Vernon Ah Kee facts for kids
Quick facts for kids
Vernon Ah Kee
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Born | 1967 Innisfail, Queensland, Australia
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(age 58)
Nationality | Australian |
Education | Queensland College of Art |
Known for | Painting, text art, installation art, mixed media |
Notable work
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Tall Man |
Movement | Urban Indigenous art |
Awards | 2012 Finalist, Archibald Prize 2012 Visual Artist of the Year, Deadly Awards 2014 Redlands Konica Minolta Art Prize 2018 Australia Council Visual Arts Fellowship |
Vernon Ah Kee (born 1967) is a famous Australian artist and activist. He is one of the people who started ProppaNOW, an art group. Vernon Ah Kee lives in Brisbane, Queensland. He is an Aboriginal Australian man with family ties to several Indigenous groups in Queensland.
His art often explores his Aboriginal Australian identity and how it fits into modern Australia. He looks at ideas like skin color, race, and racism. Ah Kee's art has been shown in many galleries in Australia and around the world. He even represented Australia at the 2009 Venice Biennale.
Vernon Ah Kee uses many different art styles. These include painting, installations, photography, and text-based art. He is well-known for using old language and pictures to show problems with racism in Australia. His artworks are kept in collections all over the world.
In 2003, Ah Kee and other Indigenous Australian artists started ProppaNOW. This group helps Indigenous artists in Brisbane. It also works to fight against old ideas about Indigenous people.
Contents
About Vernon Ah Kee's Life
Vernon Ah Kee was born in Innisfail, Queensland, in 1967. His parents, Merv and Margaret Ah Kee, worked to support Indigenous rights. For a long time, Indigenous people were not counted in Australia's population records. This changed in 1971.
Ah Kee also has some Chinese family history from his great-grandfather. But he feels most connected to his Indigenous background. He once said, "I think of myself as a Rainforest Aboriginal."
His family moved to Cairns when he was 12. He loved to sketch a lot during this time. He went to Catholic schools in Cairns.
After learning screen printing at Cairns TAFE, Ah Kee began studying art. He started his Bachelor of Visual Art at Queensland College of Art in Brisbane in 1996. He focused on modern Indigenous Australian art and finished his degree in 1998. He then continued his studies, earning an honours in fine art and later a doctorate.
During his studies, he had two art shows at his college's gallery. These shows were called whitefella normal blackfella me in 2000 and con Text in 2007.
In 2014, his father passed away. In 2017, Ah Kee drew Portrait of My Father. He said this drawing was a "labour of love." In 2016, Ah Kee had a heart attack. But he got better in time for his 2017 art show, Not an animal or a plant.
Vernon Ah Kee's Art Career
How Vernon Ah Kee Makes Art
Vernon Ah Kee uses many different art forms. These include drawings and video installations. A main idea in all his art is looking at racism in Australia. Ah Kee says many artists have influenced him. He especially looks up to other Indigenous artists like Kevin Gilbert and Richard Bell. He feels he can see his own life in their art.
These artists helped him try new things beyond drawing, like text art. Text art is a common style among artists in the ProppaNOW group. He also gets ideas from the political views of Malcolm X and James Baldwin. These were important African American activists.
Many of his text-based artworks, also called "word art," use words from the past. He changes them to create new meanings. For example, his 2003 work austracism plays on the word "ostracism." His 2009 work becauseitisbitter uses a poem by Stephen Crane. It shows an Indigenous experience of Australia today.
The Museum of Contemporary Art Australia says his text art "points to unfair ideas in Australian society." They say his wordplay makes people think deeply about these issues.
Ah Kee also uses drawing and painting to show the modern Indigenous experience. fantasies of the good (2004) is a series of 13 detailed charcoal drawings. They show different members of Ah Kee's family, named in the art. The drawings look like official photos. This reminds people of how some scientists in the 1900s took pictures of Indigenous Australians. Those people were often not named, just given numbers. Ah Kee wanted to show Australia's history of racism. He said, "These drawings... are my evidence."
His 2012 portrait, I see deadly people: Lex Wotton, shows a man named Lex Wotton. Ah Kee used strong paint strokes. Wotton was shown in a bad way by the media after events on Palm Island in 2004. Ah Kee wanted Wotton to look "bold and brave" in his portrait. In 2012, Ah Kee also showed large charcoal and crayon portraits in an exhibition called Transforming Tindale. These were based on old photos of his relatives.
Ah Kee has also used video art. His exhibition Tall Man shows strong ideas about Australian racism. For Tall Man, Ah Kee used videos from the Palm Island protests in 2004. These protests happened after an Indigenous man died while with police. Ah Kee told the story from an Indigenous point of view. The video played on four screens. It showed peaceful scenes of Palm Island next to the chaos of the protests. It ended with protesters holding signs with Christian sayings. This was to show how some white Australian Christians treated Indigenous people unfairly. In 2021, Tall Man was part of an exhibition at Tate Modern in London.
His recent work, the island, also uses video. In it, Ah Kee talks about Australia's tough immigration system. He shares the story of an Afghan refugee couple. This shows he cares about more than just Indigenous Australian experiences.
ProppaNOW Art Group
Vernon Ah Kee is a founder of proppaNOW. He started it with Richard Bell, Jennifer Herd, and Joshua Herd. All these artists live in Brisbane. Richard Bell once said that the Aboriginal art world was controlled by white people. Ah Kee agreed.
The ProppaNOW artists want to show that Indigenous people living in cities are just as important as those in remote areas. They started the group because a government agency seemed to focus more on rural Indigenous artists.
In 2007, at a ProppaNOW show in Canberra, Ah Kee displayed his art You Deicide. A curator from the National Museum of Australia said this work talked about how Christian religions affected Aboriginal people's culture. Changing colonial language is a common way ProppaNOW artists make their point.
Dark + Disturbing Art Project
Dark + Disturbing is an art project led by Vernon Ah Kee. In August 2015, he put on a show called Dark + Disturbing: Gordon Hookey for proppaNOW. It featured art by Gordon Hookey, another artist from ProppaNOW.
Vernon Ah Kee in Media
In 2020, Ah Kee was one of six Indigenous artists in an ABC TV series. The series was called This Place: Artist Series. It was a project between the Australian Broadcasting Corporation and the National Gallery of Australia. The show visited artists to share stories about their work and communities.
In 2010, Ah Kee was also in an ABC Arts documentary. It was called "Not A Willing Participant." The film followed his art show at the 2009 Venice Biennale.
Art Exhibitions
As of December 31, 2019, Vernon Ah Kee had shown his art in 30 solo exhibitions. He also participated in 100 group exhibitions around the world. He continues to create and show his art.
Year | Exhibition | Exhibition Type | Gallery | Place | Country |
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1999 | If I was White | Solo | Metro Arts Centre | Brisbane | Australia |
2000 | The Which Way | Solo | Queensland College of Art Gallery | Brisbane | Australia |
2001 | whitefella normal blackfella me | Solo (Postgraduate) | Queensland College of Art Gallery | Brisbane | Australia |
2002 | non-People | Solo | Bellas Gallery | Brisbane | Australia |
Transit Narratives | Group | Centro per la Arti Visive LE VENEZIE | Treviso | Italy | |
Salone espositivo | Auronzo di Cadore | Italy | |||
Municipio | Group | Queensland College of Art Gallery | Brisbane | Australia | |
Victorian College of the Arts | Melbourne | Australia | |||
2003 | consent | Solo | Gallery 1 of the Institute of Modern Art | Brisbane | Australia |
Places That Name Us | Group | Ian Potter Museum of Art | Melbourne | Australia | |
1 Square Mile, Brisbane Boundaries | Group | Museum of Brisbane | Brisbane | Australia | |
Abstractions | Group | The Drill Hall | Canberra, ACT | Australia | |
This Is Not America | Group | (unmentioned) | Düsseldorf | Germany | |
Queensland College of Art | Brisbane | Australia | |||
Story Place: Indigenous Art of Cape York and the Rainforest | Group | Queensland Art Gallery | Brisbane | Australia | |
4 x 4 | Group | Institute of Modern Art | Brisbane | Australia | |
5 White Cubes | Group | Forum Kunst Art Residency | Rottweil | Germany | |
Feedback: Art, Social Consciousness and Resistance | Group | Museum of Art | Melbourne | Australia | |
2004 | fantasies of the good | Solo | Bellas Milani Gallery | Brisbane | Australia |
skin | Group | Long Gallery, Salamanca Arts Centre | Hobart, Tas. | Australia | |
Cultural Copy: Visual Conversations on Indigenous Art and Cultural Appropriation | Group | Fowler Museum of Cultural History | Los Angeles | USA | |
blak insights: Contemporary Indigenous Art from the Queensland Art Gallery | Group | Queensland Art Gallery | Brisbane | Australia | |
ART TV 2004: Australian Culture Now | Group | Australian Centre for the Moving Image | Melbourne | Australia | |
Spirit and Vision: Aboriginal Art | Group | Sammlung Essl—Kunsthaus | Klosterneuburg | Austria | |
2005 | you must hit | Solo | Bellas Milani Gallery | Brisbane | Australia |
mythunderstanding | Solo | Contemporary Art Centre of South Australia | Adelaide | Australia | |
ARC Art | Group | Design & Craft Biennial, Brisbane City Hall | Brisbane | Australia | |
Thick and Fast | Group | The Powerhouse | Brisbane | Australia | |
Art Urbain du Pacific | Group | Diff’ Art Pacific, The Castle of St-Auvent | Saint Auvent | France | |
The Grey Voice | Group | Tin Sheds Gallery | Sydney | Australia | |
Untitled | Group | The Lane Gallery | Auckland | New Zealand | |
Face Value: Video portraiture from the Pacific | Group | Ivan Dougherty Gallery | Sydney | Australia | |
Museum of Brisbane | Brisbane | Australia | |||
2006 | not an animal or a plant | Solo | Bellas Milani Gallery | Brisbane | Australia |
Yours, Mine, Ours: The ABC of Everything | Group | Campbelltown Arts Centre | Sydney | Australia | |
There Goes the Neighbourhood | Group | Ambleside Street Studio | Brisbane | Australia | |
Colonial to Contemporary | Group | Dell Gallery | Brisbane | Australia | |
The Sixth Drawing Biennale | Group | Drill Hall Gallery, ANU | Canberra | Australia | |
MCA Collection: New Acquisitions 2006 | Group | Museum of Contemporary Art | Sydney | Australia | |
Radical Regionalism: The Empire of Shadows | Group | Museum of London | London | United Kingdom | |
(unmentioned) | Ontario | Canada | |||
Queensland Live | Group (tour) | Queensland Art Gallery | Brisbane | Australia | |
(unmentioned) | Gladstone, Qld | Australia | |||
(unmentioned) | Logan, Vic. | Australia | |||
(unmentioned) | Bundaberg | Australia | |||
(unmentioned) | Cairns | Australia | |||
(unmentioned) | Ipswich, Qld | Australia | |||
(unmentioned) | Cleveland, Qld | Australia | |||
(unmentioned) | Mackay, Qld | Australia | |||
(unmentioned) | Toowoomba, Qld | Australia | |||
Dancelines | Group | George Adams Gallery, The Arts Centre | Melbourne | Australia | |
2007 | cant chant | Solo | Institute of Modern Art (IMA) | Brisbane | Australia |
unwritten | Solo | Bellas Milani Gallery | Brisbane | Australia | |
conText | Solo (Postgraduate) | Queensland College of Art Gallery | Brisbane | Australia | |
Drawings | Solo | Brisbane State High School | Brisbane | Australia | |
Power & Beauty: Indigenous Art Now | Group | Heide Museum of Modern Art | Melbourne | Australia | |
Regionalisms | Group | University of Queensland Art Museum | Brisbane | Australia | |
National Indigenous Art Triennial: Culture Warriors | Group | National Gallery of Art | Canberra | Australia | |
The Amersham Trophy | Group | Ambleside Street Studio, West End | Brisbane | Australia | |
Sunshine State | Group | Smart State, Campbelltown Arts Centre | Sydney | Australia | |
Friendly Fire | Group (ProppaNOW) | George Petelin Gallery | Gold Coast, Qld | Australia | |
Thresholds of Tolerance | Group | School of Art Gallery | Canberra | Australia | |
Raised by Wolves | Group | Art Gallery of Western Australia | Perth | Australia | |
2008 | belief suspension | Solo | Artspace | Sydney | Australia |
borninthisskin | Solo | Milani Gallery | Brisbane | Australia | |
Revolutions: Forms that Turn | Group | 2008 Biennale of Sydney | Sydney | Australia | |
In the space of elsewhere | Group | Stanley Picker Gallery | London | England | |
New Millennium | Group | Lismore Regional Gallery | Lismore, NSW | Australia | |
On Paper | Group | Milani Gallery | Brisbane | Australia | |
Optimism | Group | Gallery of Modern Art | Brisbane | Australia | |
2009 | Once Removed | Group | 53rd Venice Biennale of Art | Venice, Italy | Australia |
Terra Nullius: Contemporary Art from Australia | Group | ACC Galerie | Weimar | Germany | |
I walk the line: new Australian drawing | Group | Museum of Contemporary Art | Sydney | Australia | |
Avoiding myth and message: Australian artists & the literary world | Group | Museum of Contemporary Art | Sydney | Australia | |
2010 | Tall Man | Solo | Milani Gallery | Brisbane | Australia |
Vernon Ah Kee | Solo | City Gallery | Wellington | New Zealand | |
Waru | Solo | Gallery of Modern Art | Brisbane | Australia | |
Kick Arts, Contemporary Arts | Cairns, Qld | Australia | |||
Blow your house in | Solo | Mackenzie Art Gallery | Regina | Canada | |
becauseitisbitter | Solo | Milani Gallery | Brisbane | Australia | |
roundabout. | Group | City Gallery Wellington | Wellington | New Zealand | |
Basil Sellers Art Prize, | Group | Ian Potter Museum of Art | Melbourne | Australia | |
National Works on Paper Award | Group | Mornington Peninsula Regional Gallery | Melbourne | Australia | |
Jus’ Drawn, | Group | Linden Contemporary Arts Centre | Melbourne | Australia | |
PUTSCH proppaNOW | Group (proppaNOW | Tandanya National Aboriginal Cultural Institute | Adelaide | Australia | |
2011 | Tall Man | Solo | Gertrude Contemporary | Melbourne | Australia |
Bad Sign | Solo | Milani Gallery | Brisbane | Australia | |
Barack Commissions | Group | National Gallery of Victoria | Melbourne | Australia | |
The Black Sea. | Group | Kickarts Contemporary Arts | Cairns, Qld | Australia | |
Counting Coup, | Group | Museum of Contemporary Native Art | New Mexico | USA | |
Evolving Identities: Contemporary Indigenous Art | Group | John Curtin Gallery | Perth, WA | Australia | |
Erased: Contemporary Australian Drawing | Group (Asialink) | Nanwang Academy of Fine Arts Gallery (NAFA) | (unmentioned) | Singapore | |
PSG Art Gallery, Silpakorn University | Bangkok | Thailand | |||
Chiang Mai University Faculty of Fine Art Gallery | Chiang Mai | Thailand | |||
Khon Kaen University Art Gallery | Khon Kaen | Thailand | |||
National Art School | Sydney | Australia | |||
Ten Years of Contemporary Art: The James Sourris Collection | Group | Gallery of Modern Art | Brisbane | Australia | |
2012 | Hallmarks of the Hungry | Solo | Milani Gallery | Brisbane | Australia |
Everything Falls Apart | Group | Artspace | Sydney | Australia | |
Propositions Part 2 | Group | Milani Gallery | Brisbane | Australia | |
Negotiating this World: Contemporary Australian Art | Group | National Gallery of Victoria | Melbourne | Australia | |
unDisclosed: 2nd National Indigenous Art Triennial | Group | National Gallery of Australia | Canberra | Australia | |
The Future’s Not What it Used to Be | Group | Touring Chapter Gallery | Cardiff, Wales | Australia | |
Newlyn Art Gallery and Exchange | Cornwall | England | |||
Making Change: Celebrating the 40 Years of Australia-China Diplomatic Relations | Group | NAMOC | Beijing | China | |
COFA | Sydney | Australia | |||
Transforming Tindale | Solo | State Library of Queensland | Brisbane | Queensland | |
2013 | Invasion Paintings | Solo | Milani Gallery | Brisbane | Australia |
My Country: I Still Call Australia Home | Group | Gallery of Modern Art | Brisbane | Australia | |
Voice and Reason | Group | Gallery of Modern Art | Brisbane | Australia | |
Sakahan: 1st International Quinquennial of New Indigenous Art | Group | National Gallery of Canada | Ottawa | Canada | |
Shadowlife | Group | Bendigo Art Gallery | Bendigo, Vic. | Australia | |
2014 | Brutalities | Solo | Milani Gallery | Brisbane | Australia |
Saltwater Country | Group | Gold Coast City Gallery | Gold Coast, Qld | Australia | |
Subject to Ruin | Group | Casula Power House | Casula, NSW | Australia | |
Four Rooms | Group | Adelaide Festival | Adelaide | Australia | |
2015 | Encounters | Group | National Museum of Australia | Canberra | Australia |
Propositions Three | Group | Milani Gallery | Brisbane | Australia | |
When Silence Falls | Group | Art Gallery of New South Wales | Sydney | Australia | |
Brutal Truths, | Group | Griffith University Art Museum | Brisbane | Australia | |
The 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms | Group | (multiple venues) | Istanbul | Turkey | |
GOMA Q | Group | Gallery of Modern Art | Brisbane | Australia | |
Imaginary Accord | Group | Institute of Modern Art | Brisbane | Australia | |
Blackout | Group | Sydney College of the Arts | Sydney | Australia | |
See You at the Barricades | Group | Art Gallery of New South Wales | Sydney | Australia | |
2016 | Sugar Spin: You, me, art and everything | Group | Gallery of Modern Art | Brisbane | Australia |
Everywhen: The Eternal Present in Indigenous Art from Australia, |
Group | Harvard Art Museums | Cambridge, Massachusetts | USA | |
With Secrecy and Despatch | Group | Campbelltown Arts Centre | Sydney | Australia | |
Frontier Imaginaries | Group | Institute of Modern Art and QUT Art Museum | Brisbane | Australia | |
Black,White & Restive | Group | Newcastle Art Gallery | Newcastle, NSW | Australia | |
Endless Circulation: Tarrawarra Biennial, | Group | TarraWarra Museum of Art | TarraWarra, Victoria | Australia | |
Over the Fence | Group | UQ Art Museum | Brisbane | Australia | |
On the Origin of Art | Group | Museum of Old and New Art | Hobart, Tas. | Australia | |
Shut Up and Paint | Group | National Gallery of Victoria | Melbourne | Australia | |
2017 | Ode | Solo | Milani Gallery | Brisbane | Australia |
Will I Live | Solo | Apartment der Kunst | Munich | Germany | |
Not a plant or an animal | Solo | National Art School Gallery | Sydney | Australia | |
A Change Is Gonna Come | Group | National Museum of Australia | Canberra | Australia | |
Australian Collection | Group | Permanent Hang, Queensland Art Gallery | Brisbane | Australia | |
BOARD: Surf and Skate Cultures Meet Contemporary Art | Group | Lake Macquarie City Art Gallery | Lake Macquarie, NSW | Australia | |
2018 | Boundary Lines | Group | Griffith University Art Museum | Brisbane | Australia |
2018 Adelaide Biennial of Australian Art: Divided Worlds | Group | Art Gallery of South Australia | Adelaide | Australia | |
Riots: Slow Cancellation of the Future | Group | ifa-Galerie | Berlin | Germany | |
Playback, Dobell | Group | Australian Drawing Biennial, Art Gallery of NSW | Sydney | Australia | |
Hunter Red: Corpus | Group | Newcastle Gallery | Newcastle, NSW | Australia | |
2019 | Shadow Light | Group | Milani Gallery | Brisbane | Australia |
cantchant | Group | Art Gallery of Alberta | Alberta | Canada | |
Body Language | Group | National Gallery of Australia | Canberra | Australia | |
I, Object | Group | Gallery of Modern Art | Brisbane | Australia | |
Hope Dies Last: Art at the End of Optimism, | Group | Gertrude Contemporary | Melbourne | Australia | |
Australia. Antipodean Stories | Group | Padiglione D'Arte Contemporanea Milano | Milan | Italy | |
2020 | The Island | Solo | Campbelltown Arts Centre | Sydney | Australia |
In 2010, Vernon Ah Kee was interviewed for the State Library of Queensland's James C Sourris AM Collection. In this interview, Ah Kee talked about his art, his family, the ProppaNOW art group, and being an Aboriginal artist.