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Florence Quivar facts for kids

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Florence Quivar (born March 3, 1944, in Philadelphia, Pennsylvania) is a famous American opera singer. She is a mezzo-soprano, which means she has a beautiful, rich voice that is lower than a soprano but higher than a contralto. Many people say she is one of the best singers of her time. They describe her voice as "warm" and "rich," and say she has a strong stage presence. From 1977 to 1997, she performed over 100 times at the Metropolitan Opera in New York City.

Early Life and Musical Journey

Florence Quivar loved music from a very young age. Her mother was a piano and voice teacher. She even had her own gospel music group called the "Harmonic Choraliers." Florence learned piano and singing from her mother. She started singing solos in church when she was just six years old.

As a teenager, Florence discovered opera. She saw the Metropolitan Opera perform Madama Butterfly in Philadelphia. This show made her want to become an opera singer.

At first, Florence thought about becoming an elementary school teacher. She even enrolled in a college for teachers. But after only one day, she realized music was her true passion! She quickly switched to the Philadelphia Academy of Music. After graduating, she went to the Juilliard School in 1975. While there, she performed in an opera called Rusalka. Later, she continued her singing lessons with Marinka Gurewich in New York City.

Florence then returned to Philadelphia to learn from the famous singer Maureen Forrester. Here, she focused on two types of classical music: lieder (German songs) and oratorio (large musical works, often based on religious stories). She gave her first professional concert in Philadelphia in 1976. That same year, she won two important singing contests: the Baltimore Lyric Opera Competition and the Marian Anderson Award. These wins caught the eye of Harold Shaw, a well-known music manager. Soon, Florence was performing at the Metropolitan Opera and with major orchestras across the United States.

A Star on the Opera Stage

In 1976, Florence Quivar sang the role of Serena in Gershwin's opera Porgy and Bess with the Cleveland Orchestra. This performance was recorded and later won a Grammy Award for best opera recording!

The next year, Florence made her debut at the Tanglewood Festival. She sang in the very first performance of Roger Sessions' When Lilacs Last In The Dooryard Bloom'd. She also made her first appearance at the Metropolitan Opera on October 10, 1977. She played Marina in Boris Godunov.

Florence became a regular star at the Met throughout the 1980s and 1990s. She performed many different roles, including Suzuki in Madama Butterfly and Ulrica in Un ballo in maschera. Her 101st and final performance at the Met was in 1997. She sang in a concert version of Verdi's Requiem.

Florence also performed at many other famous opera houses around the world. These included the La Scala in Italy, the Royal Opera at Covent Garden in London, and the Teatro Colón in Argentina. Some of her other important roles were Carmen in Carmen and Orpheus in Gluck's Orfeo ed Euridice. She became especially known for her role as Orpheus.

Besides opera, Florence sang with many of the world's best orchestras. These included the New York Philharmonic, the Chicago Symphony Orchestra, and the Berlin Philharmonic.

Florence Quivar has also worked to bring attention to music by forgotten composers. She especially focuses on African-American composers from the 1800s and 1900s. Her goal is to perform and record their music so more people can hear it. She has also supported new music by performing in the first shows of new operas and song cycles. For example, in 1999, she sang in the world premiere of Anthony Davis' opera Amistad. In 2001, she premiered William Bolcom's song cycle From the Diary of Sally Hemings.

Florence continued to perform in operas until the mid-2000s, when she retired from the opera stage. However, she still performs in concerts and recitals today.

Watch and Listen

Discography

Florence Quivar has recorded many albums. Here are some of her most well-known recordings.

Choral and Symphonic Recordings

Year Title Genre Main Collaborators Label
1977 Roger Sessions: When Lilacs Last In The Dooryard Bloom'd classical Seiji Ozawa (conductor)
Boston Symphony Orchestra
New World Records
Rossini: Stabat Mater classical Thomas Schippers (conductor)
Cincinnati Symphony Orchestra
Vox Classic
1981 Mahler: Symphony no. 8 in E flat classical Seiji Ozawa (conductor)
Boston Symphony Orchestra
Philips
1985 Mendelssohn: Musik zu Ein Sommernachtstraum, op. 21 & op. 61 Ausschnitte classical James Levine (conductor)
Chicago Symphony Orchestra
Deutsche Grammophon
1986 Berlioz: Roméo et Juliette classical Charles Dutoit (conductor)
Montreal Symphony Orchestra
London
1987 Handel: Messiah oratorio Andrew Davis (conductor)
Toronto Symphony
EMI Classics
Falla: El sombrero de tres picos (Three Cornered Hat) classical Jesús López-Cobos (conductor)
Cincinnati Symphony Orchestra
Telarc
1989 Verdi: Requiem classical Carlo Maria Giulini (conductor)
Berlin Philharmonic
Deutsche Grammophon
Beethoven: Missa solemnis classical Helmuth Rilling (conductor)
Bach-Collegium Stuttgart
Hänssler Classic
Messa Per Rossini classical Helmuth Rilling (conductor)
Prague Philharmonic Orchestra
Hänssler Classic
1992 Schoenberg: Gurre-Lieder oratorio Zubin Mehta (conductor)
New York Philharmonic
1993 Mahler: Symphony No. 3 classical Zubin Mehta (conductor)
Israel Philharmonic Orchestra
Sony Classical
1994 Szymanowski: Stabat Mater Litany to the Virgin Mary ; Symphony no. 3 classical Sir Simon Rattle (conductor)
City of Birmingham Symphony Orchestra and Chorus
EMI Classics
Mahler: Symphony no. 2; Symphony No. 5 classical Zubin Mehta (conductor)
Prague Philharmonic Orchestra
Teldec
Beethoven: Symphony No. 9 classical André Previn (conductor)
Royal Philharmonic Orchestra
RCA Victor
1995 Mendelssohn: Elijah oratorio Robert Shaw (conductor)
Atlanta Symphony Orchestra & Chorus
Telarc

Opera Recordings

Year Title Role Main Collaborators Label
1976 Gershwin: Porgy and Bess
(Grammy Award winner)
Serena Lorin Maazel (conductor)
Cleveland Orchestra
London Records
1982 Thomson: Four Saints in Three Acts St Teresa II Joel Thome (conductor)
Orchestra of Our Time
Elektra/Nonesuch
1989 Verdi: Un ballo in maschera Ulrica Herbert von Karajan (conductor)
Vienna State Opera Chorus and Orchestra
Deutsche Grammophon
1991 Verdi: Un ballo in maschera (DVD) Ulrica James Levine (conductor)
The Metropolitan Opera Orchestra and Chorus
Deutsche Grammophon
1992 Verdi: Luisa Miller Federica James Levine (conductor)
Metropolitan Opera Chorus and Orchestra
Sony
1993 Stravinsky:Oedipus rex Jocasta James Levine (conductor)
Chicago Symphony Orchestra
Deutsche Grammophon
1996 James Levine's 25th Anniversary Metropolitan Opera Gala Giuletta in an excerpt from Les contes d'Hoffmann James Levine (conductor)
Metropolitan Opera Orchestra and Chorus
Deutsche Grammophon DVD

Solo Recordings

Year Title Genre Collaborators Label
1990 Ride on, King Jesus! Traditional Spirituals [Joseph Joubert] (piano)
Larry Woodard (piano)
Boys Choir of Harlem
EMI Records

See also

Kids robot.svg In Spanish: Florence Quivar para niños

  • CAMI page
  • Interview with Florence Quivar, August 24, 1992
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