | Martin | Mack V. Wright | |
| 1936 | Undersea Kingdom | Hakur | Joseph Kane | |
| 1936 | Ace Drummond | Henchman Ivan | Ford BeebeClifford Smith | |
| 1936 | Killer at Large | Second Coffin Man | David Selman | uncredited |
| 1936 | Rose Bowl | Sierra Football Player | Charles Barton | uncredited |
| 1936 | The Old Corral | Simms' Partner | Joseph Kane | |
| 1937 | Cheyenne Rides Again | Girard | Robert F. Hill | |
| 1937 | Love Is News | Newsman | Tay Garnett | uncredited |
| 1937 | Thin Ice | American Reporter | Sidney Lanfield | uncredited |
| 1937 | Midnight Taxi | Detective Erickson | Eugene Forde | |
| 1937 | Secret Agent X-9 | Maroni | Clifford Smith | |
| 1937 | That I May Live | Engineer | Allan Dwan | uncredited |
| 1937 | This Is My Affair | Federal Agent in Baltimore Bank | William A. Seiter | uncredited |
| 1937 | Angel's Holiday | Eddie | James Tinling | |
| 1937 | Slave Ship | Laborer Killed at Launching | Tay Garnett | uncredited |
| 1937 | Born Reckless | Garage Mechanic | Gustav Machatý | uncredited |
| 1937 | Wild and Woolly | Dutch | Alfred L. Werker | |
| 1937 | The Lady Escapes | Reporter | Eugene Forde | uncredited |
| 1937 | One Mile From Heaven | Policeman at Woodman's Hall | Allan Dwan | uncredited |
| 1937 | Wife, Doctor and Nurse | Chauffeur Scott | Walter Lang | |
| 1937 | Charlie Chan on Broadway | Desk Reporter | Eugene Forde | uncredited |
| 1937 | Life Begins in College | Gilks | William A. Seiter | |
| 1937 | Second Honeymoon | Reporter | Walter Lang | uncredited |
| 1937 | Checkers | Man at Racetrack | H. Bruce Humberstone | uncredited |
| 1937 | Love and Hisses | Attendant | Sidney Lanfield | uncredited |
| 1938 | City Girl | Gangster | Alfred L. Werker | uncredited |
| 1938 | Happy Landing | Newspaper Reporter | Roy Del Ruth | uncredited |
| 1938 | Sally, Irene and Mary | Policeman with Club | Edmund Goulding | uncredited |
| 1938 | Walking Down Broadway | Delivery Man | Norman Foster | uncredited |
| 1938 | Mr. Moto's Gamble | Joey | James Tinling | |
| 1938 | Alexander's Ragtime Band | Photographer on Stage | Henry King | uncredited |
| 1938 | Josette | Boatman | Allan Dwan | |
| 1938 | Speed to Burn | Racetrack Mug | Otto Brower | |
| 1938 | Passport Husband | Bull | James Tinling | |
| 1938 | Straight Place and Show | Martin | David Butler | uncredited |
| 1938 | Submarine Patrol | Marine Sentry | John Ford | uncredited |
| 1938 | Road Demon | Bud Casey | Otto Brower | |
| 1939 | Jesse James | One of James Gang | Henry King | |
| 1939 | Union Pacific | Dollarhide | Cecil B. DeMille | |
| 1939 | Frontier Marshal | Pringle | Allan Dwan | |
| 1939 | Charlie Chan in City in Darkness | Pierre | Herbert I. Leeds | |
| 1939 | Of Mice and Men | Lennie Small | Lewis Milestone | |
| 1940 | One Million B.C. | Akhoba | Hal Roach Jr. | |
| 1940 | North West Mounted Police | Shorty | Cecil B. DeMille | |
| 1941 | Man-Made Monster | Dan McCormick | George Waggner | |
| 1941 | Too Many Blondes | Marvin Gimble | Thornton Freeland | |
| 1941 | Billy the Kid | 'Spike' Hudson | David Miller | |
| 1941 | San Antonio Rose | Jigsaw Kennedy | Charles Lamont | |
| 1941 | Riders of Death Valley | Henchman Butch | Ray Taylor | |
| 1941 | Badlands of Dakota | Jack McCall | Alfred E. Green | |
| 1941 | The Wolf Man | Larry Talbot - The Wolf Man | George Waggner | |
| 1941 | North to the Klondike | Nate Carson | ||
| 1942 | The Ghost of Frankenstein | The Monster | Erle C. Kenton | |
| 1942 | Overland Mail | Jim Lane | John Rawlins | |
| 1942 | Eyes of the Underworld | Benny | Roy William Neill | |
| 1942 | The Mummy's Tomb | Kharis | Harold Young | |
| 1942 | Keeping Fit | Factory Worker | Arthur Lubin | Short |
| 1943 | Frankenstein Meets the Wolf Man | Lawrence Talbot | Roy William Neill | |
| 1943 | What We Are Fighting For | Bill Wallace | Short | |
| 1943 | Frontier Badmen | Chango | Ford Beebe | |
| 1943 | Crazy House | Himself | Edward F. Cline | uncredited |
| 1943 | Son of Dracula | Count Alucard / Dracula | Robert Siodmak | |
| 1943 | Calling Dr. Death | Doctor Mark Steele | Reginald LeBorg | |
| 1944 | Weird Woman | Norman Reed | Reginald Le Borg | |
| 1944 | Follow the Boys | Himself | A. Edward Sutherland | uncredited |
| 1944 | Cobra Woman | Hava | Robert Siodmak | |
| 1944 | Ghost Catchers | Bear | Edward F. Cline | |
| 1944 | The Mummy's Ghost | Kharis | Reginald Le Borg | |
| 1944 | Dead Man's Eyes | Dave Stuart | Reginald Le Borg | |
| 1944 | House of Frankenstein | Larry Talbot | Erle C. Kenton | |
| 1944 | The Mummy's Curse | Mummy | Leslie Goodwins | |
| 1945 | Here Come The Co-Eds | Johnson | Jean Yarbrough | |
| 1945 | The Frozen Ghost | Alex Gregor / Gregor the Great | Harold Young | |
| 1945 | Strange Confession | Jeff | John Hoffman | |
| 1945 | The Daltons Ride Again | Grat Dalton | Ray Taylor | |
| 1945 | House of Dracula | Lawrence Talbot / The Wolf Man | Erle C. Kenton | |
| 1945 | Pillow of Death | Wayne Fletcher | Wallace Fox | |
| 1946 | Desert Command | Lt. Armand Corday | in footage from The Three Musketeers (1933 serial) | |
| 1947 | Laguna U.S.A. | Himself | uncredited | |
| 1947 | My Favorite Brunette | Willie | Elliott Nugent | |
| 1948 | Albuquerque | Steve Murkill | Ray Enright | |
| 1948 | The Counterfeiters | Louie Struber | Sam Newfield | |
| 1948 | Abbott and Costello Meet Frankenstein | Lawrence Talbot | Charles Barton | |
| 1948 | 16 Fathoms Deep | Mr. Demitri | Irving Allen | |
| 1950 | There's a Girl in My Heart | Johnny Colton | Arthur Dreifuss | |
| 1950 | Captain China | Red Lynch | Lewis R. Foster | |
| 1950 | Once a Thief | Gus | W. Lee Wilder | |
| 1951 | Inside Straight | Shocker / Schockovitz Ninkovitch | Gerald Mayer | |
| 1951 | Only the Valiant | Trooper Kebussyan | Gordon Douglas | |
| 1951 | Behave Yourself! | Pinky | George Beck | |
| 1951 | The Bushwhackers | Artemus Taylor | Rod Amateau | |
| 1951 | Bride of the Gorilla | Police Commissioner Taro | Curt Siodmak | |
| 1951 | Flame of Araby | Borka Barbarossa | Charles Lamont | |
| 1952 | Thief of Damascus | Sinbad | Will Jason | |
| 1952 | High Noon | Martin Howe | Fred Zinnemann | |
| 1952 | Springfield Rifle | Pete Elm | Andre DeToth | |
| 1952 | The Black Castle | Gargon | Nathan H. Juran | |
| 1952 | Battles of Chief Pontiac | Chief Pontiac | Felix E. Feist | |
| 1953 | Bandit Island | Kip | Short | |
| 1953 | Raiders of the Seven Seas | Peg Leg | Sidney Salkow | |
| 1953 | A Lion Is in the Streets | Spurge McManamee | Raoul Walsh | |
| 1954 | Jivaro | Pedro Martines | Edward Ludwig | |
| 1954 | The Boy from Oklahoma | Crazy Charlie | Michael Curtiz | |
| 1954 | Casanova's Big Night | Emo the Murderer | Norman Z. McLeod | |
| 1954 | The Big Chase | Kip | Robert L. Lippert Jr. | |
| 1954 | Passion | Castro | Allan Dwan | |
| 1954 | The Black Pirates | Padre Felipe | Allen H. Miner | |
| 1955 | Big House, U.S.A. | Alamo Smith | Howard W. Koch | |
| 1955 | The Silver Star | John W. Harmon | Richard Bartlett | |
| 1955 | Not as a Stranger | Job Marsh | Stanley Kramer | |
| 1955 | I Died a Thousand Times | Big Mac | Stuart Heisler | |
| 1955 | The Indian Fighter | Chivington | Andre de Toth | |
| 1956 | Manfish | 'Swede' | W. Lee Wilder | |
| 1956 | Indestructible Man | Charles 'Butcher' Benton | Jack Pollexfen | |
| 1956 | The Black Sleep | Mungo | Reginald Le Borg | |
| 1956 | Pardners | Whitey | Norman Taurog | |
| 1956 | Daniel Boone, Trail Blazer | Blackfish | Ismael Rodríguez | |
| 1957 | The Cyclops | Martin 'Marty' Melville | Bert I. Gordon | |
| 1958 | The Defiant Ones | Big Sam | Stanley Kramer | |
| 1958 | Money, Women and Guns | Art Birdwell | Richard Bartlett | |
| 1959 | The Alligator People | Manon | Roy Del Ruth | |
| 1960 | House of Terror | La Momia / El Hombre Lobo | Gilberto Martínez Solares | |
| 1961 | Rebellion in Cuba | Gordo | ||
| 1961 | The Phantom | Jed | TV movie | |
| 1961 | The Devil's Messenger | Satan | Herbert L. Strock | |
| 1963 | The Haunted Palace | Simon Orne | Roger Corman | |
| 1964 | Law of the Lawless | Tiny | William F. Claxton | |
| 1964 | Witchcraft | Morgan Whitlock | Don Sharp | |
| 1964 | Stage to Thunder Rock | Henry Parker | William F. Claxton | |
| 1964 | Face of the Screaming Werewolf | The Mummified Werewolf | Rafael PortilloJerry Warren | |
| 1965 | Young Fury | Bartender, Ace | Christian Nyby | |
| 1965 | Black Spurs | Gus Kile | R. G. Springsteen | |
| 1965 | Town Tamer | Mayor Charlie Leach | Lesley Selander | |
| 1965 | Apache Uprising | Charlie Russell | R. G. Springsteen | |
| 1965 | House of the Black Death | Belial Desard | Jerry Warren | |
| 1966 | Johnny Reno | Sheriff Hodges | R.G. Springsteen | |
| 1967 | Dr. Terror's Gallery of Horrors | Dr. Mendell | David L. Hewitt | |
| 1967 | The Far Out West | Chief Eagle Shadow in archive footage | ||
| 1967 | Hillbillys in a Haunted House | Maximillian | Jean Yarbrough | |
| 1967 | Welcome to Hard Times | Avery | Burt Kennedy | |
| 1968 | Spider Baby | Bruno | Jack Hill | |
| 1968 | Buckskin | Sheriff Tangley | Michael D. Moore | |
| 1968 | Fireball Jungle | Sammy | ||
| 1969 | A Stranger in Town | Doc Whitaker | TV movie | |
| 1971 | The Female Bunch | Monti | Al Adamson | |
| 1971 | Dracula vs. Frankenstein | Groton | Al Adamson |
See also
In Spanish: Lon Chaney Jr. para niños
