Robert Ballagh facts for kids

Quick facts for kids Robert Ballagh
Ballagh in 2014
Born	(1943-09-22) 22 September 1943 (age 80) Dublin, Ireland
Nationality	Irish
Education	Bolton Street College of Technology
Known for	Painting, design
Notable work	More than 70 Irish postage stamps, "Series C" Irish banknotes
Spouse(s)	Betty Ballagh
Awards	Aosdána membership

Robert Ballagh (born 22 September 1943) is an Irish artist, painter and designer. Born in suburban Dublin and privately schooled, he studied architecture at the Bolton Street College of Technology. After a brief career as a professional showband musician, he turned to art. With his three years of architectural training, and otherwise largely self-taught, he was given a first project by Micheal Farrell, freshly returned from the New York arts scene; Ballagh's initial painting style was strongly influenced by pop art. He is latterly particularly well-known for his hyperrealistic renderings of Irish literary, historical and establishment figures, as well as for designing more than 70 Irish postage stamps and a series of banknotes, and for work on theatrical sets, including for works by Samuel Beckett and Oscar Wilde, and for Riverdance in multiple locations. He also designed sets for the opening ceremonies for two major international sporting events hosted in Ireland, the Special Olympics and the Ryder Cup. Ballagh's work has been exhibited at many solo and group shows since 1967, in Dublin, Cork, Brussels, Moscow, Sofia, Florence, Lund and others, as well as touring in Ireland and the US. He has sold well at auction, and his work is held in a range of museum and gallery collections, as well as those of some companies. He was chosen to represent Ireland at the 1969 Biennale de Paris.

A lifelong resident of Dublin, aside from a brief spell in London, Ballagh's studio is in the inner city there. He is a member of Ireland's academy of artists, Aosdána, and was its first chairperson, a role he also held at the Artists Association of Ireland; he was also a member of the executive of the International Association of Art. A campaigner for arts funding and resale rights for artists, he became the founding chairperson of the Irish Visual Artists Rights Organisation. He also leads the Ireland Institute for Historical and Cultural Studies. He has received a number of awards, including an honorary doctorate from Ireland's largest university. A widower since 2011, with two children, he has published a book of photography of Dublin, and a volume of memoirs.

Early life and education

Ballagh grew up in a ground-floor flat on Elgin Road in Ballsbridge, the only child of a Catholic mother and a Presbyterian father who converted to Catholicism, both of whom had played sport for Ireland. He became an atheist while being educated at St Michael's College and Blackrock College.

Career

Before turning to art as a profession, Ballagh was a professional musician for about three years, initially with the showband Concord, then, on a full-time basis, as bass guitarist with The Chessmen, managed by Noel Pearson. Having toured Ireland and England extensively with the latter band, reaching a weekly income of 100 pounds, he concluded that a career in music, especially with a lot of time on the road, was not for him, sold his guitar, to rising musician Phil Lynott and did not play music again.

Painting and other plastic arts

Ballagh worked in both Dublin and for a few months, London, as a draughtsman, a postman and a designer. Having decided to return to Ireland, he started on a dedicated artistic career after he met an artist friend, Micheal Farrell, freshly back from the New York arts scene, in a pub, and Farrell recruited him for 5 pounds a week to assist with a large mural commission. The piece, for the National Bank branch on Suffolk Street (part of Bank of Ireland), was painted at Ardmore Studios due to its massive scale. ..... Around the same time, Ireland's Arts Council purchased an acrylic of a razor blade on canvas, inspired by a theory of critic Clement Greenberg. Largely self-taught, his early work took inspiration from the pop art movement, and he worked on two early series of paintings, the Package series and Map series, the latter using a mix of acrylic and day-glo paints in inkblots. He next turned to political themes, notably connected to Northern Ireland but also with elements inspired by the Civil Rights movement in the US and the reaction to the Vietnam War. He started to combine elements of social realism with US advertising forms after reading Che Guevara's essay Man and Socialism in Cuba. ..... In 1972, he commemorated the victims of Bloody Sunday in Derry with an installation at the Irish Exhibition of Living Art at the Project Arts Centre in Dublin; it consisted of thirteen rough figures in sand on the floor, sprinkled with (animal) blood, recorded as a series of photoprints.

He was selected to represent Ireland at the 1969 Biennale de Paris, and his work has been shown in solo exhibitions from that year onwards. He was commissioned by his former tutor, Robin Walker, to produce abstract designs for screens in the new restaurant building of University College Dublin.

Ballagh started to work on portraiture with Irish executive and contemporary art collector Gordon Lambert in 1971. As he was at the time still not fully content with his skills in painting faces and hands, he merged his own canvas with a silkscreen head shot of Lambert, over which he worked with sepia ink, and he added the hands in detached three-dimensional representations, which sculptor Brian King made for him from castings of Ballagh's own hands. Over the following years, he painted a series of people looking at contemporary paintings, which proved very popular, with some international exhibitions selling out. Using the same concept, in his first major public commission, for the Five-Star supermarket chain's new shop in Clonmel, he painted a large-scale (c. 80 foot) mural on 18 panels. He used formica, having visited the plastic laminate's factory in the UK, and included himself, his wife and his daughter in the mural, entitled People and a Frank Stella. He also, drawing on scenes from The Life and Opinions of Tristram Shandy, Gentleman by locally-born Lawrence Sterne, painted a series of panels for a local restaurant. Other work included a series of six paintings and a silkscreen print linked to Flann O'Brien's The Third Policeman.

He later painted fellow artist Louis le Brocquy, writers J.P. Donleavy (2006), James Joyce (2011, commissioned by UCD), Sheridan Le Fanu, Oscar Wilde, Brendan Behan and Samuel Beckett, as well as poet Francis Ledwidge, singer Bernadette Greevy, politician Carmencita Hederman and a rendering of Fidel Castro. The Ledwidge, commissioned by the Inchicore Ledwidge Society, is a triptych, with the poet primarily on the central panel, but his arms crossing to the outer panels, which feature a scene from his home village of Slane and a World War I scene. He had earlier painted Joyce in a scene on O'Connell Street, Dublin's main street, with himself alongside. Some years after buying Ballagh's The History Lesson, the scientist James D Watson visited Ballagh in Dublin to discuss a portrait commission, and the Ballaghs visited the Watsons at Cold Spring Harbor Laboratory on Long Island, with Ballagh commenting on the new insights into the world of science he gained from the visit. Ballagh worked on a portrait of Watson over an extended period; it hangs in the Genetics Institute of Trinity College Dublin. At Watson's request, Ballagh painted Watson's colleague Francis Crick for a major institution in London, and at the unveiling was one of just two people to meet the Queen, who commented that the portrait was "interesting". Other commissions included Dublin City University purchasing a portrait of former Minister for Education Mary O'Rourke. By 2010, Ballagh had painted 91 non-family portraits, featuring 82 men and 9 women.

Works of self-portraiture and paintings of his family have also been painted over time. ..... That work was preceded by No. 3, with his family portrayed conventionally outside their house, and was followed by Upstairs No. 3. ..... Later still he painted Inside No. 3 After Modernization (with multiple types of painting included in the background), Upstairs No. 4, and others. In a very different setting, he also painted his family on an extended 1978 holiday near Malaga, in Winter in Ronda (1979). He also used himself and family members as models for generic characters, and, for example, painted two pictures of his daughter in the style of Marilyn Monroe, Rachel as Marilyn I and II.

After many years, and one painting looking out to an exterior scene in the mid-1980s, Ballagh started to paint landscape work seriously in the late 1990s, and his 2002 exhibition, Tir is Teanga / Land and Language consisted of 10 landscapes, albeit not of specific places, but typical of some Irish scenes. Another commission was to paint the Fastnet Lighthouse for the Commissioners of Irish Lights, which involved a drafting trip by helicopter.

Ballagh has served as a judge for a number of artistic competitions, including one for murals in West Belfast. He has also led community arts work in both Dublin and Belfast, and taught art in prisons. One community art project in Dublin, to make a massive mural placed in front of the Custom House, was the subject of an RTE television documentary.

Studio

For many years, Ballagh rented an attic-level studio on Parliament Street in Dublin, overlooking City Hall; this studio had previously been leased by other artists, such as Patrick Collins. After he lost the lease on that in the mid-1980s (it was repurposed as part of the development of Temple Bar and eventually hosted the Walt Disney Company's Irish office), he worked from home. Finding home working difficult with two growing children, in the early 1990s he used an inheritance to buy a house and former piggery on Arbour Hill, less than 10 minutes walk from his home. He renovated the building, and it now hosts his studio and a small flat. The artist has mentioned that he sometimes works slowly and in great detail; in 1982, for example, he produced just two paintings, spending about 6 months on each. His work has sold well at auction. One painting, My Studio 1969, sold for 96,000 euro in 2004.

Postage stamp and banknote design

Ballagh has designed over 70 Irish postage stamps, as well as a series of Irish banknotes, "Series C", the last series before the introduction of the euro.

Ballagh's first postage stamp design was released on 4 September 1973. It commemorated the centenary of the World Meteorological Organization and depicted a weather map of northwestern Europe. His portrayal of Ireland did not show the border with Northern Ireland, provoking the unionist politician Ian Paisley to demand in the British House of Commons that the British government should make a formal objection, even though no other international borders were shown either. Later design contracts included the centenaries of the Universal Postal Union and the first telephone transmission, the golden jubilee of Ireland's national electricity utility, the centenaries of the births of Patrick Pearse and Éamon de Valera and commemorations of various other Irish statesmen, issues related to Scouting, Guiding and the Boys' Brigade, Irish festivals, the Irish lighthouse authority and one of Ireland's annual "love stamps". One stamp design was rejected by the government, after stamps had already been printed, possibly due to political interference; the stamps and plates were destroyed. A version of the stamp was eventually released more than 15 years later. On another occasion, in 1994, he was commissioned to produce stamps commemorating five Irish Nobel Prize winners; four were released but the fifth was cancelled when An Post belatedly realised that the subject, physicist Ernest Walton, was still alive.

Theatre set and other design work

Ballagh has worked on set design for both travelling shows and plays and events based in Ireland. He was approached to try this type of work by the director of Dublin's Gate Theatre, Michael Colgan. Among the theatrical sets he has designed are ones for Riverdance on international tour, and later in Dublin too, the one-man show I'll Go On (Gate Theatre (1985), based on Samuel Beckett's novels, Beckett's Endgame (1991), Oscar Wilde's The Importance of Being Earnest (1987) and Salomé (1998), Chekhov's Three Sisters, Hamlet, and Michael Harding's Misogynist. He also did set work for the Dublin Theatre Festival.

For Riverdance, impresario Moya Doherty, co-creator of the show, asked Ballagh to use a hand-made approach, and he produced around 50 small images, which were then projected to form backdrops. A further complication is that while Ballagh started by designing for the London part of the Riverdance tour, he later had to rework his designs to accommodate different vanues, with varying technical capabilities, such as projection only from the front, from front and back, or from different directions along with moving objects crossing them. Ballagh has mentioned that it was the fees and royalties from Riverdance which gave him his first true financial freedom, and enabled his reworking of his home.

Ballagh was also designer for the opening ceremonies for two major sporting events hosted in Ireland, the 2003 Special Olympics World Summer Games and the 2006 Ryder Cup. Many years later, he was commissioned to produce a tableau vivant for a promotional event at the Royal Hibernian Academy's Gallagher Gallery, a living artwork inspired by a famous painting – he chose to work with The Girl with a Pearl Earring.

In other domains of work, he designed a masthead for the Irish Examiner, and a cover for a musical single.

Exhibitions

Ballagh has been the subject of solo exhibitions in Dublin and multiple other locations, as well as participating in multiple group shows:

Individual

Ballagh has had solo shows in Dublin on several occasions, as well as in Brussels, Paris, Lund in Sweden, Warsaw, Moscow and Sofia. His first exhibition was in 1969, at the Little Theatre in the original Brown Thomas shop on Grafton Street; it was opened by Conor Cruise O'Brien, who described him as "an exceptionally gifted, thoughtful young artist."

Later shows of original work in Ireland included a 1971 case at the Cork Art Society, and in years including 1970, 1971, 1972 and 1983, exhibitions at the gallery of his dealer, David Hendricks, in Dublin. After Hendricks died and his gallery closed, Ballagh decided to work without a Dublin dealer and primary gallery, and his next exhibition of new work in Dublin only came after a 26-year gap, in 2009, with "Tir is Teanga" ("Land and Language"). This show consisted of paintings with natural materials such as stones and sand, and metals, added, and with Irish language texts. There was a show of some of his 1970s material at the Orchard Gallery in Derry, organised by Patrick T Murphy and Declan McGonagle.

In 1982, Ballagh was invited to put on a "mid-term retrospective" show in Lund in southern Sweden, which proceeded in 1983. He exhibited at West Cork Arts in 1986.

In 1989, he was invited to put on a major retrospective at the Gallery of the Central House of Artists (of the Soviet Union) in Moscow (later the New Tretyakov Gallery), only the second Irish person and third Westerner to be so invited, after Francis Bacon and Robert Rauschenberg. He afterwards gifted samples of his work to the USSR's ambassador to Ireland and to Mikhail Gorbachev.

Ballagh had his first major retrospective show in Ireland, Robert Ballagh – The Complete Works, in the top-floor exhibition space at Arnotts department store on Henry Street, in February 1992, launched by Hugh Leonard. The exhibition included 100 examples of his work, consisting of paintings, including portraits, designs for stamps, book illustrations and theatrical sets, limited edition books, and photography. The show was centred on a selection of 33 paintings from his 25-year career to date, 26 commissioned illustrations and limited edition prints, books for Gallery Press and Black Cat Press, 12 photographs, 12 stamps, models and photographs from theatrical work, and three stationery designs. The exhibition catalogue included three essays on his painting, and one each on his limited edition prints, stamp design work, photo-essay book and stage design.

Further retrospectives followed, the next, and most significant, being at the Gallagher Gallery of the Royal Hibernian Academy, with a gallery-within-a-gallery format, – with a display of his stamps at the General Post Office in parallel. The retrospective was nearly cancelled due to lack of funding for the elaborate gallery setup but rescued by sponsorship by Dermot Desmond. There was also a show at the Gorry Gallery (Works from the Studio, 1959-2006).

An exhibition of seven portraits of political and cultural people of note, and seven self-portraits, Seven, was held at Cork's Crawford Art Gallery in 2013, and a selection of works related to the 1916 Easter Rising were exhibited at the Kevin Kavanagh Gallery in 2016.

Group

Having had works displayed at the Irish Exhibition of Living Art (IELA) in 1967, Ballagh was invited to show at the 1968 edition. He was also invited to the 1969 IELA, which had to move from the College of Art on Merrion Square to venues in Cork and Belfast. Having submitted a painting for consideration in 1969, after discussion with other artists' wives, his wife was also invited. After an outbreak of violence in Northern Ireland, 9 artists, including the Ballaghs, refused to allow their works to be sent there; they were instead displayed in an alternative exhibition, Art and Conscience, at 43 Kildare Street (and in the end, the exhibition never did go to Belfast). Some time after, he exhibited three works commenting on the Northern Irish situation at Celtic Triangle, a joint exhibition of the Arts Councils of Ireland, Northern Ireland, Scotland and Wales.

Having featured at the Irish Exhibition of Living Art, and been inspired by earlier editions of the exhibition, Ballagh was invited to show at Rosc in 1980. He was also invited, in 1987, to participate in a peace forum and associated major exhibition in the Soviet Union, at the Cosmos Hotel in northeastern Moscow, a rare invitation for an Irish artist. At the event he breakfasted with Gregory Peck, lunched with Yoko Ono and chaired a panel consisting of Norman Mailer, Gore Vidal and Graham Greene.

Ballagh has been included in exhibitions in Florence and Tokyo, and has also had work on tour in the US in the period 1985-1987, as part of the "Divisions, Crossroads, Turns of Mind: Some New Irish Art" exhibition. One of his works also featured in 30 years, artists, places, a travelling exhibition of work acquired by Irish local authorities.

Recognition and leadership roles

Ballagh received the Carroll Prize at IELA 1969, and the Alice Berger Hammerschlag Award, an all-island award for practitioners of the "plastic arts", at the Arts Council of Northern Ireland in 1971.

He was a founding member of Ireland's national academy or "affiliation" of artists, Aosdána, in 1981, and its first chairperson (the leader of its presiding body, the Toscaireacht). He ceased active participation in the body in the early 1990s, after what he felt was undue pressure to declare his personal views in a debate about censorship.; he eventually resigned membership, one of only four artists to do so in the more than 40 years of the academy's existence. He was also made a fellow of the World Academy of Art and Science, one of only two Irish fellows. He was awarded an honorary doctorate of letters in 2013 by University College Dublin. In 2016, he received a Lord Mayor's Award in Dublin.

Two of his works won the Douglas Hyde Gold Medal at editions of the Oireachtas Exhibition. Another piece, 'Northern Ireland, The 1,500th Victim (1976) was selected as one of the "Modern Ireland in 100 Artworks" series of the Royal Irish Academy.

Ballagh was the first chairperson of the Artists Association of Ireland, and the founding chairperson of the Irish Visual Artists Rights Organisation.

Holdings

Ballagh's paintings are held in several public collections of Irish painting including those of the National Gallery of Ireland, the Hugh Lane Gallery in Dublin, the Ulster Museum, the Irish Museum of Modern Art, the Crawford Art Gallery in Cork, along with the collections of Trinity College Dublin, the Musée des beaux-arts de La Chaux-de-Fonds and Nuremberg's Albrecht Dürer House. Reproductions of three of his works are among the most-borrowed items in the Trinity College Dublin collection.

Political and cultural interests

In an interview with The Irish Times, Ballagh ascribes his "political awakening" to hearing news of civil rights protestors in Derry, Northern Ireland being attacked by the Royal Ulster Constabulary (RUC) in 1968. In 1988 he contributed to the West Belfast Féile an Phobail arts festival. In 1989 he was a founder member of the Irish National Congress and chaired it for 10 years. In 1991, he co-ordinated the 75th anniversary commemoration of the 1916 Easter Rising, during which he claimed he had been harassed by the Special Branch of the Garda Síochána.

He is the president of the Ireland Institute for Historical and Cultural Studies, which promotes international republicanism. It is based at the new Pearse centre at 27 Pearse Street, Dublin. It was birthplace of Pádraig Pearse in 1879.

2011 presidential run rumours

In July 2011 it was reported that he might consider running for the 2011 Irish Presidential election with the backing of Sinn Féin and the United Left Alliance. A Sinn Féin source confirmed there had been "very informal discussions" and that Ballagh's nomination was "a possibility" but "very loose at this stage". However, on 25 July Ballagh ruled out running in the election, saying that he had never considered being a candidate. His discussions with the parties had been about the election "in general" and he had no ambitions to run for political office.

Palestine Solidarity Campaign

That same month, Ballagh broke ranks with his colleagues in the travelling production of Riverdance in their decision to perform in Israel. Ballagh is an active member of the Ireland Palestine Solidarity Campaign, which has insisted that artists and academics participate in boycotts of Israeli businesses and cultural institutions.

Closure of Irish galleries and museums

In July 2012, Ballagh said he was "ashamed and profoundly depressed" at the en masse closure of Irish galleries and museums. He cited an example of some Americans and Canadians on holiday in Ireland. "They described most of the National Gallery as being closed along with several rooms in the Hugh Lane Gallery. I'm glad they didn't bother going out to the Museum of Modern Art in Kilmainham because that's closed too. At the point I met them, they were returning from Galway where they had found the Nora Barnacle Museum closed too." Ballagh condemned the hypocrisy of political leaders, saying: "I know arts funding is not a big issue for people struggling to put food on the table but we are talking about the soul of the nation."

Publications and appearances

Ballagh published a book of Dublin photography, taken over a year on a Rolleiflex camera, accompanied by quotations from James Joyce, in the 1980s. The book focused on less-well-known or disappearing sights of the city. A Robert Ballagh Monograph was published in a limited edition in 2010, with a set of giclee prints. He published an academic paper, "Who fears to speak of the Republic?" in the journal Études irlandaises.

Ballagh released an autobiographical volume, A Reluctant Memoir, in 2018; it is not written as a chronological summary of his life but consists of a range of short pieces around major events.

In 2007, he launched drawing kits and a "Drawing Day" at the National Gallery of Ireland. In 2019, he appeared as a contestant on RTÉ's Celebrity Home of the Year, where his house finished in second place. He was the principal speaker at a Francis Ledwidge commemoration in 2012 at the War Memorial Gardens in Islandbridge.

Documentaries were produced about Ballagh, by the BBC (directed by Paul Muldoon, and in Irish, by Igloo Films, in 2001 (directed by Anthony Byrne).

Personal life

Ballagh met his future wife Betty (Elizabeth Carabini, from a Dublin family of Italian descent) in 1965, when she was 16 and he was playing a musical gig on Harcourt Street. They married in a small ceremony in July 1967 when Betty was 18, with Michael Farrell as best man. They first lived in a bedsit in Rathgar, then in Broadstone in central Dublin, and they had two children, Rachel, born 1968, who also became an artist, and Robert Bruce, born late 1974 or early 1975.

Ballagh has noted that the former Broadstone Rail Terminal is probably his favourite building in Dublin. During his early years as a self-employed artist, Ballagh sometimes signed on for unemployment benefit while seeking paying work; even much later he remarked on the instability of artistic income, noting that he earned no money at all in the first half of 2019, for example.

The couple originally purchased one artisan's dwelling in a small row called Temple Cottages, which had been Betty's family home. Her mother had moved to Manchester but kept on the tenancy, and received an offer to buy out the building for 650 pounds, then 750 pounds. Robert and Betty were later able to buy the next house, for 17,500 pounds, and eventually a third adjacent house, for 150,000 euro. After their daughter had lived in the last-acquired house for a year, they merged them into a single architect-designed dwelling, with Ballagh participating in the design discussions. The finished building, Ballagh House, was later profiled in Architecture Ireland, the official journal of architects in Ireland, and featured on the Home of the Year TV show.

Betty Ballagh fell and received a brain injury in 1986, falling into a coma and requiring an operation to remove a clot; it took her years to fully recover. Robert's parents died within three months of each other in 1990. Betty died at St Joseph's Hospital, Raheny, in 2011, after a couple of months awaiting treatment for diverticulitis, and Ballagh later won a legal action over health service negligence around her death. He continues to live in the enlarged family home in Broadstone, with his studio nearby.

Ballagh bought a second home in Ballybraher, near the village of Ballycotton, County Cork – a 200 year-old 8-room cottage on one third of an acre – which became the main family holiday destination for many years. Subsequently it became his daughter's home. By the mid-2000s, he had two grandchildren. He had chemotherapy treatment for chronic lympatic leukaemia, and recovered fully; he subsequently received a diagnosis of type II diabetes. His daughter was hospitalised for the condition which led to Betty Ballagh's death, but after a critical period, recovered.