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Henry Moore

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Henry Moore in workshop Allan Warren.jpg
Moore in 1975
Born
Henry Spencer Moore

(1898-07-30)30 July 1898
Died 31 August 1986(1986-08-31) (aged 88)
Much Hadham, Hertfordshire, England
Education Leeds School of Art
Royal College of Art
Known for Sculpture, drawing, graphics, textiles
Notable work
List of sculptures
Movement Bronze Sculpture, Modernism

Henry Spencer Moore (born 30 July 1898, died 31 August 1986) was a famous English artist. He is best known for his huge bronze sculptures. You can find his amazing artworks all over the world in public places. Henry Moore also created many drawings.

The largest collection of Moore's art is open for everyone to see. It is kept at his home and the surrounding 70-acre estate. This was Moore's home for 40 years in Perry Green, Hertfordshire.

Even though his art made him a lot of money, Moore lived a simple life. Most of the money he earned went to the Henry Moore Foundation. This foundation still helps support art education and promotes the arts today.

Henry Moore's Early Life

Moore was born in Castleford, West Riding of Yorkshire, England. His parents were Mary and Raymond Spencer Moore. He was the seventh of eight children in his family. His family was very poor.

He went to infant and elementary schools in Castleford. There, he started making models from clay and carving wood. He was accepted into Castleford Secondary School. His headmaster quickly noticed his talent and interest in medieval sculpture.

Moore's first known carvings were made around this time. They included a plaque for the Scott Society at his school. He also made a Roll of Honour for boys who fought in the First World War.

At eighteen, Moore joined the army for the First World War. He was the youngest person in his regiment. In 1917, he was hurt in a gas attack during the Battle of Cambrai. After getting better in the hospital, he worked as a physical training instructor. He only returned to France when the war ended.

Becoming a Sculptor

black and white photograph of a stone carving of a human figure lying down with its knees bent and head turned
female figure carved out of green stone, lying with bent knees and turned head
Moore's reclining figures, like his 1930 Reclining Woman (bottom), were inspired by Chac Mool figures, such as this one (top) from Chichen Itza.

After the war, Moore became a student at the Leeds School of Art. This school is now called Leeds Arts University. In 1921, Moore won a scholarship to study at the Royal College of Art in London.

While in London, Moore learned more about primitive art and sculpture. He studied the collections at the British Museum. In 1924, Moore won a scholarship to travel for six months. He spent this time in Northern Italy. There, he studied the famous works of Michelangelo, Giotto di Bondone, and other Old Masters.

During this trip, he also visited Paris. He took art classes and saw a plaster copy of a Toltec-Maya sculpture. This was the Chac Mool figure, which he had seen in books before. This reclining figure greatly influenced Moore's art. It became a main idea in his sculptures.

Life and Work in London

HenryMoore WestWind
West Wind, 1928–29; Moore's first public artwork was carved from Portland stone. It shows the influence of Michelangelo's figures and the Chac Mool figure.

When Moore returned to London, he taught at the Royal College of Art for seven years. His first public artwork was West Wind (1928–29). This was one of eight carvings of the 'four winds' on the walls of London Underground's headquarters. Other artists also carved 'winds' for the building.

In 1928, Moore had his first solo art show. It was held at the Warren Gallery in London. In 1929, Moore and his wife, Irina, moved to a studio in Hampstead. In 1932, Moore became the Head of Sculpture at the Chelsea School of Art.

Henry Moore During World War II

Women and Children in the Tube (1940) (Art.IWM ART LD 759)
Women and Children in the Tube (1940)
At the Coal Face. A Miner Pushing a Tub (1942) (Art.IWM ART LD 2240)
At the Coal Face. A Miner Pushing a Tub (1942)

When the Second World War started, the Chelsea School of Art moved away from London. Moore then left his teaching job. During the war, Moore made powerful drawings of Londoners. They were sleeping in the London Underground to hide from the Blitz bombings.

In August 1941, a committee asked Moore to draw miners. He drew them working underground at a coal mine in Yorkshire. His own father had worked there years before. Moore's drawings of people in shelters and miners working helped him become famous around the world.

After their home was damaged by a bomb in 1940, Moore and Irina moved. They left London for a farmhouse called Hoglands. It was in Perry Green, near Much Hadham, Hertfordshire. This became Moore's home and workshop for the rest of his life. In 1943, he was asked to carve a "Madonna and Child" sculpture for a church. This was the first of many important family-group sculptures he would create.

Later Years and Famous Works

Henry-moore-ago
The Art Gallery of Ontario's Henry Moore collection is the largest public collection of his works in the world

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Henry Moore, Family Group (1950)
Family Group (1950) bronze, Barclay School, Stevenage, Hertfordshire. This was Moore's first big artwork after World War II.
Shahbanu Farah, Opening ceremony of Henry Moore Gallery in Tehran
Shahbanu Farah at Henry Moore's Gallery, Tehran, May 1971.

After the war, Moore made many "mother-and-child" sculptures. His reclining figures and hollow forms also remained popular. He visited America for the first time when his art show opened in New York City.

UNESCO History, Moving Henry Moore sculpture - UNESCO - PHOTO0000002731 0001f
The UNESCO sculpture being moved in 1963 for building work.

In the 1950s, Moore started getting more important art jobs. He showed Reclining Figure: Festival at the Festival of Britain in 1951. In 1958, he made a large marble reclining figure for the UNESCO building in Paris. As he created more public artworks, Moore's sculptures became much larger. He began to hire more assistants to help him.

Moore's Nuclear Energy was shown in Chicago in 1967. This was 25 years after scientists created the first controlled nuclear reaction. The 12-foot-tall sculpture is often thought to look like a mushroom cloud. But Moore had a different idea. He hoped people would "go around it, looking out through the open spaces, and that they may have a feeling of being in a cathedral." Moore also made a large bronze sundial for Chicago. It is called Man Enters the Cosmos (1980). This piece was made to celebrate space exploration.

Henry Moore Allan Warren
Moore in his studio in England (1975).

In the last thirty years of Moore's life, he received more and more commissions. He finished Knife Edge Two Piece in 1962. It is near the Houses of Parliament in London. By the end of the 1970s, about 40 art shows a year featured his work.

Death

Moore died on 31 August 1986 at his home in Perry Green. He was buried in the churchyard of St Thomas's Church.

Henry Moore's Family Life

On 19 July 1929, Moore married Irina Radetsky. She was a painting student at the Royal College. Irina was born in Kyiv in 1907. Her father died in the Russian Revolution. Her mother moved to Paris and married a British army officer. Irina was later brought to Paris and went to school there. She then moved to live with her stepfather's family in Buckinghamshire.

Irina gave birth to their daughter, Mary Moore, in March 1946. The child was named after Moore's mother, who had died two years earlier.

Moore's Artistic Style

Stuttgart-henry-moore-liegende
Moore's bronze Draped Reclining Woman 1957-58 ("Die Liegende") in Stuttgart. This is a typical example of his early reclining figures.

Moore's early work focused on direct carving. This means the artist carves the sculpture directly from a block of material. The shape of the sculpture develops as the artist removes pieces from the block.

Rotterdam kunstwerk Wall Relief no.1
Wall Relief No. 1, (1955), Bouwcentrum, Rotterdam.
HenryMoore RecliningFigure 1951
Large Reclining Figure (1984, based on a smaller model of 1938), Fitzwilliam Museum, Cambridge.

After the Second World War, Moore's bronze sculptures became much larger. He mostly stopped direct carving. Instead, he hired several assistants to help make the large forms. These were based on smaller models he created. By the late 1940s, he made sculptures more often by modeling. He would create the shape in clay or plaster. Then, the final work was cast in bronze using the lost wax method.

At his home, Moore collected natural objects. These included skulls, driftwood, pebbles, rocks, and shells. He used these to get ideas for his organic, natural-looking forms. For his biggest works, he usually made a half-size model first. Then, it was scaled up for the final moulding and casting at a bronze foundry. Moore often added details to the final plaster shape before it was cast.

Henry Moore's Legacy

Caro DreamCity 1996
Dream City by Anthony Caro, (1996), rusting steel, at the Yorkshire Sculpture Park.
HenryMooreTorontoCH1
Three Way Piece No. 2 (The Archer), (1964–65) has been on display in front of Toronto City Hall in Nathan Phillips Square since 1966.

By the late 1940s, Moore was famous worldwide. He influenced many sculptors from Britain and other countries. Artists like Sir Anthony Caro, Phillip King, and Isaac Witkin have said Moore was important to their work. Other artists influenced by him include Helaine Blumenfeld, Lynn Chadwick, and Eduardo Paolozzi.

Awards and Recognition

Heroic Bust, Henry Moore by Alexander Stoddart 1992
Heroic Bust, Henry Moore by Alexander Stoddart 1992

In 1948, Moore won the International Sculpture Prize. This was at the Venice Biennale. He received the Companion of Honour in 1955. He also received the Order of Merit in 1963 and the Erasmus Prize in 1968. He was a member of important groups like the American Academy of Arts and Sciences.

He was also a trustee for the National Gallery and Tate Gallery. In 1975, he became the first President of the Turner Society.

Interesting Facts About Henry Moore

  • Moore decided to become a sculptor when he was eleven years old. He heard about Michelangelo's achievements at Sunday School.
  • Moore's parents did not want him to become a sculptor. They thought it was just manual labor with few job chances.
  • Alice Gostick, Moore's art teacher at Castleford Secondary School, encouraged him to make art his career.
  • Moore made many sketches and drawings for each sculpture. He thought drawing was very important. Most of these sketchbooks still exist.
  • By the end of his career, Moore was the most successful living artist at art auctions.
  • In 1951, Moore turned down a knighthood. He felt that such a title might separate him from other artists.
  • The Henry Moore Foundation was started by Henry and his family in 1977 in England. It supports sculptors and helps people appreciate visual arts. The Foundation is still active today.
  • The Henry Moore Sculpture Centre in the Art Gallery of Ontario, Toronto, opened in 1974. It has the world's largest public collection of Moore's work. He donated most of it between 1971 and 1974.
  • Moore's Knife Edge Two Piece 1962–65 is displayed in Abingdon Street Gardens. It is opposite the Houses of Parliament. Because it often appears in news reports from Westminster, it is Moore's most famous piece in Britain.
  • Moore gave 36 sculptures, drawings, and other works to the Tate Gallery in 1978.
  • Moore's most recognizable shape is a reclining figure.

Henry Moore Quotes

  • "Art is the expression of imagination, not the reproduction of reality."
  • "To be an artist is to believe in life."
  • "The soul cannot thrive in the absence of art."
  • "I think in terms of the day's resolutions, not the years'."
  • "One never knows what each day is going to bring. The important thing is to be open and ready for it."

Gallery

See Also

Kids robot.svg In Spanish: Henry Moore para niños

  • List of sculptures by Henry Moore
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