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John Huston
John Huston - publicity.JPG
Huston in Chinatown (1974)
Born (1906-08-05)5 August 1906
Died 28 August 1987(1987-08-28) (aged 81)
Resting place Hollywood Forever Cemetery
Occupation
  • Film director
  • screenwriter
  • actor
  • visual artist
Years active 1930–1987
Spouse(s)
  • Dorothy Harvey
    (m. 1925; div. 1933)
  • Lesley Black
    (m. 1937; div. 1945)
  • (m. 1946; div. 1950)
  • Enrica Soma
    (m. 1950; died 1969)
  • Celeste Shane
    (m. 1972; div. 1977)
Partner(s) Zoe Sallis
Children 5, including Anjelica, Tony, Danny, and Allegra Huston
Parent(s) Walter Huston
Rhea Gore
Awards See list
Military career
Allegiance United States
Service/branch United States Army
Years of service 1942–46
Rank Major
Unit Army Signal Corps
Battles/wars
Awards

John Marcellus Huston (born August 5, 1906 – died August 28, 1987) was an American film director, screenwriter, and actor. He also enjoyed painting and was a visual artist. He wrote the scripts for most of the 37 movies he directed. Many of these films are now considered classics. These include The Maltese Falcon (1941) and The African Queen (1951).

During his 46-year career, Huston was nominated for 15 Academy Awards, winning twice. He also directed his father, Walter Huston, and his daughter, Anjelica Huston, to Oscar wins. This made the Hustons the first family to have three generations of Oscar winners.

In his younger years, Huston studied painting in Paris. He then moved to Mexico and started writing plays and short stories. Later, he became a screenwriter in Hollywood. His first movie as a director was The Maltese Falcon. It was a big success even though it had a small budget. He continued to be a successful director for 45 years.

Huston carefully planned his films. He would sketch each scene before filming, showing camera positions and lighting. Unlike many directors who rely on editing after filming, Huston created his movies as they were being shot. This meant less editing was needed later. Many of his films were based on famous novels. They often showed a "heroic quest" or groups of people struggling for a common goal. His movies explored themes like religion, truth, freedom, and war.

While he sometimes acted in small roles in his own films, he mostly worked behind the camera. In 1963, he acted in The Cardinal and was nominated for an Oscar for Best Supporting Actor. He continued to take important acting roles for the next 20 years. This included Chinatown (1974). He also used his deep voice as a voice actor and narrator in several films. His last two films, Prizzi's Honor (1985) and The Dead (1987), were nominated for many Academy Awards. He died shortly after finishing his last film.

John Huston was called a "titan" and a "rebel" in Hollywood. Author Ian Freer described him as "cinema's Ernest Hemingway" because he was "never afraid to tackle tough issues." He lived in France, Mexico, and Ireland at different times. He became an Irish citizen in 1964. Later, he returned to the U.S. He received a star on the Hollywood Walk of Fame in 1960.

Early life and interests

John Huston was born on August 5, 1906, in Nevada, Missouri. He was the only child of Rhea Gore and Walter Huston. His father was an actor, first in vaudeville shows, then in movies. His mother was a sports editor.

John's parents divorced when he was six years old. He spent much of his childhood in boarding schools. During summer breaks, he traveled with his father on vaudeville tours. He also went with his mother to horse races and other sports events. Seeing his father act made young John interested in acting too.

As a child, Huston was often sick. He had problems with his heart and kidneys. He got better after spending a long time resting in bed in Arizona. Then he moved with his mother to Los Angeles. He went to Abraham Lincoln High School but left after two years. He wanted to become a professional boxer. By age 15, he was a top amateur lightweight boxer in California. He stopped boxing after breaking his nose.

Huston had many interests. These included ballet, English and French literature, opera, horseback riding, and studying painting. He studied painting at the Art Students League of Los Angeles. Living in Los Angeles, he became fascinated with the new film industry. He loved watching movies and thought Charlie Chaplin was amazing.

Huston later moved back to New York City to live with his father. He had a few small acting roles on stage. After a short time acting and having surgery, Huston traveled alone to Mexico. He spent two years there and even became an honorary member of the Mexican cavalry. He returned to Los Angeles and married Dorothy Harvey, a high school girlfriend. Their marriage lasted seven years.

Starting a writing career

While in Mexico, Huston wrote a play called Frankie and Johnny. It was based on a famous song. He sold it easily and decided that writing could be a good career. He felt even more confident when a popular magazine, American Mercury, bought two of his stories. Later, his stories were published in other magazines like Esquire and The New York Times.

In 1931, at age 25, he moved back to Los Angeles. He hoped to write for the growing film industry. Silent films were being replaced by "talkies," so writers were in high demand. His father had already found success in movies there.

Huston got a job writing scripts for Universal Studios. He started by writing dialogue for films in 1932. These included Murders in the Rue Morgue and Law and Order. His father, Walter Huston, starred in some of these films.

Huston described his first years as a writer in Hollywood as "misadventures and disappointments." His early writing career in Hollywood ended suddenly. An actress died in a car accident while Huston was driving. A jury said he was not to blame, but the event deeply affected him. He moved to London and Paris and lived as a "drifter."

By 1937, Huston returned to Hollywood wanting to be a "serious writer." He married Lesley Black. He started working as a scriptwriter for Warner Brothers Studio. His goal was to direct his own scripts. For the next four years, he co-wrote scripts for big films like Jezebel and Sergeant York (1941). He was nominated for Academy Awards for his screenplays for these films.

Huston was known as a respected screenwriter. He convinced Warner Brothers to let him direct. The studio agreed, but only if his next script was a hit. His next script was High Sierra (1941). It became the hit he needed. This film also helped make Humphrey Bogart a star. Warner Brothers kept their promise and let Huston choose his first directing project.

Directing his first films

The Maltese Falcon (1941)

For his first directing job, Huston chose The Maltese Falcon. This detective story by Dashiell Hammett had failed twice before as movies. But studio head Jack L. Warner liked Huston's ideas for the film.

Huston kept the script very close to the original book. He used much of Hammett's dialogue. He directed it in a clear, simple style, like the book's story. He prepared for his first directing job by sketching every shot beforehand. This included where the camera would be and how the lighting would look.

He chose a great cast, giving Humphrey Bogart the main role. Bogart enjoyed working with Huston. The cast also included Mary Astor, Peter Lorre, and Sydney Greenstreet. His own father, Walter Huston, was also in the film. The movie had a small budget and little advertising. Warner Brothers did not expect much from it. The whole film was made in eight weeks for only $300,000.

The studio was surprised by how much the public and critics loved the film. Many called it a "classic" and the "best detective melodrama ever made." Huston was nominated for an Academy Award for the screenplay. After this film, Huston directed almost all of his own scripts. In 1942, he directed two more successful films: In This Our Life and Across the Pacific, both starring Humphrey Bogart.

Army years during World War II

In 1942, Huston joined the United States Army during World War II. He made films for the Army Signal Corps. As a captain, he directed three films about the war. Some critics say these are among the best war films ever made. They include Report from the Aleutians (1943) and The Battle of San Pietro (1945). His film Let There Be Light (1946) was about soldiers with psychological injuries. The Army censored and hid this film for 35 years.

Huston was promoted to major. He received the Legion of Merit award for his "courageous work under battle conditions." All of his Army films were "controversial." They were either not released, censored, or banned. This was because they were seen as "demoralizing" to soldiers and the public. Years later, his daughter, Anjelica Huston, remembered watching his war documentaries.

The Treasure of the Sierra Madre (1948)

Huston's next film was The Treasure of the Sierra Madre (1948). He wrote, directed, and had a small role in it. This film helped make him known as a top filmmaker. The movie starred Humphrey Bogart. It told the story of three drifters who search for gold. Huston also gave a supporting role to his father, Walter Huston.

Warners studio was unsure about the film at first. Huston filmed it on location in Mexico, which was unusual then. Studio boss Jack L. Warner "detested it" at first. But the film soon received wide praise from the public and critics. Time magazine called it "one of the best things Hollywood has done." Huston won Oscars for Best Director and Best Adapted Screenplay. His father won for Best Supporting Actor. The film also won other awards.

Key Largo (1948)

Also in 1948, Huston directed Key Largo. It again starred Humphrey Bogart. The story was about a veteran who fights gangsters on a remote Florida island. It also starred Lauren Bacall, Claire Trevor, and Edward G. Robinson. The film was based on a play. Some felt it was too much like a stage play. But the "outstanding performances" by the actors saved the film. Claire Trevor won an Oscar for best supporting actress. Huston was upset that the studio cut scenes without his permission. This, and other disagreements, made Huston leave the studio when his contract ended.

The Asphalt Jungle (1950)

In 1950, he wrote and directed The Asphalt Jungle. This film was new because it showed criminals as somewhat relatable characters. Huston paid "deep attention" to the plot, which involved a large jewelry theft. He showed every small detail and difficulty the characters faced. Some critics felt Huston made it seem almost like a documentary.

Film critic Andrew Sarris called it "Huston's best film." He also said it made Marilyn Monroe a recognized actress. Sarris noted that many of Huston's films have a similar theme: "His main characters almost always fail at what they try to do." This theme was also in Treasure of the Sierra Madre.

The film starred Sterling Hayden and Sam Jaffe. Marilyn Monroe had her first important role in this movie. Huston said it was where "Marilyn Monroe got her start." Monroe felt Huston was a genius. She said he made her feel important when she was filming. The film was a success. Huston was again nominated for an Oscar for best screenplay and best director.

The Red Badge of Courage (1951)

Huston's next film, The Red Badge of Courage (1951), was very different. It was about war and its effect on soldiers. While in the army, he became interested in Stephen Crane's novel about the American Civil War. For the main role, Huston chose World War II hero Audie Murphy. Murphy played a young soldier who runs away from fear but later returns to fight.

MGM worried the movie seemed too anti-war for the time. Without Huston's approval, they cut the film from 88 minutes to 69. They added narration and removed a scene Huston thought was very important. The movie did not do well at the box office. Huston thought it was because it "brought war very close to home." Despite the cuts and weak public response, film historian Michael Barson called it "a minor masterpiece."

The African Queen (1951)

The African Queen, Bogart
Humphrey Bogart in The African Queen (1951)

Before The Red Badge of Courage was released, Huston was already filming The African Queen (1951) in Africa. It was based on C. S. Forester's popular novel. It starred Humphrey Bogart and Katharine Hepburn. It was a mix of romance, comedy, and adventure. Barson called it "one of the most popular Hollywood movies of all time."

The film's producer, Sam Spiegel, asked Huston to change the ending. He wanted the main characters to survive instead of dying. Huston agreed. It became Huston's most successful film financially. It is still considered one of his best works. Huston was nominated for two Academy Awards: Best Director and Best Adapted Screenplay. Bogart won his only Oscar for Best Actor for his role.

Hepburn wrote a book about her experiences filming the movie.

Living in Ireland and later films

In 1952, Huston moved to Ireland. He was upset by the "witch-hunt" against suspected communists in Hollywood. This was led by the House Committee on Un-American Activities (HCUA). Many of his friends in the movie industry were affected. Huston and his friends formed a group to protest these investigations.

Moby Dick (1956)

Huston produced, wrote, and directed his next two films: Moulin Rouge (1952) and Beat the Devil (1953). Moby Dick (1956) was written by Ray Bradbury. Huston had his name added to the screenplay credit.

Huston had planned to film Herman Melville's Moby-Dick for ten years. He first thought his father, Walter Huston, would be great as Captain Ahab. After his father died in 1950, Huston chose Gregory Peck for the role. The movie was filmed over three years in Ireland, where Huston was living. A fishing village was built for the film. Three large, fake whales were made from steel, wood, and plastic. In the movie, Huston's voice was used for another actor's character. But the film did not do well at the box office. Critics felt it lacked the "mysticism of the book."

The Misfits (1961)

Of Huston's next five films, only The Misfits (1961) received good reviews. Critics have noted a sad feeling of "doom" around the film. Clark Gable, the star, died a few weeks after filming. Marilyn Monroe never finished another film and died a year later. Costars Montgomery Clift and Thelma Ritter also died within the next decade. During filming, Monroe sometimes took prescribed drugs, which made her late to set. She also forgot her lines. Monroe's personal problems led to the end of her marriage to the scriptwriter, Arthur Miller, during filming. Huston later said, "Marilyn was on her way out. Not only of the picture, but of life."

Freud: The Secret Passion (1962)

After The Misfits, Huston made Freud: The Secret Passion. This film was very different from his others. He also narrated parts of the story. Film historian Stuart M. Kaminsky noted that Huston showed Sigmund Freud, played by Montgomery Clift, as a "savior."

El-set-mismaloya
Huston's Night of the Iguana set on Mismaloya Beach in Puerto Vallarta, Mexico

The Night of the Iguana (1964)

For his next film, Huston went to Puerto Vallarta, Mexico. He met an architect who owned land there. The Night of the Iguana was filmed in a beach cove called Mismaloya. Huston adapted the play by Tennessee Williams. The film starred Richard Burton and Ava Gardner. It was nominated for several Academy Awards. The filming attracted a lot of media attention. This was because Burton brought his famous girlfriend, Elizabeth Taylor, to Puerto Vallarta. Huston liked the town so much that he bought a house nearby.

The Bible: In the Beginning (1966)

Producer Dino De Laurentis asked Huston to direct The Bible: In the Beginning. Huston enjoyed directing this film because he loved animals. Besides directing, he also played Noah and the voice of God. The Bible earned a lot of money. However, it was very expensive to make, so the studio lost some money.

Fat City (1972)

After a few films that were not well-received, Huston made a comeback with Fat City. It was based on a 1969 novel. The story was about an older boxer trying to restart his career. It also showed a young amateur boxer trying to succeed. The film was nominated for several awards. It starred Stacy Keach, a young Jeff Bridges, and Susan Tyrrell. She was nominated for an Oscar. Roger Ebert said Fat City was one of Huston's best films.

The Man Who Would Be King (1975)

The Man Who Would Be King was one of Huston's most highly praised films of the 1970s. It was a success with both critics and audiences. Huston had planned to make this film since the 1950s. He originally wanted Humphrey Bogart and Clark Gable for the main roles. Eventually, Sean Connery and Michael Caine starred. The movie was filmed in North Africa. It was praised for being old-fashioned and entertaining. Steven Spielberg said this film helped inspire his movie Raiders of the Lost Ark.

Later films and final work

After The Man Who Would Be King, Huston took his longest break from directing. He returned with Wise Blood (1979). This film was based on a unique novel. Here, Huston showed his skill as a storyteller and his bravery in tackling difficult topics like religion.

Under the Volcano (1984) was Huston's last film set in Mexico. It starred Albert Finney as an ambassador during the start of World War II. Critics highly praised the film, especially Finney's acting.

The Dead (1987) was John Huston's final film. It was based on a classic short story by James Joyce. This film was very personal for Huston because he was an Irish citizen and loved classic literature. Huston directed most of the film from a wheelchair. He needed an oxygen tank to breathe during the last months of his life. The film was nominated for two Academy Awards and received great reviews. Roger Ebert added it to his list of "Great Movies." Huston died almost four months before the film was released. His daughter, Anjelica Huston, said that making this film was very important to her father. She believes it was his "love letter to Ireland and the Irish."

As an actor

Earlier in his career, Huston played small roles in his own films. For example, he was an unnamed rich American in The Treasure of the Sierra Madre. Later, he started taking bigger roles in films directed by others. In 1963, director Otto Preminger asked him to play a cardinal in The Cardinal. He was nominated for an Academy Award for Best Supporting Actor for this role.

He also acted in Roman Polanski's Chinatown (1974) as the main villain. He played John Hay, President Teddy Roosevelt's secretary of state, in The Wind and the Lion. Huston enjoyed acting but said he did not take it too seriously. He was most proud of his acting in Chinatown. He also enjoyed acting in Winter Kills. He played the Lawgiver in Battle for the Planet of the Apes.

Huston is also famous for being the voice of the wizard Gandalf. He voiced Gandalf in the animated movies The Hobbit (1977) and The Return of the King (1980).

Huston played the main role in Orson Welles's last finished film, The Other Side of the Wind. In it, he played an aging filmmaker. This film was not released until 2018 due to problems.

Movie themes and directing style

Huston's films often showed deep insights into human nature. They sometimes included scenes that seemed to predict environmental issues that became known later. Examples are The Misfits and The Night of the Iguana (1964).

According to film historian Stuart M. Kaminsky, Huston's stories were often about "failed quests." A group of different people would try to achieve a goal, even when the odds were against them. They were often doomed from the start. However, some members of the group usually survived. These were the "cool" and "intelligent" ones, or those who would "sacrifice everything for self-understanding."

Another common theme in Huston's films was a pair of potential lovers facing a difficult world. However, he often avoided happy endings, which was different from many Hollywood films. Film historian James Goodwin added that almost all his films had some kind of "heroic quest." This quest was often seen as better than a boring, meaningless life.

Critics Tony Tracy and Roddy Flynn noted that Huston was interested in the "human condition" more than just making movies. He used literature to explore this. In many of his films, he explored big ideas of the 20th century. These included faith, truth, freedom, and war.

Film writer Peter Flint said Huston filmed efficiently. He did not shoot many extra scenes like some directors. He also edited carefully so that financial backers could not easily cut scenes. Huston filmed most of his movies on location. He worked hard six days a week. On Sundays, he played poker with the cast and crew.

Kaminsky believes Huston's visual style came from his early experience as a painter in Paris. He studied art there for a year and a half. Huston continued painting as a hobby throughout his life. Many of his films showed his interest in images, moving portraits, and using color. He used "stylistic framing" and well-planned close-ups. For his first film, The Maltese Falcon, he sketched all his scenes beforehand, like paintings. His daughter, Anjelica Huston, remembered him constantly sketching storyboards. She said he had a very strong "sensory quality."

Personal life and death

Producer George Stevens, Jr. said Huston represented "intellect, charm and physical grace" in the film industry. He was very charismatic and had a soothing voice.

Huston loved the outdoors and hunting, especially when he lived in Ireland. Before becoming a Hollywood filmmaker, he was an amateur boxer, reporter, writer, artist, and cavalry rider in Mexico. He also made documentaries during World War II. Besides sports and adventure, he enjoyed strong drinks and relationships with women. Stevens described him as someone who "lived life to its fullest."

His daughter, Anjelica Huston, said he did not like Hollywood. He especially disliked Beverly Hills, thinking it was "fake." She noted that "he liked to be in the wild places; he liked animals as much as he liked people."

Huston married five times. He adopted a son, Pablo, in Mexico with his third wife, Evelyn Keyes. With his fourth wife, Enrica Soma, he had two children: Tony and Anjelica Huston. During this marriage, he also had a son, Danny Huston, with author Zoe Sallis. Danny later became an actor. In his autobiography, Huston said he regretted his fifth marriage.

His friends included Orson Welles and Ernest Hemingway. Humphrey Bogart was one of his best friends. Huston gave the speech at Bogart's funeral.

Huston bought and restored a home in County Galway, Ireland. He became an Irish citizen in 1964. His daughter Anjelica went to school in Ireland. A film school at NUI Galway is now named after him.

Huston was a talented painter. He wrote in his autobiography that painting played a very important role in his life. He painted throughout his life and had art studios in his homes. He owned a large collection of art.

Huston was a heavy smoker. In 1978, he was diagnosed with emphysema, a lung disease. By the last year of his life, he needed oxygen to breathe for more than 20 minutes. He died on August 28, 1987, at age 81. He passed away from pneumonia, a complication of his lung disease. Huston is buried in the Hollywood Forever Cemetery with his mother.

Filmography

Year Title Functioned as Notes
Director Writer Producer
1941 The Maltese Falcon Yes Yes No
1942 In This Our Life Yes No No
Across the Pacific Yes No No Replaced for the last two weeks of filming by Vincent Sherman
1948 The Treasure of the Sierra Madre Yes Yes No
Key Largo Yes Yes No Co-writer with Richard Brooks
1949 We Were Strangers Yes Yes Yes Co-writer with Peter Viertel
1950 The Asphalt Jungle Yes Yes Yes Co-writer with Ben Maddow
1951 The Red Badge of Courage Yes Yes No Co-writer with Albert Band
The African Queen Yes Yes Yes Co-writer with James Agee
1952 Moulin Rouge Yes Yes Yes Co-writer with Anthony Veiller
1953 Beat the Devil Yes Yes No Co-writer with Truman Capote
1956 Moby Dick Yes Yes No Co-writer with Ray Bradbury
1957 Heaven Knows, Mr. Allison Yes Yes Yes Co-writer with John Lee Mahin
1958 The Barbarian and the Geisha Yes No No
The Roots of Heaven Yes No No
1960 The Unforgiven Yes No No
1961 The Misfits Yes No Yes
1962 Freud: The Secret Passion Yes No No
1963 The List of Adrian Messenger Yes No No
1964 The Night of the Iguana Yes Yes No Co-writer with Anthony Veiller
1966 The Bible: In the Beginning... Yes No No
1967 Reflections in a Golden Eye Yes No Yes
Casino Royale Yes No No Co-director with Ken Hughes, Joseph McGrath, Robert Parrish & Val Guest
1969 Sinful Davey Yes No Yes
A Walk with Love and Death Yes No Yes
1970 The Kremlin Letter Yes Yes Yes Co-writer with Gladys Hill
1972 Fat City Yes No Yes
The Life and Times of Judge Roy Bean Yes No No
1973 The Mackintosh Man Yes No Yes
1975 The Man Who Would Be King Yes Yes No Co-writer with Gladys Hill
1976 Independence Yes No No Short film
1979 Wise Blood Yes No No
1980 Phobia Yes No No
1981 Escape to Victory Yes No No
Let There Be Light Yes No No Documentary, uncredited; completed 1946-48
1982 Annie Yes No No
1984 Under the Volcano Yes No No
1985 Prizzi's Honor Yes No No
1987 The Dead Yes No No

As screenwriter only

Year Title Director Notes
1930 The Storm William Wyler Co-writer with Charles Logue, Langdon McCormick, Tom Reed & Wells Root
1931 A House Divided Co-writer with John B. Clymer, Olive Edens & Dale Van Every
1932 Murders in the Rue Morgue Robert Florey Co-writer with Tom Reed & Dale Van Every
Law and Order Edward L. Cahn Co-writer with Tom Reed & Richard Schayer
1935 Death Drives Through Co-writer with Katherine Strueby & Gordon Wellesley
It Happened in Paris Robert Wyler Co-writer with Katherine Strueby & H. F. Maltby
1938 The Amazing Dr. Clitterhouse Anatole Litvak Co-writer with John Wexley
Jezebel William Wyler Co-writer with Clements Ripley, Abem Finkel & Robert Buckner
1939 Juarez William Dieterle Co-writer with Aeneas MacKenzie & Wolfgang Reinhardt
1940 Dr. Ehrlich's Magic Bullet Co-writer with Norman Burnstine & Heinz Herald
1941 High Sierra Raoul Walsh Co-writer with W. R. Burnett
Sergeant York Howard Hawks Co-writer with Abem Finkel, Harry Chandler & Howard Koch
1946 The Killers Robert Siodmak Uncredited rewrites
Three Strangers Jean Negulesco Co-writer with Howard Koch
The Stranger Orson Welles Uncredited rewrites
1988 Mr. North Danny Huston Co-writer with Janet Roach & James Costigan

As an actor

Year Title Role Notes
1948 The Treasure of the Sierra Madre Man in White Suit Uncredited
1949 We Were Strangers Señor Muñoz
1956 Moby Dick Ship's Lookout
1962 Freud: The Secret Passion Narrator (voice)
The List of Adrian Messenger Lord Ashton
1963 The Cardinal Cardinal Lawrence Glennon
1966 The Bible: In the Beginning Noah / God / Narrator (voice)
The Legend of Marilyn Monroe Narrator (voice)
1967 Casino Royale M
1968 Candy Dr. Arnold Dunlap
1969 De Sade The Abbe
A Walk with Love and Death Robert the Elder
1970 The Kremlin Letter Admiral
Myra Breckinridge Buck Loner
1971 The Bridge in the Jungle Sleigh
The Deserter General Miles
Man in the Wilderness Captain Henry
1972 The Life and Times of Judge Roy Bean Grizzly Adams
1973 Battle for the Planet of the Apes The Lawgiver
1974 Chinatown Noah Cross
1975 Breakout Harris Wagner
The Wind and the Lion Secretary of State John Hay
1976 Sherlock Holmes in New York Professor Moriarty
1977 The Rhinemann Exchange Ambassador Henderson Granville TV miniseries
Tentacles Ned Turner
The Hobbit Gandalf (voice)
Angela Hogan
1978 The Greatest Battle Sean O'Hara
The Bermuda Triangle Edward Marvin
The Word Nathan Randall TV miniseries
1979 The Visitor Jerzy Colsowicz
Winter Kills Pa Kegan
Wise Blood Grandfather
Jaguar Lives! Ralph Richards
1980 The Return of the King Gandalf (voice) TV movie
Head On Clarke Hill
1982 Cannery Row Narrator (voice)
Annie Actor on Radio Uncredited
1983 Lovesick Larry Geller, M.D.
A Minor Miracle Father Cardenas
1984 Epic Narrator (voice) US version only
1985 Alfred Hitchcock Presents Carlos / Narrator (voice) TV series; Episode: "Pilot"
The Black Cauldron Narrator (voice)
1986 Momo Meister Hora
1987 Mister Corbett's Ghost The Collector TV movie
2018 The Other Side of the Wind Jake Hannaford Filmed between 1974 and 1975

Awards and honors

JohnHustoninPV
Statue of Huston, Puerto Vallarta, Mexico

John Huston received 15 Oscar nominations. He is the oldest person ever nominated for Best Director. This was for Prizzi's Honor (1985) when he was 79 years old. He won two Oscars for directing and writing the screenplay for The Treasure of the Sierra Madre. Huston also won a Golden Globe for that film.

He received the Life Achievement Award from the American Film Institute in 1983. He also got the Career Achievement Award from the U.S. National Board of Review of Motion Pictures in 1984.

Huston has a special honor: he directed both his father, Walter, and his daughter, Anjelica, in Oscar-winning performances. Walter won for The Treasure of the Sierra Madre, and Anjelica won for Prizzi's Honor. This made the Hustons the first family to have three generations of Academy Award winners. He also directed Anjelica in Sinful Davey in 1969.

He also directed 13 other actors who were nominated for Oscars. These include Humphrey Bogart, Katharine Hepburn, and Jack Nicholson.

In 1960, Huston received a star on the Hollywood Walk of Fame. This was for his contributions to movies. In 1965, he received the Laurel Award for Screenwriting Achievement from the Writers Guild of America. In 1981, his film Escape to Victory was nominated for the Golden Prize at the 12th Moscow International Film Festival. A statue of Huston, sitting in his director's chair, stands in Plaza John Huston in Puerto Vallarta, Mexico.

Major association awards

Academy Awards

Year Work Category Result
1941 Dr. Ehrlich's Magic Bullet Best Writing, Original Screenplay Nominated
1942 The Maltese Falcon Best Writing, Screenplay Nominated
Sergeant York Best Writing, Original Screenplay Nominated
1949 The Treasure of the Sierra Madre Best Director Won
Best Writing, Screenplay Won
1951 The Asphalt Jungle Best Director Nominated
Best Writing, Screenplay Nominated
1952 The African Queen Best Director Nominated
Best Writing, Screenplay Nominated
1953 Moulin Rouge Best Director Nominated
1958 Heaven Knows, Mr. Allison Best Writing, Screenplay Based on Material from Another Medium Nominated
1964 The Cardinal Best Supporting Actor Nominated
1976 The Man Who Would Be King Best Writing, Screenplay Adapted From Other Material Nominated
1986 Prizzi's Honor Best Director Nominated

Golden Globes

Year Work Category Result
1949 The Treasure of the Sierra Madre Best Director Won
1951 The Asphalt Jungle Nominated
Best Screenplay Nominated
1963 Freud Best Director Nominated
1964 The Cardinal Best Supporting Actor Won
1965 The Night of the Iguana Best Director Nominated
1975 Chinatown Best Supporting Actor Nominated
1986 Prizzi's Honor Best Director Won

BAFTA Awards

Year Work Category Result
1975 Chinatown Best Supporting Actor Nominated
1980 N/A BAFTA Fellowship Won

Independent Spirit Awards

Year Work Category Result
1988 The Dead Best Director Won

Critics awards

Year Association Work Category Result
1948 New York Film Critics Circle The Treasure of the Sierra Madre Best Director Won
National Board of Review Best Screenplay Won
1950 New York Film Critics Circle The Asphalt Jungle Best Director Nominated
National Board of Review Best Director Won
1952 New York Film Critics Circle The African Queen Best Director Nominated
1956 Moby Dick Won
Best Screenplay Nominated
National Board of Review Best Director Won
1974 Kansas City Film Critics Circle Chinatown Best Supporting Actor Won
1979 Los Angeles Film Critics Association N/A Career Achievement Award Won
1984 National Board of Review N/A Career Achievement Award Won
1985 New York Film Critics Circle Prizzi's Honor Best Director Won
1986 Boston Society of Film Critics Best Director Won
National Society of Film Critics Best Director Won
1987 New York Film Critics Circle The Dead Best Director Nominated
1988 National Society of Film Critics Best Director Nominated
1989 French Syndicate of Cinema Critics Best Foreign Film Won
London Film Critics' Circle Director of the Year Won

Film festivals

Year Festival Work Category Result
1948 Venice Film Festival The Treasure of the Sierra Madre Grand International Award Nominated
1950 The Asphalt Jungle Golden Lion Nominated
1953 Moulin Rouge Nominated
Silver Lion Won
1963 Berlin International Film Festival Freud Golden Bear Nominated
1979 Chicago International Film Festival Wise Blood Gold Hugo Nominated
San Sebastián International Film Festival Golden Shell Nominated
1981 Moscow International Film Festival Victory Golden Prize Nominated
1984 Cannes Film Festival Under the Volcano Palme d’Or Nominated
1985 Venice Film Festival Prizzi's Honor Golden Lion Nominated
Golden Ciak Won
N/A Special Lion for the Overall Work Won
1987 Tokyo International Film Festival The Dead Tokyo Grand Prix Nominated
Special Achievement Award Won

Guild awards

Year Guild Work Category Result
1949 Writers Guild of America The Treasure of the Sierra Madre Best Written American Drama Nominated
Best Written Western Won
Key Largo Best Written American Drama Nominated
1951 Directors Guild of America The Asphalt Jungle Outstanding Directorial Achievement in Motion Pictures Nominated
Writers Guild of America The Robert Meltzer Award Nominated
Best Written American Drama Nominated
1953 Moulin Rouge Best Written Drama Nominated
1957 Directors Guild of America Moby Dick Outstanding Directorial Achievement in Motion Pictures Nominated
1958 Heaven Knows, Mr. Allison Nominated
Writers Guild of America Best Written Drama Nominated
1962 Directors Guild of America The Misfits Outstanding Directorial Achievement in Motion Pictures Nominated
1963 Freud Nominated
1964 Writers Guild of America N/A Laurel Award for Screenwriting Achievement Won
1965 Directors Guild of America The Night of the Iguana Outstanding Directorial Achievement in Motion Pictures Nominated
Writers Guild of America Best Written Drama Nominated
1976 The Man Who Would Be King Best Drama Adapted from Another Medium Nominated
1983 Directors Guild of America N/A Lifetime Achievement Award – Feature Film Won
1986 Prizzi's Honor Outstanding Directorial Achievement in Motion Pictures Nominated

Other awards

Year Association Work Category Result
1957 Italian National Syndicate of Film Journalists Moby Dick Best Foreign Film Won
1966 Accademia del Cinema Italiano The Bible Best Foreign Director Won
1979 The Recording Academy The Hobbit Best Recording for Children Nominated
1981 Society of Camera Operators N/A Governors' Award Won
1983 Golden Raspberry Award Foundation Annie Worst Director Nominated
American Film Institute N/A Life Achievement Award Won
1986 Italian National Syndicate of Film Journalists Prizzi's Honor Best Foreign Director Nominated
Accademia del Cinema Italiano Best Foreign Director Nominated
1988 Cahiers du Cinéma The Dead Annual Top 10 Lists 3rd Place
Accademia del Cinema Italiano Best Foreign Director Nominated
Best Foreign Film Nominated
1989 Bodil Awards The Dead Bodil Award for Best Non-European Film Won

Images for kids

See also

Kids robot.svg In Spanish: John Huston para niños

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John Huston Facts for Kids. Kiddle Encyclopedia.